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920 stories by "Laura Collins-Hughes"

'Days of Wine and Roses' Review: Romance on the Rocks by Laura Collins-hughes

Kelli O'Hara and Brian d'Arcy James are superb as a midcentury-modern couple free-falling into addiction in Craig Lucas and Adam Guettel's musical.

SOURCE: The New York Times Subscription at 9:06pm on January 28, 2024

Review: In 'Aristocrats,' an Irish Dynasty Confronts Reality by Laura Collins-hughes

A once-powerful clan gathers for a family wedding and muddles through the facts and fiction of their past and present.

SOURCE: The New York Times Subscription at 12:54pm on January 24, 2024

Julia Jordan Set Aside Playwriting to Win Gender Parity in Theater by Laura Collins-hughes

After years of fighting to win parity and recognition for women in theater, Julia Jordan said: "Everybody gets produced now. There's much more competition. In a good way."

SOURCE: The New York Times Subscription at 2:12pm on January 7, 2024

New Year, New Show: An Original '& Juliet' Star Heads Home by Laura Collins-hughes

Melanie La Barrie, who brought the role of Angélique from the West End to Broadway, flew back on New Year's Eve with "Hadestown" on the horizon.

SOURCE: The New York Times Subscription at 1:06pm on January 2, 2024

'Real Women Have Curves' and 'Heart Sellers': Snapshots of Immigrant Lives by Laura Collins-hughes

A musical adaptation of "Curves" and a play about two Asian women becoming friends both look at immigrants' experiences, with mixed results.

SOURCE: The New York Times Subscription at 3:42pm on December 21, 2023

Review: 'Madwomen of the West' Is Comedy as Comfort Food by Laura Collins-hughes

In Sandra Tsing Loh's zany play, the stage is star-studded but familiarity alone can't sustain this story about a group of old college friends.

SOURCE: The New York Times Subscription at 11:54am on December 12, 2023

Review: In 'The Salvagers,' a Battered Family Finds Strength by Laura Collins-hughes

Harrison David Rivers's new drama, featuring a strong cast, is having its world premiere at Yale Repertory Theater.

SOURCE: The New York Times Subscription at 12:48pm on December 7, 2023

'Walk on Through' Review: Dispatches, in Song, From a Museum Novice by Laura Collins-hughes

In his new show, Gavin Creel sings about the wonders of visiting the Metropolitan Museum of Art, but sticks too close to the surface.

SOURCE: The New York Times Subscription at 7:18pm on December 4, 2023

A Wood-Carved Protagonist, Enduring the Brutality of War by Laura Collins-hughes

A stage adaptation of J.M. Coetzee's novel "Life & Times of Michael K," about a man's struggles during a fictional South African conflict, includes actors alongside a puppet version of M…

SOURCE: The New York Times Subscription at 1:24pm on November 30, 2023

'Amid Falling Walls' Review: Songs of Resilience From the Holocaust Era by Laura Collins-hughes

A new musical from National Yiddish Theater Folksbiene stitches together music written and performed in Eastern Europe in the 1930s and '40s.

SOURCE: The New York Times Subscription at 1:18pm on November 28, 2023

'Waiting for Godot' Review: Old Friends Falling in and Out of Sync by Laura Collins-hughes

Michael Shannon and Paul Sparks star in Arin Arbus's pandemic-delayed production at the Polonsky Shakespeare Center.

SOURCE: The New York Times Subscription at 9:18pm on November 14, 2023

'Mysterious Case of Kitsy Rainey' Review: A Trilogy's Bittersweet End by Laura Collins-hughes

At Irish Arts Center, the actor delivers the final installment of his solo plays about the cobbler Pat and his eccentric beloved.

SOURCE: The New York Times Subscription at 12:06pm on November 9, 2023

Tales That Crackle With Vitality, With or Without a Puppeteer by Laura Collins-hughes

La MaMa Puppet Festival and other stage works this fall highlight the power of storytelling through puppetry.

SOURCE: The New York Times Subscription at 2:06pm on November 8, 2023

'Merry Me' Review: A Loopy Sex Comedy Focused on Female Pleasure by Laura Collins-hughes

Hansol Jung's new play riffs on Greek dramas, the Restoration comedy "The Country Wife" and Tony Kushner's "Angels in America."

SOURCE: The New York Times Subscription at 1:03pm on November 1, 2023

Searching for Brian Friel, and His Mythical Ballybeg by Laura Collins-hughes

Irish Repertory Theater's season-long survey of the playwright's work prompted our reporter to seek out the Irish town that inspired the imaginary site of so many of his plays.

SOURCE: The New York Times Subscription at 5:25am on November 1, 2023

'Helen.' Review: A Restless Heroine Tired of Abiding by Gender Roles by Laura Collins-hughes

At La MaMa, Caitlin George's new play uses comedy to counter the legend of Helen of Troy.

SOURCE: The New York Times Subscription at 1:43pm on October 18, 2023

'All the Devils' Review: Patrick Page Investigates Evil by Laura Collins-hughes

In this Off Broadway production, the actor is most fascinated by human fallibility and Shakespeare's nuanced understanding of it.

SOURCE: The New York Times Subscription at 1:33pm on October 17, 2023

Garry Hynes Brings Sean O'Casey's Dublin Trilogy to Life by Laura Collins-hughes

At NYU Skirball, Druid's marathon production depicts the beginning of a free Irish state through the voices of the working class.

SOURCE: The New York Times Subscription at 12:33pm on October 4, 2023

'Melissa Etheridge: My Window' Review: Musings on Life and Music by Laura Collins-hughes

On Broadway, this rock concert spliced with memoir has gained a striking intimacy.

SOURCE: The New York Times Subscription at 9:25pm on September 28, 2023

Review: In Theresa Rebeck's 'Dig', a Plant Shop Nurtures Weary Souls by Laura Collins-hughes

Theresa Rebeck's play, a Primary Stages production at 59E59 Theaters, is a beautifully acted dramedy exploring the truth and warped perceptions of it.

SOURCE: The New York Times Subscription at 12:13pm on September 21, 2023

A.I.-Scripted Stories, and a Counterpoint, Take the Stage Off Broadway by Laura Collins-hughes

"Prometheus Firebringer" and "Bioadapted" test the waters, while the abstract "Psychic Self Defense" is a warm and pulsing counterpoint.

SOURCE: The New York Times Subscription at 12:43pm on September 20, 2023

'No Good Things Dwell in the Flesh' Review: Seeking a Successor by Laura Collins-hughes

In her new play, Christina Masciotti turns a keen gaze on an immigrant tailor who has woven her business into the fabric of a neighborhood.

SOURCE: The New York Times Subscription at 2:13pm on September 13, 2023

'Swing State' Playwright Wants to Sound an Alarm for a World in Trouble by Laura Collins-hughes

In her Off Broadway drama, which had an acclaimed run in Chicago, the playwright looks for hope to outweigh despair in a fractious, anxious time.

SOURCE: The New York Times Subscription at 5:07am on September 7, 2023

Leaping 'Into the Next Unknown': Robert Lyons on the End of New Ohio Theater by Laura Collins-hughes

The handwriting on the company's wall, in chalk, was traced by a closing night crowd sharing memories of more than 30 years of landmarks and larks.

SOURCE: The New York Times Subscription at 5:07am on September 3, 2023

Theater to See in September 2023: 'Ulysses,' 'The Pianist' and More by Laura Collins-hughes

Six shows and a fringe festival are among this month's highlights in New York, New Jersey, Connecticut and a bit beyond.

SOURCE: The New York Times Subscription at 3:43pm on September 1, 2023
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