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908 stories by "Laura Collins-Hughes"

'Romeo & Juliet' Review: Older, Gentler Star-Crossed Lovers by Laura Collins-hughes

With age-blind casting at the Hudson Valley Shakespeare Festival, two actors who have been married for 38 years play the teenage leads.

SOURCE: The New York Times Subscription at 2:54pm on July 25, 2022

'Cannabis!' Review: Preaching to the Partaking Choir by Laura Collins-hughes

This vaudevillian show at La MaMa in Manhattan is like a party where weed is the guest of honor, thrown by ardent, uncritical hosts.

SOURCE: The New York Times Subscription at 2:54pm on July 22, 2022

A Bold Concert of Songs and a Potent Play Leave Audiences Abuzz by Laura Collins-hughes

At the Williamstown Theater Festival, Daniel Fish's "Most Happy in Concert" confounds and Anna Ouyang Moench's "Man of God" raises it own question.

SOURCE: The New York Times Subscription at 1:33pm on July 20, 2022

An 'Impossible Dream' Comes True, Again, for Marylouise Burke in 'Epiphany' by Laura Collins-hughes

The 81-year-old actress stars as an eccentric dinner party host. When she was a teenager, though, wanting to act was a secret she didn't dare tell.

SOURCE: The New York Times Subscription at 8:54pm on July 18, 2022

Review: In 'Between the Lines,' Romance Is Thwarted by Reality by Laura Collins-hughes

A new Off Broadway musical, based on the best-selling young adult novel by Jodi Picoult and Samantha van Leer, is uneven but sweet, our critic writes.

SOURCE: The New York Times Subscription at 5:33pm on July 17, 2022

'Twelfth Night' Review: A Shot of Joy Under a Darkening Sky by Laura Collins-hughes

At an uptown amphitheater, the Classical Theater of Harlem stages Shakespeare's comedy with fizzy delight.

SOURCE: The New York Times Subscription at 3:12pm on July 12, 2022

'He Presented Another Path': Actors and Directors on Peter Brook by Laura Collins-hughes

Patrick Stewart, Tarell Alvin McCraney, Tina Landau and Tim Robbins on being challenged and inspired by the legendary theater maker, who died last weekend.

SOURCE: The New York Times Subscription at 2:18pm on July 8, 2022

She'll Have You at Moo: Milky White and the Power of Puppetry by Laura Collins-hughes

She breathes, coughs and mourns, and now the cow puppet that captured hearts in the Encores! "Into the Woods" revival is on Broadway.

SOURCE: The New York Times Subscription at 10:42am on June 29, 2022

'Chains' Review: Drab Lives, but Dreaming of More by Laura Collins-hughes

A young boarder's plan to make a new life in Australia unsettles a staid British family in Elizabeth Baker's 1909 play, revived by the Mint Theater Company.

SOURCE: The New York Times Subscription at 3:43pm on June 27, 2022

'Lessons in Survival: 1971' Review: The Past Echoes in the Present by Laura Collins-hughes

The writer James Baldwin and the poet Nikki Giovanni are at the center of a crackling work of verbatim theater at the Vineyard Theater.

SOURCE: The New York Times Subscription at 2:24pm on June 23, 2022

Review: In High-Tech 'Orchard,' It's Hard to See the Forest for the Trees by Laura Collins-hughes

Jessica Hecht, Mikhail Baryshnikov and Chekhov himself too often get overwhelmed by this ambitious Arlekin Players Theater adaptation.

SOURCE: The New York Times Subscription at 8:42pm on June 16, 2022

'Quince' Review: A Mexican American Tale That Explains Too Much by Laura Collins-hughes

The new play, about a 15-year-old girl and her impending quinceañera, creates a fitting party vibe. If only the script didn't clarify every cultural reference.

SOURCE: The New York Times Subscription at 3:07pm on June 10, 2022

In 'Buggy Baby,' Shadows Creep In by Laura Collins-hughes

Josh Azouz's vivid, nightmarish play at Astoria Performing Arts Center in Queens is a hallucinatory tale about two refugees and a talkative infant.

SOURCE: The New York Times Subscription at 12:07pm on June 7, 2022

Review: In 'A Kid Like Rishi,' Hazy Uncertainty Shrouds a Teen's Killing by Laura Collins-hughes

A cast of three recount the gripping drama of the death of a teenager by the Dutch police in 2012.

SOURCE: The New York Times Subscription at 6:18pm on June 2, 2022

Review: In 'Romeo & Bernadette,' It's Off to Brooklyn for This Tale of Joy by Laura Collins-hughes

In this sweet, spoofy romp of a musical comedy, Romeo awakens from a 400-year slumber and follows a Juliet look-alike to Brooklyn.

SOURCE: The New York Times Subscription at 7:42pm on May 31, 2022

'I Know Why the Caged Bird Sings' Review: A Life Too Simplified by Laura Collins-hughes

This New York City Children's Theater adaptation of Maya Angelou's celebrated memoir faces the challenge of faithfully telling a story that encompasses a great deal of pain.

SOURCE: The New York Times Subscription at 5:07pm on May 25, 2022

Why the Tonys Need an Award for Best Ensemble by Laura Collins-hughes

Theater has always been a team sport. But this Covid-stalked Broadway season has made clear that a prize for the entire cast should be added.

SOURCE: The New York Times Subscription at 10:33am on May 17, 2022

Broadway Guide: What to Know About Tickets, Shows and Covid Protocols by Laura Collins-hughes

From new shows like "Macbeth" and "A Strange Loop" to long-running Tony Award winners, a rundown of everything you need to know.

SOURCE: The New York Times Subscription at 9:06pm on May 13, 2022

Comic or Graphic, Shows About Abortion Surface a Stark Divide by Laura Collins-hughes

Decidedly anti-sensationalistic, Alison Leiby's shrewd and funny personal monologue plays downtown. Uptown, a staged reading focuses on a gruesome case.

SOURCE: The New York Times Subscription at 3:06pm on May 11, 2022

'The Vagrant Trilogy' Review: Palestinians in Exile, Yearning for Home by Laura Collins-hughes

Mona Mansour's rich trilogy, now at the Public Theater, follows a displaced Palestinian family.

SOURCE: The New York Times Subscription at 12:03am on May 11, 2022

Marjan Neshat on Her 'Kind of Miraculous Season' Onstage by Laura Collins-hughes

Now starring in "Wish You Were Here," the Iranian-born actress has made her mark in three works by playwrights of Middle Eastern descent.

SOURCE: The New York Times Subscription at 9:18am on May 6, 2022

Review: Billy Crystal Carries the Tune in 'Mr. Saturday Night' by Laura Collins-hughes

In a mishmash new musical based on his 1992 movie, he charms the audience as a has-been comic reconnecting with family.

SOURCE: The New York Times Subscription at 10:18pm on April 27, 2022

Review: 'For Colored Girls' Returns, Leading With Joy by Laura Collins-hughes

Camille A. Brown's revival of Ntozake Shange's 1976 Broadway landmark brings exuberant life to a play that celebrates Black women's solidarity in the face of pain.

SOURCE: The New York Times Subscription at 9:07pm on April 20, 2022

'Penelope' Review: Adrift Between Ithaca and Progress by Laura Collins-hughes

A new musical-comedy retelling of "The Odyssey" from the York Theater Company tries to center a powerful woman but feels like a show about and for men.

SOURCE: The New York Times Subscription at 7:03pm on April 8, 2022

'Garbageman' Review: Just a Couple of Straw Men by Laura Collins-hughes

In Keith Huff's new play, two friends head to the Jan. 6 insurrection, but this production substitutes unfunny cartoonishness for the characters' humanity.

SOURCE: The New York Times Subscription at 3:06pm on April 5, 2022
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