921 stories by "Laura Collins-Hughes"
This MJ Kaufman play centers on a transgender character who finds solace in an enormous tree as he deals with issues of identity, intimacy and family.
Harrison David Rivers's new play, at the National Black Theater, pits Kansas siblings against each other in a bid for a Columbia graduate's heart.
Sean Holmes's contemporary take on Sean O'Casey's drama set during the 1916 Easter Rising offers no illusions of heroism.
The new multimedia piece, at the Abrons Arts Center, was based on the producer Anne Hamburger's experience with placing her son in wilderness therapy.
The highlight of "Inner Voices," a program of three musical monologues presented by Premieres at TBG Theater, is "The Pen," sung by Nancy Anderson.
This adaptation of the Jean Genet play puts two pairs of actors " one male, one female " in the title roles as servants yearning for freedom.
The new piece from the dance and theater company Witness Relocation is a meditation on middle age that does not want to go gentle.
The play, written by and starring Lisa Lampanelli, is a patchwork of standup comedy and monologues that are only loosely sewn together.
This play features Kevin Augustine as a broken-down heavenly father who is better at making promises than answering prayers.
Joan Plowright & Amanda Plummer played "Jo" to great acclaim, add REBEKAH BROCKMAN to that list since her memorable & assured performance is the chief attraction of Austin Pendleton's produc…
Organizers of the summer festival, which has been produced for 20 years, say the hiatus will be used to reconsider the festival's mission.
A woman and a man conjure ever-morphing, wildly different ideas in this show from Forced Entertainment, part of the Crossing the Line Festival.
The play, at the Abrons Arts Center, is adapted by Joshua William Gelb from the 1866 New York stage spectacular of the same name.
Shelagh Delaney's play, once a hit in the West End and on Broadway, is revived by Pearl Theater Company.
The Public Theater's Mobile Unit took on the challenge of presenting this play in a nontheatrical space in Harlem; now the cast will continue it in a theatrical one.
Spencer Lott's play shines in its wordless moments as it follows the decline of a 76-year-old widower with Alzheimer's disease.
Hershey Felder plays that "telegenic ham" Leonard Bernstein in "Maestro," a solo show with songs, at 59E59 Theaters.
"Underground Railroad Game," opening at Ars Nova, is a squirm-inducing comic play concerning the legacy of slavery.
Ellen McLaughlin's adaptation of Euripides' tale has its New York premiere at the Flea; the impetus for her work was the Bosnian War.
What is true and what is a cultural expectation in this play about a Chinese dissident keep the audience guessing.
This brisk production from the company Motherlode concerns a village tempted by a stranger to move to new homes down the road.
A critic revisits the festival for "The Box Show," "Thud!," a new "Cyrano," "Night of the Living N-Word!!" and "Roadkill."
A dozen-show dive into the New York International Fringe Festival, which has nearly 200 shows on offer.
Artists in the New York International Fringe Festival used their creativity to secure rehearsal locations that wouldn't break the bank.
Sarah DeLappe's play focuses on coming of age, the closed ranks of a longtime unit and the loneliness of being an outsider.
