908 stories by "Laura Collins-Hughes"
The Classical Theater of Harlem's Christmas musical is a memory show; this year it moves to the main stage of the Apollo.
Erik Ehn's sprawling experimental drama at La MaMa, directed by Glory Kadigan, means to be obscure, though probably not to the degree that it is.
Jacob G. Padrón is the artistic director of the Sol Project, which has found deep pockets to finance its goal of ushering Latinos into the theater mainstream.
This book by Arthur and Barbara Gelb expresses a professional admiration for Mr. O'Neill but goes into great detail about the unflattering parts of his life.
The loss of a young son is the central force in this work by the Dutch playwright Lot Vekemans.
This Hansol Jung play, set from the 1940s through the mid-1970s, centers on a woman with an urn of her father's ashes and includes Jesus in disguise.
This show grew out of Israel Horovitz's radio play of the same name, inspired by an Alaskan avalanche that buried a man in a cabin under 30 feet of snow.
Christopher Bayes, who teaches physical acting at Yale, has trained a generation of comic performers, including many in "The Servant of Two Masters."
With girlfriends acting as ironic courtside commentators, Andy Bragen's play examines a highly charged pastime for two men entering middle age.
Mr. Oliver, who stars in "Attorney Street," the latest installment of his solo trilogy, takes a melancholy stroll around his former neighborhood.
John Fleck veers into gothic horror spoof in his solo show, "Blacktop Highway," at Dixon Place. With video and puppetry, it is gory and gleefully dark.
In this program of two one-act plays at Here, the company Eagle Project examines how natural disasters take their greatest toll on minority residents.
This MJ Kaufman play centers on a transgender character who finds solace in an enormous tree as he deals with issues of identity, intimacy and family.
Harrison David Rivers's new play, at the National Black Theater, pits Kansas siblings against each other in a bid for a Columbia graduate's heart.
Sean Holmes's contemporary take on Sean O'Casey's drama set during the 1916 Easter Rising offers no illusions of heroism.
The new multimedia piece, at the Abrons Arts Center, was based on the producer Anne Hamburger's experience with placing her son in wilderness therapy.
The highlight of "Inner Voices," a program of three musical monologues presented by Premieres at TBG Theater, is "The Pen," sung by Nancy Anderson.
This adaptation of the Jean Genet play puts two pairs of actors " one male, one female " in the title roles as servants yearning for freedom.
The new piece from the dance and theater company Witness Relocation is a meditation on middle age that does not want to go gentle.
The play, written by and starring Lisa Lampanelli, is a patchwork of standup comedy and monologues that are only loosely sewn together.
This play features Kevin Augustine as a broken-down heavenly father who is better at making promises than answering prayers.
Joan Plowright & Amanda Plummer played "Jo" to great acclaim, add REBEKAH BROCKMAN to that list since her memorable & assured performance is the chief attraction of Austin Pendleton's produc…
Organizers of the summer festival, which has been produced for 20 years, say the hiatus will be used to reconsider the festival's mission.
A woman and a man conjure ever-morphing, wildly different ideas in this show from Forced Entertainment, part of the Crossing the Line Festival.
The play, at the Abrons Arts Center, is adapted by Joshua William Gelb from the 1866 New York stage spectacular of the same name.
