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358 stories by "Keith Loria"

The 6 Most Memorable Sets From Kerry Butler's Broadway Career by Keith Loria

As she prepares to play in the funhouse of Broadway's Beetlejuice, Butler looks back on six daring set designs that pushed her to the next level.

SOURCE: Playbill at 12:00pm on April 20, 2019

6 Memorable Sets From Kerry Butler's Broadway Career by Keith Loria

As she prepares to play in the funhouse of Broadway's Beetlejuice, Butler looks back on six daring set designs that pushed her to the next level.

SOURCE: Playbill at 12:00pm on April 20, 2019

10 Original Fosse Company Members Share Backstage Broadway Secrets, Fosse/Verdon Lore, and More by Keith Loria

Rachelle Rak, director Richard Matlby, Jr., and more remember the unconventional casting process, backstage (and onstage) pranks, showmances, and more behind the Tony-winning Broadway revue.

SOURCE: Playbill at 12:00pm on April 16, 2019

Roz White on Black Pearl Sings! and the songs of the Gullah people by Keith Loria

When she was a little girl, up until about the time she was 10 years old, Roz White visited her great grandmother in South Carolina every summer and saw first-hand the craftsmanship of the G…

SOURCE: DC Theatre Scene at 3:36pm on April 10, 2019

Hundreds of artists gather for CrossCurrents festival, intersecting politics and performance by Keith Loria

The D.C. theater and arts community is about to go where it's never been before as the Laboratory for Global Performance and Politics is introducing the first-ever D.C.-wide biennial CrossCu…

SOURCE: DC Theatre Scene at 12:08pm on April 5, 2019

Ayad Akhtar's Junk draws David Andrew MacDonald back to Arena after 34 years by Keith Loria

When David Andrew MacDonald takes the stage as Leo Tresler in Arena Stage's Junk, an economic thriller that exposes the financial dealmaking behind the mergers and acquisitions boom of the 1…

SOURCE: DC Theatre Scene at 11:48am on April 2, 2019

After a Hit With FX's The Americans, Hilary Bettis Is Back in Theatre by Keith Loria

The Blackburn Prize finalist has gained traction onstage with her new play Queen of Basel.

SOURCE: Playbill at 12:00pm on March 29, 2019

Psalmeyene 24 on directing Richard Wright's Native Son and writing a play in response to James Baldwin's criticism by Keith Loria

Fans of Richard Wright's iconic 1940 novel Native Son will want to head to Mosaic Theater Company in the upcoming weeks for the two plays, running in rep, which have emerged from the novel. …

SOURCE: DC Theatre Scene at 4:24pm on March 26, 2019

With Motown in his Blood, Hamilton Alum Ephraim Sykes Continues a Broadway Legacy of '60s Music in Ain't Too Proud by Keith Loria

The Hamilton and Hairspray Live performer talks about his leading role in the new Temptations musical.

SOURCE: Playbill at 12:00pm on March 9, 2019

Crying Hands. Treatment of the deaf and disabled under Hitler and Mussolini by Keith Loria

"The growth of Nazism during the past few years frightens me. Today's populist politicians use rhetoric that is identical to Mussolini's and Hitler's propaganda. New generations need to be t…

SOURCE: DC Theatre Scene at 1:00pm on March 8, 2019

A Guide to Washington, D.C.'s Theatre Scene by Keith Loria

Five theatre companies and famous venues to explore, whether you live in the nation's capital or are simply visiting.

SOURCE: Playbill at 12:30pm on March 7, 2019

Seema Sueko on directing the "revolutionary thriller from the heart", The Heiress by Keith Loria

On Valentine's Day this year, Arena Stage will open The Heiress, adapted from the 1880 Henry James novel Washington Square by playwrights Ruth and Augustus Goetz. While the play may se…

SOURCE: DC Theatre Scene at 6:06pm on February 7, 2019

When women first took to the English stage: Alison Luff on playing Nell Gwynn at Folger by Keith Loria

In 2013, Olivier-winning playwright Jessica Swale wrote a play about the life of actress Nell Gwynn, one of the first women to trod the English stage, and who became a celebrated actress dur…

SOURCE: DC Theatre Scene at 10:32am on February 6, 2019

Why The Music Man's Harold Hill Has Always Been Norm Lewis' Dream Role"And How He Hopes to Bring It to Broadway by Keith Loria

Stories from the rehearsal room, tips to prevent getting tongue-tied in “(Ya Got) Trouble,” and Lewis’ Broadway goals.

SOURCE: Playbill at 12:00pm on February 5, 2019

Vanessa Hudgens Is About to Bring a Whole New Maureen to the Screen in Rent on Fox by Keith Loria

The High School Musical and Gigi star says she’s been finding her own version of the role made famous by Idina Menzel.

SOURCE: Playbill at 12:00pm on January 23, 2019

Mike Donahue directing Admissions, Josh Harmon's satire on white liberal privilege by Keith Loria

When playwright Josh Harmon's Bad Jews played Studio Theatre in 2014, the production set box office records and multiple extensions. A remounting of the show the following year saw similar s…

SOURCE: DC Theatre Scene at 12:12pm on January 16, 2019

Director Sheldon Epps: Looking at Twelve Angry Men through the lens of the killing of Trayvon Martin by Keith Loria

"About four years ago, I did my first production of this show at Pasadena Playhouse and what prompted it was some serious and robust conversations about race that were going on in our countr…

SOURCE: DC Theatre Scene at 10:06am on January 14, 2019

Kings, Sarah Burgess' latest, is a comedy on how political fundraising gets done in Washington by Keith Loria

Growing up in Alexandra, Va., playwright Sarah Burgess saw first-hand the influence that lawmakers and lobbyists possess in fueling how Washington, D.C., is run. So, it's no surprise that on…

SOURCE: DC Theatre Scene at 11:48am on December 14, 2018

Justin Weaks on his first August Wilson experience, Gem of the Ocean by Keith Loria

Round House Theatre's staging of Gem of the Ocean presents the August Wilson classic in powerful, ambitious fashion. Under the direction of Timothy Douglas, the production has been ent…

SOURCE: DC Theatre Scene at 12:42pm on December 12, 2018

The technical wizardry behind a rising house and other tricks of the set of An Inspector Calls by Keith Loria

It's been more than 25 years since Stephen Daldry's production of J.B. Priestley's An Inspector Calls made its London debut. Thanks to Ian MacNeil’s astonishing set that paints a…

SOURCE: DC Theatre Scene at 12:04pm on November 20, 2018

Olney's pajama drive is on to warm the hearts of foster care children by Keith Loria

Olney Theatre Center's successful Annie-inspired pajama drive last year resulted in more than 800 pairs of new pajamas for the Rockville, Md.-based Comfort Cases which, in turn, went to chil…

SOURCE: DC Theatre Scene at 1:04pm on November 19, 2018

How Keegan transformed its space for As You Like It by Keith Loria

Keegan audiences will notice a big transformation of the theater for the area debut of Shaina Taub and Laurie Woolery's musical adaptation of Shakespeare’s As You Like It. Co-direct…

SOURCE: DC Theatre Scene at 12:32pm on November 16, 2018

How Corbin Bleu Found His Niche in Golden Age Musicals by Keith Loria

The former High School Musical and In The Heights star finds a sweet spot in nostalgia stories like Arena Stage’s Anything Goes and Broadway’s Kiss Me, Kate.

SOURCE: Playbill at 10:27am on November 14, 2018

Accident Bear, Bob Bartlett's latest, born and now staged in an Annapolis laundromat by Keith Loria

"I've always loved laundromats." This declaration by DC playwright Bob Bartlett explains why he set his newest work, The Accident Bear, in The Avenue Laundromat in historic Downtown Annap…

SOURCE: DC Theatre Scene at 3:36pm on November 7, 2018

Matthew Gardiner, directing Billy Elliot, admits the lead would have been his dream as a boy dancer. by Keith Loria

Before becoming a prominent director in D.C., Matthew Gardiner, Signature Theatre's associate artistic director, was a promising ballet dancer. Gardiner studied at The Washington Ballet star…

SOURCE: DC Theatre Scene at 1:12pm on November 2, 2018
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