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1,004 stories by "Judith Mackrell"

Rambert Dance Company " review by Judith Mackrell

Sadler's Wells, LondonMusic creates the challenges as well as the pleasures of Rambert's latest mixed bill " and nowhere more so than in Paul Taylor's 1985 Roses. Wagner's Siegfried Idyll, t…

SOURCE: The Guardian at 2:15pm on May 25, 2011

This week's new dance by Judith Mackrell

Barn:Ballett " Clara, Howl, LondonBern:Ballett is one of the few significant European ballet companies run by a woman, its artistic director being British choreographer Cathy Marston. For it…

SOURCE: The Guardian at 7:06pm on May 20, 2011

Apocrifu " review by Judith Mackrell

Brighton DomeSidi Larbi Cherkaoui's 2009 work Apocrifu is all about words, and the terrible power of language to antagonise and divide. But, while there is a great sadness haunting this piec…

SOURCE: The Guardian at 1:00pm on May 19, 2011

Royal Ballet Mixed Bill - review by Judith Mackrell

Royal Opera House, LondonWayne McGregor is a choreographer who takes his ideas from notoriously unballetic sources, such as neuro-science and technology. And his latest work, Live Fire Exerc…

SOURCE: The Guardian at 1:08pm on May 16, 2011

This week's new dance by Judith Mackrell

Sidi Larbi Cherkaoui: Apocrifu, BrightonFlemish-Moroccan choreographer Sidi Larbi Cherkaoui has always displayed a fearless approach to dance-theatre, willing to negotiate massively ambitiou…

SOURCE: The Guardian at 7:05pm on May 13, 2011

Hans van Manen: Master of Dance " review by Judith Mackrell

Sadler's Wells, LondonI love dance programmes that are dedicated to just one choreographer's work. Run of the mill in modern dance, they are rare in ballet, where the imperative to create an…

SOURCE: The Guardian at 10:43am on May 13, 2011

This week's new dance by Judith Mackrell

Dutch National Ballet: Hans van Manen " Master Of Dance, LondonHans van Manen still ranks as the signature choreographer of Dutch National Ballet, with some 120 ballets to his name, and this…

SOURCE: The Guardian at 7:05pm on May 6, 2011

Manon " review by Judith Mackrell

Royal Opera House, LondonManon is having yet another run at the Opera House, and I'm beginning to feel about it the way I do about MacMillan's other box office standard, Romeo and Juliet. It…

SOURCE: The Guardian at 5:00pm on May 5, 2011

Desert Crossings by Judith Mackrell

Marine Theatre, Lyme RegisFriday may have universally been branded Kate and Wills day, but it was also Unesco World Day of Dance 2011. And down at the Lyme Regis Fossil festival, in among th…

SOURCE: The Guardian at 5:15pm on May 1, 2011

This week's new dance by Judith Mackrell

Breakin' Convention '11, LondonThe Wells' three-day hip-hop festival has become an annual fixture in the dance calendar, and this year's lineup boasts its usual, international mix of virtuos…

SOURCE: The Guardian at 7:06pm on April 29, 2011

Chouf Ouchouf " review by Judith Mackrell

Queen Elizabeth Hall, LondonWhen the 12 members of Groupe Acrobatique de Tanger first come on stage, you get no sense of their extraordinary skills. Dressed in baggy tracksuits, their b…

SOURCE: The Guardian at 1:43pm on April 26, 2011

This week's new dance by Judith Mackrell

Rites: Stravinsky's The Rite Of Spring, LondonAs dance in cinemas goes 3D in a big way, with Wim Wenders's Pina on release this week and the Mariinsky's Giselle recently screened in UK cinem…

SOURCE: The Guardian at 7:07pm on April 22, 2011

Judith Mackrell on story ballet by Judith Mackrell

Last week, Scottish Ballet opened its brand-new adaptation of Alice's Adventures in Wonderland, choreographed by Ashley Page: a surreal, psychedelic journey into the book, which explores its…

SOURCE: The Guardian at 5:30pm on April 17, 2011

Royal Ballet's Monica Mason high-kicks her way out | Judith Mackrell by Judith Mackrell

With punter-friendly favourites, revived masterpieces and daring collaborations, the artistic director's final season looks likely to be a classicThe Royal Ballet's next season is the last t…

SOURCE: The Guardian at 7:08am on April 15, 2011

Les Saisons Russes XXI " review by Judith Mackrell

Coliseum, LondonLondon loves Diaghilev. During the 29 years in which the great impresario ran the Ballets Russes, few cities offered him a warmer, more dependable welcome. A century on, the …

SOURCE: The Guardian at 1:15pm on April 14, 2011

Scottish Ballet Alice " review by Judith Mackrell

Theatre Royal, GlasgowWinter 2010 saw four Cinderella ballets touring the UK, but spring 2011 is all about Alice. Just six weeks after the Royal premiered Christopher Wheeldon's Alice, Scott…

SOURCE: The Guardian at 2:01pm on April 13, 2011

The Place Prize - review by Judith Mackrell

The Place, LondonEvery critic knows what it's like to be sitting in a theatre, completely at odds with the mood. But I've rarely felt that disconnect as acutely as at this year's Place Prize…

SOURCE: The Guardian at 1:56pm on April 8, 2011

The Place Prize: the Finals " review by Judith Mackrell

The Place, LondonEveryone knows what it's like to be sitting in a theatre, at odds with the general mood. But I've rarely felt that disconnect as acutely as at this year's Place Prize. At ea…

SOURCE: The Guardian at 12:01pm on April 7, 2011

Richard Alston Dance Company " review by Judith Mackrell

New Wimbledon theatre, LondonA change of stage can do surprising things to choreography. Two of the works in the Richard Alston Dance Company's current tour were created for closeup vie…

SOURCE: The Guardian at 2:00pm on April 6, 2011

The best dance for spring 2011 by Judith Mackrell

From spiky, surreal cabaret to an exhilarating Royal Ballet triple bill, Judith Mackrell picks the highlights of the seasonScottish Ballet: Alice The second Alice ballet to hit the stage in …

SOURCE: The Guardian at 3:00pm on April 5, 2011

3D Giselle " review by Judith Mackrell

Selected cinemasSuddenly 3D is everywhere, a shiny new toy for filming dance. In Pina, Wim Wenders's imminent documentary about the work of Pina Bausch, the technology justifies itself in sp…

SOURCE: The Guardian at 5:45pm on April 1, 2011

English National Ballet " review by Judith Mackrell

Coliseum, LondonGeorge Balanchine never concealed his fascination for ballerinas. "Ballet is woman," the choreographer famously pronounced. But this week in London, it's the male dancers who…

SOURCE: The Guardian at 6:00pm on March 24, 2011

Sex, politics and intrigue at the Bolshoi | Judith Mackrell by Judith Mackrell

Black Swan has nothing on the scandal-hit Russian ballet company and its long and bloody historyTwo months ago the Critics' Circle bestowed three of its annual dance awards on the Bolshoi ba…

SOURCE: The Guardian at 3:00pm on March 23, 2011

The Pet Shop Boys/The Most Incredible Thing - review by Judith Mackrell

Sadler's Wells, LondonIt may have been Tchaikovsky who inspired the Pet Shop Boys to attempt their first ballet score, but the music they've written for The Most Incredible Thing is not even…

SOURCE: The Guardian at 9:29pm on March 22, 2011

The Agony and the Ecstasy: English ballet's Black Swan? | Judith Mackrell by Judith Mackrell

BBC 4's documentary about ENB has been compelling viewing, but didn't dig deep enough into the questions troubling ballet " and ballet dancersWhen a BBC TV crew moved into English National B…

SOURCE: The Guardian at 11:03am on March 22, 2011
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