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908 stories by "Laura Collins-Hughes"

Tom Hiddleston on 'Betrayal' and the Art of Self-Protection by Laura Collins-hughes

The screen and stage star is making his Broadway debut as the bottled-up husband wearing a "mask of control" in Harold Pinter's romantic triangle.

SOURCE: The New York Times Subscription at 7:33am on August 21, 2019

'Sea Wall/A Life' Review: Quiet Tragicomedies of Love and Loss by Laura Collins-hughes

In a tender pair of monologues, Tom Sturridge and Jake Gyllenhaal portray young fathers shaken out of complacency.

SOURCE: The New York Times Subscription at 10:03pm on August 8, 2019

Their Shows Flopped. Here's What These 7 Actors Did Next. by Laura Collins-hughes

With plays and musicals folding left and right, Broadway stars impart wisdom they gained when it happened to them.

SOURCE: The New York Times Subscription at 10:54am on August 8, 2019

Review: Home Is No Haven in 'Rinse, Repeat' by Laura Collins-hughes

In Domenica Feraud's potent drama, hard-driving parents don't recognize the examples they set for a daughter with anorexia.

SOURCE: The New York Times Subscription at 2:32pm on August 5, 2019

'Two's a Crowd' Review: Rita Rudner in a Sitcom With Songs by Laura Collins-hughes

This new "comedy musical" is lesser material than she deserves, but Ms. Rudner delivers an innocuously pleasant evening.

SOURCE: The New York Times Subscription at 4:54pm on July 31, 2019

Review: At This Theater Festival, Death Crouches in the Wings by Laura Collins-hughes

Bereavement and self-destruction stalk the plays in Series A of this year's Summer Shorts Festival in New York.

SOURCE: The New York Times Subscription at 7:24pm on July 30, 2019

'Till' Brings a Tragedy to Life by Laura Collins-hughes

The New York Music Festival production tells the story of the summer when Emmett Till was murdered.

SOURCE: The New York Times Subscription at 3:36pm on July 26, 2019

Review: 'the way she spoke' Is a Trip to Ciudad Juárez by Laura Collins-hughes

Isaac Gomez's one-woman play follows the trail violence in a city on the Mexican border.

SOURCE: The New York Times Subscription at 11:06pm on July 18, 2019

An Apollo 11 'Oratorio,' Told by Those Who Were There by Laura Collins-hughes

The "Oslo" playwright J.T. Rogers found himself moved stitching a story he thought he knew well: "It is a piece about hope and wonder."

SOURCE: The New York Times Subscription at 2:06pm on July 18, 2019

Review: A Meticulous Artist, Numb to the Touch, in 'Reborning' by Laura Collins-hughes

This play by Zayd Dohrn, about a victim of a horrific crime who grows up to be a dollmaker, is a dark comedy " with a touch of horror.

SOURCE: The New York Times Subscription at 4:24pm on July 12, 2019

'Promenade' Review: A '60s Musical That Offers Zany Delights by Laura Collins-hughes

The City Center revival of this satire on the haves and have-nots features book and lyrics by María Irene Fornés and a score by Al Carmines.

SOURCE: The New York Times Subscription at 3:32pm on July 11, 2019

Review: Molly Bloom Leaps From 'Ulysses' to Shout 'Yes!' by Laura Collins-hughes

Aedín Moloney and Colum McCann lift the character from James Joyce's novel to create a celebration of womanhood for the stage.

SOURCE: The New York Times Subscription at 3:03pm on July 3, 2019

When Theater is a Religious Experience by Laura Collins-hughes

Faith has had a powerful role in shaping some recent dramas. But plays can bring spiritual solace to the nonbeliever, too.

SOURCE: The New York Times Subscription at 10:24am on July 2, 2019

Review: Hugh Jackman Isn't Quite the Greatest Showman in an Arena by Laura Collins-hughes

His world tour "The Man. The Music. The Show." stopped at Madison Square Garden. But it would have been better on Broadway.

SOURCE: The New York Times Subscription at 3:18pm on June 30, 2019

How Audra McDonald and Michael Shannon Got Intimate by Laura Collins-hughes

To make the actors comfortable, the director of "Frankie and Johnny" brought in an expert in staging sex scenes " Broadway's first, and certainly not its last.

SOURCE: The New York Times Subscription at 11:12am on June 26, 2019

Review: In 'The Mountains Look Different,' Sin, Shame and Self-Determination by Laura Collins-hughes

A forgotten 1948 drama by Micheál Mac Liammóir has been polished to a becoming shimmer at Theater Row.

SOURCE: The New York Times Subscription at 11:42pm on June 20, 2019

Review: Behind the 'Veil,' Facts Are Negotiable by Laura Collins-hughes

Hollywood filmmakers tell a period story set in China in Gordon Dahlquist's layered look at truth, lies and the power of narrative.

SOURCE: The New York Times Subscription at 2:36pm on June 19, 2019

Review: 'Dropping Gumballs on Luke Wilson,' Aiming for His Head by Laura Collins-hughes

Based on an anecdote from the set of an infamous commercial, the play focuses on the behind-the-scenes people who work to realize an artist's vision.

SOURCE: The New York Times Subscription at 11:36am on June 19, 2019

Review: In 'Public Servant,' a Changed Daughter Returns From College by Laura Collins-hughes

Bekah Brunstetter's civic-minded new play is about parenthood, paternalism and what it means to work for the people.

SOURCE: The New York Times Subscription at 7:33pm on June 11, 2019

Review: In 'Little Women,' a Girl Dreams of a Man's World by Laura Collins-hughes

The stage adaptation of Louisa May Alcott's novel places the ambitious, thwarted Jo March at its center.

SOURCE: The New York Times Subscription at 9:54pm on June 4, 2019

Review: 'Enter Laughing' Delights. (Except if You're Greta Garbo.) by Laura Collins-hughes

Set in the 1930s, this musical comedy about a young man striving for stardom lands most of its jokes in song.

SOURCE: The New York Times Subscription at 1:48pm on May 30, 2019

Does Anything Awful Happen to the Cat in the Play? by Laura Collins-hughes

On the dread, and the glory, of watching animals onstage.

SOURCE: The New York Times Subscription at 8:06am on May 29, 2019

Critic's pick: Review: Girls Just Wanna Play 'Mac Beth' by Laura Collins-hughes

Erica Schmidt's raucously exuberant adaptation finds common cause between rebellious teenagers and bloody-minded Shakespeare.

SOURCE: The New York Times Subscription at 2:42pm on May 20, 2019

He Takes Us to the Underworld in 'Hadestown.' And We're Glad to Go. by Laura Collins-hughes

Fifty years into his stage career, André De Shields cherishes the ability to change what is to come.

SOURCE: The New York Times Subscription at 10:36am on May 16, 2019

Review: 'Democracy in America' Misses Our Current Moment by Laura Collins-hughes

Romeo Castellucci's Tocqueville-inspired spectacle, presented by Peak Performances, offers highbrow style without the substance to back it up.

SOURCE: The New York Times Subscription at 1:36pm on May 12, 2019
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