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1,004 stories by "Judith Mackrell"

English National Ballet: Black and White " review by Judith Mackrell

Coliseum, LondonEnglish National Ballet has had Suite en Blanc in its repertory for nearly 50 years, and yet by some odd act of omission it hasn't performed this treasure of a work …

SOURCE: The Guardian at 1:31pm on March 20, 2011

This week's new dance by Judith Mackrell

Phoenix Dance Theatre, On tourA company that started out as a few aspiring male dancers from Leeds now celebrates 30 years of near-continuous stage life. Despite having undergone several rad…

SOURCE: The Guardian at 8:06pm on March 18, 2011

Why did the Olivier awards ignore dancers? | Judith Mackrell by Judith Mackrell

This year's 'achievement in dance' award managed to pass without a single dancer being honoured. Why does dance put up with playing the Cinderella among art forms?Do prizes matter? After the…

SOURCE: The Guardian at 12:48pm on March 18, 2011

This week's new dance by Judith Mackrell

Pet Shop Boys & Javier De Frutos: The Most Incredible Thing, LondonNeil Tennant and Chris Lowe have released 10 albums, collaborated with artists as varied as Derek Jarman and Sam Taylor-Woo…

SOURCE: The Guardian at 7:08pm on March 11, 2011

De Frutos and Pet Shop Boys reach for the moon by Judith Mackrell

Pet Shop Boys and dance maverick Javier de Frutos have turned a Hans Christian Andersen story into a ballet. How did the moon landings end up in there?Javier de Frutos and Neil Tennant are o…

SOURCE: The Guardian at 4:29pm on March 9, 2011

Henri Oguike Dance Company " review by Judith Mackrell

Linbury Studio TheatreHenri Oguike has always been brave in his musical choices, but with one of his latest works, Butterfly Dreaming, he displays a streak of wildness.Tan Dun's score, …

SOURCE: The Guardian at 1:44pm on March 9, 2011

This week's new dance by Judith Mackrell

Les Ballets Trockadero De Monte Carlo, On tourThe wonderful Trocks are back on UK soil " taking their inimitable brand of classicism, camp and comedy on a nationwide tour. As always, their r…

SOURCE: The Guardian at 7:07pm on March 4, 2011

The Centaur and the Animal " review by Judith Mackrell

Sadler's Wells, LondonThe Centaur and the Animal may not be an ideal way for the horsier elements of the British public to get their first introduction to Bartabas and his equestrian theatre…

SOURCE: The Guardian at 1:44pm on March 2, 2011

Alice's Adventures in Wonderland " review by Judith Mackrell

Royal Opera HouseChristopher Wheeldon must have had moments when he identified strongly with the heroine of his latest work, given the chatter surrounding its creation. Alice is the first fu…

SOURCE: The Guardian at 8:50pm on February 28, 2011

Cleopatra - review by Judith Mackrell

Grand, LeedsAnyone trying to put a version of Cleopatra on stage has the shadow of Shakespeare to contend with. Antony and Cleopatra still ranks as theatre's most extravagantly poetic lovers…

SOURCE: The Guardian at 1:00pm on February 27, 2011

This week's new dance by Judith Mackrell

Northern Ballet Theatre: CleopatraFor choreographers of story ballets, finding that all-important accessible title or familiar score is a constant challenge. David Nixon has, in recent yea…

SOURCE: The Guardian at 7:07pm on February 25, 2011

The Forsythe Company: I Don't Believe in Outer Space " review by Judith Mackrell

Sadler's Wells, LondonThe idea of turning 60 brought William Forsythe a small but shocking recognition of his own mortality. Yet the work he choreographed in response was neither powere…

SOURCE: The Guardian at 1:19pm on February 24, 2011

Eva Yerbabuena " review by Judith Mackrell

Sadler's Wells, LondonEva Yerbabuena is a visionary, magisterial dancer, whose effects go far beyond technique. The stark, angular shapes of her arms are electric with emotion; long percussi…

SOURCE: The Guardian at 5:30pm on February 20, 2011

This week's new dance by Judith Mackrell

The Forsythe Company: I Don't Believe In Outer Space, LondonThese days, it's always difficult to predict what a new work by William Forsythe will look like. After making his mark on the 21st…

SOURCE: The Guardian at 7:06pm on February 18, 2011

Masquerade " review by Judith Mackrell

Cambridge JunctionMaresa von Stockert has a choreographic sensibility that's all her own, a mix of intellectual and sensory scrupulousness that makes her work strikingly original. In Masquer…

SOURCE: The Guardian at 1:19pm on February 16, 2011

This week's new dance by Judith Mackrell

State Of Emergency: Desert Crossings, On tourUK production company State Of Emergency has a fine record of commissioning new original works that engage artists of the African diaspora from a…

SOURCE: The Guardian at 7:05pm on February 11, 2011

Ballet Black " review by Judith Mackrell

Linbury Studio theatre, LondonBallet Black deserve to celebrate as they stage their 10th-anniversary programme. This small, determined company have not only carved out a much-needed niche fo…

SOURCE: The Guardian at 12:29pm on February 10, 2011

This week's new dance by Judith Mackrell

Royal Ballet: Swan Lake, LondonSwan Lake has been central to the Royal repertory, ever since the company was the fledgling Vic-Wells Ballet and could barely muster a full-size corps. Its cur…

SOURCE: The Guardian at 7:05pm on February 4, 2011

American Ballet Theatre: Programme 2 - review by Judith Mackrell

Sadler's Wells, LondonAntony Tudor was a British original, choreographing his early ballets with a rare and lethally observational eye. But in 1939, Tudor left for the US, and it's now ABT w…

SOURCE: The Guardian at 11:55am on February 3, 2011

American Ballet Theatre " review by Judith Mackrell

Sadler's Wells, LondonIt was, ironically, an exiled Russian, Mikhail Mordkin, who laid the foundations for the American Ballet Theatre's launch. Fifty-one years later, it's another Russian, …

SOURCE: The Guardian at 1:35pm on February 2, 2011

LOL (Lots of Love) - review by Judith Mackrell

Jerwood Dance House, IpswichLuca Silvestrini is the sharpest of comic choreographers; his satires on the shallowness and obsessions of the modern world were wickedly honed in works such as B…

SOURCE: The Guardian at 12:54pm on January 31, 2011

This week's new dance by Judith Mackrell

American Ballet Theatre, LondonAmerica's national ballet theatre brings a rich mix of one-act ballets to London, showing off their distinctive repertory of 20th and 21st-century work. The fi…

SOURCE: The Guardian at 7:06pm on January 28, 2011

Laugh " review by Judith Mackrell

Lilian Baylis theatre, LondonMy thesaurus has nearly 40 synonyms and slang variants listed under the entry for laugh. But in the light of Antonia Baehr's mad and brilliant show about laughte…

SOURCE: The Guardian at 1:36pm on January 28, 2011

Tim Rushton: ballet's boy from the Midlands is back by Judith Mackrell

He's a major choreographic force in Scandinavia, but Danish Dance Theatre's Brummie artistic director is little-known over here. He talks to Judith Mackrell about his struggle for acceptance…

SOURCE: The Guardian at 8:33am on January 27, 2011

Alexei Ratmansky: 'I hated making people unhappy' by Judith Mackrell

He shook up the Bolshoi. Now Alexei Ratmansky is shaking up American Ballet Theatre. The unstoppable choreographer talks to Judith MackrellTwo years ago, Alexei Ratmansky was 40 years old " …

SOURCE: The Guardian at 4:46pm on January 25, 2011
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