908 stories by "Laura Collins-Hughes"
Abigail and Shaun Bengson muse on death in their latest work, but its looseness makes it hard to get a handle on.
Steve Carell, William Jackson Harper, Alison Pill and Anika Noni Rose discuss the new translation of Chekhov that brought them to the farm.
This musical adaptation, now on Broadway, is a lot of Jazz Age fun. But it forgot that Fitzgerald's 1925 novel endures because it is a tragedy.
At St. Ann's Warehouse, this documentary play about a London fire is blood-boiling and aggrieved.
"Agreement," at Irish Arts Center, and "Philadelphia, Here I Come!," at Irish Repertory Theater, have a timeless feel, rooted in their eras and resonant in ours.
A new play by J.T. Rogers goes behind the scenes of the shady "news-gathering" that rocked Rupert Murdoch's British media empire over a decade ago.
The creators of "The Band's Visit" return with this mischievous ghost story of a musical based on an odd slice of Old West history.
John Patrick Shanley's new play, starring Cecily Strong and David Zayas, is a romantic comedy with a penchant for the resolutely dismal.
Dael Orlandersmith's slender new solo play is a meditation on living that seems also like a curveball response to loss.
If Taylor Mac and Matt Ray's four-hour rock opera were aiming to succeed on aural gorgeousness and visual spectacle alone, there would be no cause to quibble.
Gabby Beans shines as a time-hopping protagonist tracing her trauma in Rachel Bonds's slip-slidey new Off Broadway play.
A meditation on mortality and renewal, "The Following Evening" presents mirror images of two married pairs of theater makers.
Kelli O'Hara and Brian d'Arcy James are superb as a midcentury-modern couple free-falling into addiction in Craig Lucas and Adam Guettel's musical.
A once-powerful clan gathers for a family wedding and muddles through the facts and fiction of their past and present.
After years of fighting to win parity and recognition for women in theater, Julia Jordan said: "Everybody gets produced now. There's much more competition. In a good way."
Melanie La Barrie, who brought the role of Angélique from the West End to Broadway, flew back on New Year's Eve with "Hadestown" on the horizon.
A musical adaptation of "Curves" and a play about two Asian women becoming friends both look at immigrants' experiences, with mixed results.
In Sandra Tsing Loh's zany play, the stage is star-studded but familiarity alone can't sustain this story about a group of old college friends.
Harrison David Rivers's new drama, featuring a strong cast, is having its world premiere at Yale Repertory Theater.
In his new show, Gavin Creel sings about the wonders of visiting the Metropolitan Museum of Art, but sticks too close to the surface.
A stage adaptation of J.M. Coetzee's novel "Life & Times of Michael K," about a man's struggles during a fictional South African conflict, includes actors alongside a puppet version of M…
A new musical from National Yiddish Theater Folksbiene stitches together music written and performed in Eastern Europe in the 1930s and '40s.
Michael Shannon and Paul Sparks star in Arin Arbus's pandemic-delayed production at the Polonsky Shakespeare Center.
At Irish Arts Center, the actor delivers the final installment of his solo plays about the cobbler Pat and his eccentric beloved.
