The best way to start the new year? How about a full slate of world premieres.
Aziza Barnes world premiere is the play that black audiences deserve and white audiences need.
Our theater recommendations for the month of December.
A nineteenth century comedy of errors that strives for relevance but ends up as something much more satisfying: entertainment.
This world premiere from Janine Nabers marks Will Davis' most daring directorial work to date at his new home company.
This remount of Charles Dickens' novel is a reminder that art and insight need not exist separately.
From the power of prejudice in small town life to its politics, and then everything in between, enjoy November's theater offerings.
Free Street Theater's latest work is thematically and geographically centered in Chicago's Mexican-American communities.
A savage and truly refreshing world premiere comedy that takes on history's least funny subjects: white privilege.
The nuances of Arthur Miller's timeless classic feel at odds with the current cultural climate of glaring partiality.
The Chicago Premiere of Oscar Winner Tarrel Alvin McCraney's "Choir Boy" illuminates the internal and external conflicts of young black life.
Some of October's offerings, from "The Choir Boy" to "Dracula."
Stage Left's season opener is unnervingly plausible dystopian fiction.
The world premiere adaptation of Margaret Atwood's novel revisits a mysterious double murder and the young woman at the center of the crimes.
Steppenwolf's season opener sends unclear signals of the road ahead while offering memorable performances from two of its most celebrated ensemble members.