908 stories by "Laura Collins-Hughes"
Carl Holder's "An Intimate Evening With Typhoid Mary," at the New Ohio Theater, mixes memory and cabaret.
In Aaron Loeb's play at 59E59 Theaters, co-workers take on an assignment that involves mass murder and the disposal of bodies.
Andrew Ondrejcak's play at the Kitchen examines characters inspired by Strindberg and Breugel.
George Bernard Shaw's first play, highlighting the social ills of slums, is reframed as an individual's moral struggle in this adaptation at Beckett Theater.
Playhouse Creatures Theater Company presents two of the playwright's one-acts from 1982, the year before he died.
This Charles Messina play features Ralph Macchio and Mario Cantone as part of a brash Italian-American family unconcerned with political correctness.
A new program at colleges and universities aims at cultivating female playwrights and the creation of more female characters in their work.
This comedy by Megan Hill, a real-time dance class of sorts, delves into a fight against Zumba.
Martha Clarke and Alfred Uhry's dance-theater piece follows a band of worshipers in stringent religion who are seeking refuge from worldly suffering.
In the postapocalyptic dystopia of Emilie Collyer's feminist sci-fi comedy, which darkens considerably as it goes along, intimacy is constrained.
James Ortiz's play uses puppets and actors, chorus and a lone violin to reimagine the corner of L. Frank Baum's Oz where the Tin Man came to be.
Ms. Mazzie, who had to pause her career for cancer treatment last year, is to make her debut in the show on May 3.
The Wooster Group's production of Harold Pinter's first play seems doomed not to be seen after Sunday.
Glyn Maxwell's stage adaptation, produced by Phoenix Theater Ensemble, focuses on a hapless tutor and a general with money problems.
In this play by Nandita Shenoy, the only thing that stands in the way of blissful living is a co-op that a wife refuses to give up.
This performance poet's latest show is "MotherStruck!," at the Culture Project.
Suicide is at the heart of "Museum of Memories," a production of the European company New International Encounter.
Kaneza Schaal's mourning for her father's death led her to create "Go Forth," a performance and installation piece opening at Westbeth Artists Community.
The Broadway star on the year she's had, how cancer has changed her outlook and why she's talking publicly about her illness.
The group still performs its signature brand of entertainment at the theater, a space where the company has been performing since 1991.
Mario Diament's play, at Theater for the New City, is partly based on the life of Yulie Cohen, an Israeli who sought to forgive a Palestinian involved in the attack that injured her.
This double bill of one-acts by Thornton Wilder traces 90 years in the life of a family over a dinner table, and invites audience participation during a fictional train trip.
This grab bag at the Barrow Group has a though-provoking start, an exhilarating finish and a few weak spots, Laura Collins-Hughes writes.
Austin Pendleton has directed this version, at the Cherry Lane Studio, in which Torvald Helmer is startlingly different from what is expected.
This interactive comedy-mystery opens in New York, following its decades-long run in Boston.
