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920 stories by "Laura Collins-Hughes"

Review: In 'Power Strip,' a Syrian Story Both Bleak and Striking by Laura Collins-hughes

Sylvia Khoury's insidiously sharp new play arrives as the eight-year-old conflict is making fresh headlines in the United States.

SOURCE: The New York Times Subscription at 10:48pm on October 21, 2019

'The White Chip' Review: Day-Drunk and Careening Toward Rock Bottom by Laura Collins-hughes

In Sean Daniels's grim autobiographical comedy, a charming stage director tries, and tries again, to sober up.

SOURCE: The New York Times Subscription at 2:36pm on October 14, 2019

Review: 'Caesar & Cleopatra,' Dressed Down Yet Wised Up by Laura Collins-hughes

George Bernard Shaw gets sensitively streamlined in a briskly entertaining production with winning performers at its center.

SOURCE: The New York Times Subscription at 4:18pm on October 3, 2019

Flourishing in Bedlam, but Flying to the Coop by Laura Collins-hughes

Kate Hamill and Andrus Nichols made their names in a theater company specializing in scaled-down classics. Now they're forming their own troupe.

SOURCE: The New York Times Subscription at 3:12pm on September 30, 2019

Review: A Spellbinding 'Antigone,' Both Timeless and Urgent by Laura Collins-hughes

An easily legible production of the ancient Greek tragedy borrows from the tradition of Noh theater at the Park Avenue Armory.

SOURCE: The New York Times Subscription at 4:54pm on September 26, 2019

Review: In 'Fern Hill,' Scene-Stealing for the Common Good by Laura Collins-hughes

John Glover lifts Michael Tucker's otherwise convoluted and crowded dramedy of baby boomers contemplating life on a commune.

SOURCE: The New York Times Subscription at 3:06pm on September 22, 2019

Betty Corwin, Who Preserved Theater's Legacy, Dies at 98 by Laura Collins-hughes

By definition, live theater vanishes in the moment; Ms. Corwin pushed to have shows videotaped and deposited in a library collection, which she ran for decades.

SOURCE: The New York Times Subscription at 6:06pm on September 17, 2019

Review: Isabelle Adjani, Raging and Aging in 'Opening Night' by Laura Collins-hughes

A French stage adaptation of the John Cassavetes film misses the #MeToo moment.

SOURCE: The New York Times Subscription at 2:18pm on September 13, 2019

'For Colored Girls' Returns, as a Celebration and as a Weapon by Laura Collins-hughes

Ntozake Shange's play, with its unflinching depiction of black women's experience, is coming back to the Public Theater more than 40 years after opening there.

SOURCE: The New York Times Subscription at 6:33am on September 13, 2019

Review: Mac Wellman's 'Bad Penny' Promises a Boat Ride to Hell by Laura Collins-hughes

The Flea Theater has revived this brief play, in which a flat tire is the least of the problems you might encounter in Central Park.

SOURCE: The New York Times Subscription at 3:54pm on September 9, 2019

The Cell, the Spell and the Mystery of 'Sea Wall/A Life' by Laura Collins-hughes

Was it a one-time telephone interruption, or was it written into the show? And why was it so crucial to find out?

SOURCE: The New York Times Subscription at 7:03pm on August 27, 2019

'#DateMe' Review: Not Feeling a Love Connection by Laura Collins-hughes

A frenzy of strained joke-making and audience participation overwhelms a promising exploration of romance in the internet age.

SOURCE: The New York Times Subscription at 3:36pm on August 22, 2019

Tom Hiddleston on 'Betrayal' and the Art of Self-Protection by Laura Collins-hughes

The screen and stage star is making his Broadway debut as the bottled-up husband wearing a "mask of control" in Harold Pinter's romantic triangle.

SOURCE: The New York Times Subscription at 7:33am on August 21, 2019

'Sea Wall/A Life' Review: Quiet Tragicomedies of Love and Loss by Laura Collins-hughes

In a tender pair of monologues, Tom Sturridge and Jake Gyllenhaal portray young fathers shaken out of complacency.

SOURCE: The New York Times Subscription at 10:03pm on August 8, 2019

Their Shows Flopped. Here's What These 7 Actors Did Next. by Laura Collins-hughes

With plays and musicals folding left and right, Broadway stars impart wisdom they gained when it happened to them.

SOURCE: The New York Times Subscription at 10:54am on August 8, 2019

Review: Home Is No Haven in 'Rinse, Repeat' by Laura Collins-hughes

In Domenica Feraud's potent drama, hard-driving parents don't recognize the examples they set for a daughter with anorexia.

SOURCE: The New York Times Subscription at 2:32pm on August 5, 2019

'Two's a Crowd' Review: Rita Rudner in a Sitcom With Songs by Laura Collins-hughes

This new "comedy musical" is lesser material than she deserves, but Ms. Rudner delivers an innocuously pleasant evening.

SOURCE: The New York Times Subscription at 4:54pm on July 31, 2019

Review: At This Theater Festival, Death Crouches in the Wings by Laura Collins-hughes

Bereavement and self-destruction stalk the plays in Series A of this year's Summer Shorts Festival in New York.

SOURCE: The New York Times Subscription at 7:24pm on July 30, 2019

'Till' Brings a Tragedy to Life by Laura Collins-hughes

The New York Music Festival production tells the story of the summer when Emmett Till was murdered.

SOURCE: The New York Times Subscription at 3:36pm on July 26, 2019

Review: 'the way she spoke' Is a Trip to Ciudad Juárez by Laura Collins-hughes

Isaac Gomez's one-woman play follows the trail violence in a city on the Mexican border.

SOURCE: The New York Times Subscription at 11:06pm on July 18, 2019

An Apollo 11 'Oratorio,' Told by Those Who Were There by Laura Collins-hughes

The "Oslo" playwright J.T. Rogers found himself moved stitching a story he thought he knew well: "It is a piece about hope and wonder."

SOURCE: The New York Times Subscription at 2:06pm on July 18, 2019

Review: A Meticulous Artist, Numb to the Touch, in 'Reborning' by Laura Collins-hughes

This play by Zayd Dohrn, about a victim of a horrific crime who grows up to be a dollmaker, is a dark comedy " with a touch of horror.

SOURCE: The New York Times Subscription at 4:24pm on July 12, 2019

'Promenade' Review: A '60s Musical That Offers Zany Delights by Laura Collins-hughes

The City Center revival of this satire on the haves and have-nots features book and lyrics by María Irene Fornés and a score by Al Carmines.

SOURCE: The New York Times Subscription at 3:32pm on July 11, 2019

Review: Molly Bloom Leaps From 'Ulysses' to Shout 'Yes!' by Laura Collins-hughes

Aedín Moloney and Colum McCann lift the character from James Joyce's novel to create a celebration of womanhood for the stage.

SOURCE: The New York Times Subscription at 3:03pm on July 3, 2019

When Theater is a Religious Experience by Laura Collins-hughes

Faith has had a powerful role in shaping some recent dramas. But plays can bring spiritual solace to the nonbeliever, too.

SOURCE: The New York Times Subscription at 10:24am on July 2, 2019
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