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908 stories by "Laura Collins-Hughes"

'The Collaboration' Review: A Basquiat-Warhol Bromance in Bloom by Laura Collins-hughes

Anthony McCarten's biodrama about the artists' work together lifts the curtain on their friendship, or at least it thinks it does.

SOURCE: The New York Times Subscription at 9:06pm on December 20, 2022

Eddie Izzard Plays Which Part in 'Great Expectations'? All of Them by Laura Collins-hughes

The British comedian and actor is now performing her solo take on Dickens's coming-of-age drama Off Broadway. It's "pure storytelling," she said.

SOURCE: The New York Times Subscription at 3:42pm on December 14, 2022

'Events' Review: There's Kool-Aid in the Water Cooler by Laura Collins-hughes

Bailey Williams's comedy is a sharp-toothed, sometimes bewildering satire of all-consuming workplace culture.

SOURCE: The New York Times Subscription at 4:32pm on December 7, 2022

'The Brightest Thing in the World' Review: Falling in Love, While Loving Heroin by Laura Collins-hughes

An addiction and recovery tale wrapped in a romantic comedy, Leah Nanako Winkler's play insists on acknowledging the messy coexistence of joy and pain.

SOURCE: The New York Times Subscription at 2:36pm on December 6, 2022

Playing Neil Diamond: A Dream Role, and a 'Crazy Privilege' by Laura Collins-hughes

Will Swenson, the star of "A Beautiful Noise," has come a long way from his days as an eighth grader wooing girls with his Diamond repertoire.

SOURCE: The New York Times Subscription at 5:32am on November 30, 2022

'The Gett' Review: Jewish History and a Woman's Future by Laura Collins-hughes

The ancient and contemporary swirl together in Liba Vaynberg's ambitious, off-kilter play about life after a divorce.

SOURCE: The New York Times Subscription at 4:36pm on November 28, 2022

'Downstate' Review: A Foulness in the Very Air They Breathe by Laura Collins-hughes

The deep, dark tragicomedy by Bruce Norris is set in a group home for sex offenders.

SOURCE: The New York Times Subscription at 9:48pm on November 15, 2022

'Good Enemy' Review: Finding Second Chances by Laura Collins-hughes

Yilong Liu's new play toggles between China in 1984 and the United States in 2021.

SOURCE: The New York Times Subscription at 11:06am on November 10, 2022

Review: 'The Year of Magical Thinking' Gets Joan Didion's Intention Just Right by Laura Collins-hughes

A play based on the writer's memoir about the death of her husband, in its first New York revival, goes small to powerful effect.

SOURCE: The New York Times Subscription at 7:24pm on November 2, 2022

'The Unbelieving' Review: Life After Faith by Laura Collins-hughes

In a probing new play from the Civilians, based on the book "Caught in the Pulpit: Leaving Belief Behind," current and former members of the clergy grapple with the reality of losing their r…

SOURCE: The New York Times Subscription at 4:18pm on November 1, 2022

'Chekhov's First Play' Review: A Play-by-Play of the Play Within the Play by Laura Collins-hughes

At Irish Arts Center, a wry, experimental iteration doesn't do much to untangle the playwright's unwieldy early work.

SOURCE: The New York Times Subscription at 6:37pm on October 27, 2022

Review: Retracing the Path From Middle School Nerd to Rock Goddess by Laura Collins-hughes

Best known for her 1995 hit song "I Kissed a Girl," the enchanting singer-songwriter Jill Sobule is the star of a winsome and defiant autobiographical musical.

SOURCE: The New York Times Subscription at 3:33pm on October 23, 2022

Martyna Majok on Hoping for Magic, and Wishing for Ghosts by Laura Collins-hughes

The playwright, whose Pulitzer-winning "Cost of Living" is now on Broadway, talks about "the precarity of life" and our inherent need to be taken care of.

SOURCE: The New York Times Subscription at 2:19pm on October 23, 2022

Review: In This 'Wuthering Heights,' Music, Moors and Untamed Spirits by Laura Collins-hughes

Emma Rice's glorious stage adaptation of Emily Brontë's novel is a feat of storytelling, with a singing and dancing chorus embodying the moors.

SOURCE: The New York Times Subscription at 10:33pm on October 18, 2022

'My Window' Review: An Out-and-Proud Trailblazer Finds Her Way by Laura Collins-hughes

Melissa Etheridge's limited run at New World Stages is a celebration of its smoky-voiced 61-year-old star, and contains some confessions, along with her hits.

SOURCE: The New York Times Subscription at 9:37pm on October 16, 2022

'Dodi & Diana' Review: Two Relationships, Linked in the Stars by Laura Collins-hughes

A husband and wife who may be the "astrological doubles" of Princess Diana and Dodi Fayed head toward a crisis in this new play by Kareem Fahmy.

SOURCE: The New York Times Subscription at 2:19pm on October 12, 2022

A Welcome Gust of Weird, and Adventures in Shadow Puppetry by Laura Collins-hughes

"My Onliness" is voluptuous and frenetic, while "This and That" is a slip of a show. Both are pleasingly peculiar.

SOURCE: The New York Times Subscription at 12:37pm on September 21, 2022

'Four Saints in Three Acts' Review: An Opera Becomes a One-Man Show by Laura Collins-hughes

The actor David Greenspan is a tour-de-force, taking on all the roles of Gertrude Stein and Virgil Thomson's large-cast opera from 1934, sans music.

SOURCE: The New York Times Subscription at 10:49am on September 20, 2022

In This Playwright's Dystopia, Forgetting Is Forbidden by Laura Collins-hughes

Steven Fechter's "The Memory Exam" begins with a promising setup, our critic writes, while Grant MacDermott's marriage story "Jasper" struggles for emotional resonance.

SOURCE: The New York Times Subscription at 2:55pm on September 16, 2022

Opening Old Wounds as the Man Who Warned About the Holocaust by Laura Collins-hughes

In the solo play "Remember This," David Strathairn portrays Jan Karski, a witness to the Nazi genocide during World War II.

SOURCE: The New York Times Subscription at 3:43pm on September 12, 2022

'Burbank' Review: When Disney's Animators Went on Strike by Laura Collins-hughes

Cameron Darwin Bossert's smart new play fictionalizes a 1941 labor dispute to explore the tension between passions and paychecks.

SOURCE: The New York Times Subscription at 5:07pm on September 9, 2022

Review: In 'On That Day in Amsterdam,' a Traveler Becomes a Tourist by Laura Collins-hughes

Two young men wander the city before they both must say farewell and return to very different lives.

SOURCE: The New York Times Subscription at 2:33pm on September 1, 2022

'Patience' Review: At the Top of His Game, and Lonely by Laura Collins-hughes

Johnny G. Lloyd's new play about a solitaire champion examines talent, ambition and the rising stakes of success when you're Black.

SOURCE: The New York Times Subscription at 12:07pm on August 18, 2022

What to Do With an Absent Father? Cast Him as a Character Onstage. by Laura Collins-hughes

The experimental theater maker Aya Ogawa ponders her distant father as well as failure and forgiveness in "The Nosebleed" at Lincoln Center Theater.

SOURCE: The New York Times Subscription at 4:37pm on August 11, 2022

'Oresteia' Review: A Mother's Grief, Underestimated by Laura Collins-hughes

Anastasia Hille is riveting as Klytemnestra in Robert Icke's production of "Oresteia" at the Park Avenue Armory.

SOURCE: The New York Times Subscription at 3:42pm on July 28, 2022
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