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908 stories by "Laura Collins-Hughes"

Tales That Crackle With Vitality, With or Without a Puppeteer by Laura Collins-hughes

La MaMa Puppet Festival and other stage works this fall highlight the power of storytelling through puppetry.

SOURCE: The New York Times Subscription at 2:06pm on November 8, 2023

'Merry Me' Review: A Loopy Sex Comedy Focused on Female Pleasure by Laura Collins-hughes

Hansol Jung's new play riffs on Greek dramas, the Restoration comedy "The Country Wife" and Tony Kushner's "Angels in America."

SOURCE: The New York Times Subscription at 1:03pm on November 1, 2023

Searching for Brian Friel, and His Mythical Ballybeg by Laura Collins-hughes

Irish Repertory Theater's season-long survey of the playwright's work prompted our reporter to seek out the Irish town that inspired the imaginary site of so many of his plays.

SOURCE: The New York Times Subscription at 5:25am on November 1, 2023

'Helen.' Review: A Restless Heroine Tired of Abiding by Gender Roles by Laura Collins-hughes

At La MaMa, Caitlin George's new play uses comedy to counter the legend of Helen of Troy.

SOURCE: The New York Times Subscription at 1:43pm on October 18, 2023

'All the Devils' Review: Patrick Page Investigates Evil by Laura Collins-hughes

In this Off Broadway production, the actor is most fascinated by human fallibility and Shakespeare's nuanced understanding of it.

SOURCE: The New York Times Subscription at 1:33pm on October 17, 2023

Garry Hynes Brings Sean O'Casey's Dublin Trilogy to Life by Laura Collins-hughes

At NYU Skirball, Druid's marathon production depicts the beginning of a free Irish state through the voices of the working class.

SOURCE: The New York Times Subscription at 12:33pm on October 4, 2023

'Melissa Etheridge: My Window' Review: Musings on Life and Music by Laura Collins-hughes

On Broadway, this rock concert spliced with memoir has gained a striking intimacy.

SOURCE: The New York Times Subscription at 9:25pm on September 28, 2023

Review: In Theresa Rebeck's 'Dig', a Plant Shop Nurtures Weary Souls by Laura Collins-hughes

Theresa Rebeck's play, a Primary Stages production at 59E59 Theaters, is a beautifully acted dramedy exploring the truth and warped perceptions of it.

SOURCE: The New York Times Subscription at 12:13pm on September 21, 2023

A.I.-Scripted Stories, and a Counterpoint, Take the Stage Off Broadway by Laura Collins-hughes

"Prometheus Firebringer" and "Bioadapted" test the waters, while the abstract "Psychic Self Defense" is a warm and pulsing counterpoint.

SOURCE: The New York Times Subscription at 12:43pm on September 20, 2023

'No Good Things Dwell in the Flesh' Review: Seeking a Successor by Laura Collins-hughes

In her new play, Christina Masciotti turns a keen gaze on an immigrant tailor who has woven her business into the fabric of a neighborhood.

SOURCE: The New York Times Subscription at 2:13pm on September 13, 2023

'Swing State' Playwright Wants to Sound an Alarm for a World in Trouble by Laura Collins-hughes

In her Off Broadway drama, which had an acclaimed run in Chicago, the playwright looks for hope to outweigh despair in a fractious, anxious time.

SOURCE: The New York Times Subscription at 5:07am on September 7, 2023

Leaping 'Into the Next Unknown': Robert Lyons on the End of New Ohio Theater by Laura Collins-hughes

The handwriting on the company's wall, in chalk, was traced by a closing night crowd sharing memories of more than 30 years of landmarks and larks.

SOURCE: The New York Times Subscription at 5:07am on September 3, 2023

Theater to See in September 2023: 'Ulysses,' 'The Pianist' and More by Laura Collins-hughes

Six shows and a fringe festival are among this month's highlights in New York, New Jersey, Connecticut and a bit beyond.

SOURCE: The New York Times Subscription at 3:43pm on September 1, 2023

Reeling From Heartbreak, and Then 'Penelope' Showed Up by Laura Collins-hughes

Alex Bechtel's new musical, sort of "a pandemic parable," gives voice to a mythical character in "The Odyssey."

SOURCE: The New York Times Subscription at 3:43pm on September 1, 2023

'On Cedar Street' Meets 'Here You Come Again' by Laura Collins-hughes

"Here You Come Again" and "On Cedar Street" are very different new musicals about people who are unmoored and seek companionship to make it through.

SOURCE: The New York Times Subscription at 4:04pm on August 21, 2023

A Guide to Summer Theater Festivals in New York and the Berkshires by Laura Collins-hughes

A guide to what's onstage at theater festivals in upstate New York and the Berkshires.

SOURCE: The New York Times Subscription at 3:33pm on July 27, 2023

At Two Summer Theater Festivals, Reassuring Signs of Life by Laura Collins-hughes

The industry is facing challenges, but in western Massachusetts the quality of the works is as rich as ever, our critic writes.

SOURCE: The New York Times Subscription at 3:43pm on July 25, 2023

Book Review: 'Encounterism,' by Andy Field by Laura Collins-hughes

Conceived before the pandemic, Andy Field's ode to sharing space in person glosses over the ways our everyday habits seem to have changed for good.

SOURCE: The New York Times Subscription at 5:19am on July 18, 2023

Review: In 'Malvolio,' Hope (and a Title Role) for a Damaged Heart by Laura Collins-hughes

The Classical Theater of Harlem follows up last year's winning "Twelfth Night" with a sequel that feels like a sweet summer frolic.

SOURCE: The New York Times Subscription at 2:55pm on July 10, 2023

'Uncle Vanya' Review: Candlelit With a High-Wattage Cast by Laura Collins-hughes

Unrequited love swirls through this prestige-cast production of Anton Chekhov's play, in a Manhattan loft.

SOURCE: The New York Times Subscription at 8:19pm on July 6, 2023

How to Squeeze a Feminist Farce Into an English Country House by Laura Collins-hughes

"The Cottage" is a throwback play with a modern mind-set. The cast, playwright and director talk about pulling off the comedy and landing all the "darlings."

SOURCE: The New York Times Subscription at 5:33am on July 5, 2023

'Invisible' Review: Brown and British by Laura Collins-hughes

As part of the Brits Off Broadway festival at 59E59 Theaters, Nikhil Parmar's solo play is a drama-tinged satire that morphs into a grisly revenge parable.

SOURCE: The New York Times Subscription at 10:55pm on June 25, 2023

'Good Vibrations' Review: The Saving Power of Punk by Laura Collins-hughes

In a big-hearted musical about a 1970s Belfast record store owner and the punk movement he nurtured, music is the real hero.

SOURCE: The New York Times Subscription at 2:37pm on June 21, 2023

'Wet Brain' Review: A Vodka-Spiked Horror Show by Laura Collins-hughes

The children of a severely alcoholic widower navigate his incapacity, and his legacy, in John J. Caswell Jr.'s pitch-black comedy about addiction.

SOURCE: The New York Times Subscription at 9:25pm on June 6, 2023

Review: In 'Days of Wine and Roses,' Two Souls Lost in an Ocean of Booze by Laura Collins-hughes

In Craig Lucas and Adam Guettel's jazzy new musical, Kelli O'Hara and Brian d'Arcy James are a glamorous couple succumbing to alcoholism.

SOURCE: The New York Times Subscription at 9:06pm on June 5, 2023
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