908 stories by "Laura Collins-Hughes"
By performing it multiple times in rapid succession, flexCO turns a 17th-century farce inside out.
The Radio City show's aim seems to be selling tickets to people who would rather sit back and watch a sanitized simulation of the city.
In "The Iceman Lab, " a four-act rethinking of "The Iceman Cometh" at Here, the mood at that depressing saloon has really livened up.
"The Taming of the Shrew," now at the Delacorte Theater, reminds women of their duty to their husbands. Here's a take from a critic " and how some female directors view it.
This play, directed by Kristin Marting, emphasizes love and mourning through a collage of real online posts.
Deploying visceral images and sounds, this production at Montclair State University is a radical transfiguration of the Moses story.
Arguments among intellectuals take precedence in Mac Rogers's play, set in Czechoslovakia in the years after World War I and overstuffed with ideas.
This Jonathan Brielle musical retells the story of James Joyce and Nora Barnacle as a couple and as early-20th-century iconoclasts.
Sigrid Gilmer blends time travel with runaway slaves in this comedy at the Robert Moss Theater, which features a heroic yet human Harriet Tubman.
Mr. Albo's new solo show, at Dixon Place, relates his immersion in the world of clinics and blood tests when he agrees to help his best friend become pregnant.
The Irondale Ensemble explores four plays that he was writing in 1599.
This sung-through show at Axis Theater, from Randy Sharp and Paul Carbonara, looks and sounds good, but the story is a murk of confusion.
Performance Space 122, a center of arts innovation, is offering a mobile tour of sites related to creative performance in the neighborhood.
Created with the director Rebecca Taichman, "Indecent" is inspired by Sholem Asch's Yiddish play "The God of Vengeance."
Jordan Jaffe's dark new eco-comedy stars Nico Tortorella as a callous young oil heir worried that his life may be ruined by a Gulf of Mexico spill.
Structured as a response to Dostoyevsky, this production pares the cast to four.
This Sarah Gancher play, set in Budapest, features a group deciding whether to fight a shutdown just as their country is shifting to the right.
Red Bull Theater's jaunty new production of Richard Brinsley Sheridan's work is directed by Marc Vietor at the Lucille Lortel Theater.
This new production from Ms. Satter's theater company, Half Straddle, combines a pop concert and a drama as it explores two relationships gone awry.
The British playwright's American debut, "Revolt. She Said. Revolt Again.," is a call for feminist revolution with a ferocity absent from her personal demeanor.
This play, an investigation of family, creativity and home, takes its main inspiration from Luigi Pirandello's "Six Characters in Search of an Author."
Laura Zlatos's play at 59E59 Theaters sets up a retro rom-com world of young marrieds and introduces a baby whose sex can't be determined.
The four characters in J. Julian Christopher's play consider this question: Is the priesthood a closet, a refuge or both?
Aaron Davidman's play about the Israeli-Palestinian conflict trusts in the power of the human voice and the capacity of the human heart.
On the care, feeding and wrangling of fog.
