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897 stories by "Lawrence Bommer"

Theater Review: WAITING FOR GODOT (Druid Theatre) by Lawrence Bommer

STOOD UP YET AGAIN… "Birth was the death of him": Terse to the point of cruelty, Samuel Beckett here devours the human experience in six words. Waiting for Godot, his minimalist masterp…

SOURCE: Stage and Cinema at 1:32pm on May 25, 2018[SHARE]

Chicago Theater Review: HAVING OUR SAY (Goodman) by Lawrence Bommer

OUT OF THE MOUTHS OF CENTENARIANS "Life is short. It's up to you to make it sweet." No cliché in Emily Mann's moving 1993 play, this is one of many hard-earned pearls of wisdom in her gener…

SOURCE: Stage and Cinema at 1:45pm on May 15, 2018[SHARE]

Chicago Theater Review: A NEW ATTITUDE (Black Ensemble Theater) by Lawrence Bommer

PATTI QUAKES, PATTI SHAKES. PATTI GETS HER CAKES You can only listen and love: The former Patricia Louise Holt-Edwards oozes energy on stage. She kicks off her shoes in sheer delight. Loving…

SOURCE: Stage and Cinema at 2:19pm on May 14, 2018[SHARE]

Chicago Theater Review: PROMETHEUS BOUND (City Lit at Edgewater Presbyterian Church) by Lawrence Bommer

PROMETHEUS SETS THE STAGE AFIRE Imagination sometimes seems abstract. It's a term you can't always savor — until you see it blossom before you. It's in full force in City Lit's revi…

SOURCE: Stage and Cinema at 2:56pm on May 13, 2018[SHARE]

Chicago Theater Review: FLIES! THE MUSICAL! (Pride Films and Plays at the Pride Arts Center) by Lawrence Bommer

YOUR FLIES ARE OPEN The running joke behind this unauthorized musical based on a 1954 novel and a 1963 film is how it hides its homage: To avoid copyright infringement, we never hear "Flies"…

SOURCE: Stage and Cinema at 2:18pm on May 12, 2018[SHARE]

Chicago Theater Review: SUDDENLY LAST SUMMER (Raven Theatre) by Lawrence Bommer

NOT A TENNESSEE WALTZ The strangest thing about Suddenly Last Summer is that the main character is never seen. But, talked about for 90 minutes by two dangerously partisan women, he's …

SOURCE: Stage and Cinema at 3:22pm on May 9, 2018[SHARE]

Theatre Review: MACBETH (adapted and directed by Aaron Posner and Teller at Chicago Shakespeare) by Lawrence Bommer

A LOT OF BLOOD WILL OUT Blood will have blood. It also sells tickets. And the theater's thirstiest sanguinary spectacle remains the unspeakable Scottish tragedy. The darkest doings the Bard …

SOURCE: Stage and Cinema at 3:54pm on May 4, 2018[SHARE]

Chicago Theater Review: TO CATCH A FISH (TimeLine) by Lawrence Bommer

A ROTTEN KIND OF GUN CONTROL It's an inhuman term, “collateral damage.” Usually it's reserved for supposedly dispensable victims, necessary sacrifices for a nobler cause. But wha…

SOURCE: Stage and Cinema at 8:25pm on May 3, 2018[SHARE]

Chicago Theatre Review: BIRDS OF A FEATHER (Greenhouse Theatre) by Lawrence Bommer

A PLAY THAT POOPS ON ITSELF The animal realm (we won't say kingdom) fairly teems with same-sex survival. In all, over 1,500 species experiment with alternative lifestyles: Sapphic seagull…

SOURCE: Stage and Cinema at 3:23pm on May 1, 2018[SHARE]

Chicago Theater Review: UNTIL THE FLOOD (Goodman) by Lawrence Bommer

A GLOBAL FLASHPOINT BECOMES A THEATRICAL FLASHFLOOD Until the Flood lasts only 70 minutes. But its concentrated running time delivers a devastating drama. A ton of truth-telling now on to…

SOURCE: Stage and Cinema at 2:51pm on April 30, 2018[SHARE]

Chicago Theater Review: RAISED IN CAPTIVITY (Right Brain Project) by Lawrence Bommer

"KICK ME" CHARACTERS Born to be bad, Nicky Silver is an acerbic gay playwright who has employed his outsider status to skewer the American family (Pterodactyls), relationships (The Food Chai…

SOURCE: Stage and Cinema at 1:16pm on April 28, 2018[SHARE]

Chicago Dance Review: MIDSUMMER NIGHT'S DREAM (Joffrey Ballet at the Auditorium Theatre) by Lawrence Bommer

JOFFREY STEPS OUT OF A DREAM, OR DELUSIONS OF A SCANDINAVIAN SOLSTICE First, a necessary clarification for A Midsummer Night's Dream: The title and the setting could easily confuse lovers…

SOURCE: Stage and Cinema at 3:34pm on April 26, 2018[SHARE]

Chicago Theater Review: GRAND HOTEL (Kokandy Productions at Theater Wit) by Lawrence Bommer

REVOLVING FATES — AIN’T IT GRAND? Like the chandelier in Phantom of the Opera or the helicopter in Miss Saigon, a revolving door is the all-purpose metaphor for Berlin's…

SOURCE: Stage and Cinema at 3:01pm on April 22, 2018[SHARE]

Chicago Theater Review: NATURAL AFFECTION (Eclipse Theatre Company) by Lawrence Bommer

CHRISTMAS CAN BE CRUEL More than most, life's victims need their storytellers. William Inge (1913-1973) wrote his characters from the inside out — theirs and his. A heart surgeon witho…

SOURCE: Stage and Cinema at 3:16pm on April 18, 2018[SHARE]

Chicago Theater Review: THE DOPPELGÄNGER (AN INTERNATIONAL FARCE) (Steppenwolf) by Lawrence Bommer

DOUBLE VISION, OR LOST IN THE LAFFS Can a forced farce make a theater audience howl with laughter, never realizing until the very end that the joke is on them? That's almost a rhetorical …

SOURCE: Stage and Cinema at 6:07pm on April 16, 2018[SHARE]

Opera Review: IL PIGMALIONE & RITA (Chicago Opera Theater at the Studebaker Theater) by Lawrence Bommer

MY FAIR SIGNORA, OR DONIZETTI, SOUP TO NUTS He didn't just write Lucia di Lammermoor, Don Pasquale, L'Elisir d'Amore, Poliuto, The Daughter of the Regiment, Maria Stuarda, Robert Devereux…

SOURCE: Stage and Cinema at 1:11pm on April 15, 2018[SHARE]

Chicago Theater Review: LETTIE (Victory Gardens) by Lawrence Bommer

A CON IS NEVER "EX" The nickname Lettie comes from the Greek term "Letitia" or "joy.” That's one of many bleak ironies that stalk the anti-heroine of Boo Killebrew's survival saga, a w…

SOURCE: Stage and Cinema at 12:06pm on April 14, 2018[SHARE]

Chicago Theater Review: GASLIGHT DISTRICT (The Second City e.t.c.'s 42nd Revue at Piper's Alley) by Lawrence Bommer

SCATTERSHOT SATIRE AIMS AT MOVING TARGETS It's easy to think that humor is subjective — until an entire audience's spontaneous guffaw undermines any such abstraction. Often enough, tha…

SOURCE: Stage and Cinema at 4:18pm on April 7, 2018[SHARE]

Chicago Theater Review: THE GENTLEMAN CALLER (Raven Theatre) by Lawrence Bommer

SWEET BIRD OF TRUTH The Gentleman Caller was the original name for a breakthrough "memory play" that, opening at Chicago's Civic Theatre in late 1944, made Tom "Tennessee" Williams famous…

SOURCE: Stage and Cinema at 3:56pm on April 4, 2018[SHARE]

Theater Review: PRETTY WOMAN: THE MUSICAL (Pre-Broadway World Premiere) by Lawrence Bommer

PRETTY UNLIKELY WOMAN When worlds collide: A celluloid fantasy about an L.A. call girl suddenly thrust into affluence, the much-loved 1990 film Pretty Woman starred a suave, salt-and-p…

SOURCE: Stage and Cinema at 3:31pm on March 29, 2018[SHARE]

Chicago Theater Review: HANG (Remy Bumppo) by Lawrence Bommer

A VICTIM'S IMPACT STATEMENT Critics always worry about giving away too much — in spoilers and such. And, yes, at first that fear seemed real with hang by U.K. playwright debbie t…

SOURCE: Stage and Cinema at 12:26am on March 28, 2018[SHARE]

Chicago Dance Review: HUBBARD STREET SPRING SERIES (An Evening of Alejandro Cerrudo at the Harris) by Lawrence Bommer

CERRUDO'S SPRING FLING It's now dance history but, performed last weekend at the Auditorium Theatre, Hubbard Street Dance Chicago's annual Spring Series, An Evening of Alejandro Cerrudo, …

SOURCE: Stage and Cinema at 7:37pm on March 25, 2018[SHARE]

Theater Review: ON YOUR FEET (National Tour) by Lawrence Bommer

DANCE DELIRIUM As jukebox musicals go, On Your Feet! really earns its exclamation point. No question, the music alone, which won 26 Grammy Awards, would justify this 2015 tribute to th…

SOURCE: Stage and Cinema at 2:50am on March 25, 2018[SHARE]

Chicago Theater Review: AN ENEMY OF THE PEOPLE (Goodman Theatre) by Lawrence Bommer

CAGE-MATCH COMBAT: IBSEN VS. TRUMP Right now, the biggest prize fight in Chicago is at Randolph and Dearborn. More polemically urgent than psychologically penetrating, a new treatment of Hen…

SOURCE: Stage and Cinema at 8:05pm on March 20, 2018[SHARE]

Chicago Theater Review: THE PICTURE OF DORIAN GRAY (City Lit) by Lawrence Bommer

DIFFICULT TO PICTURE The Picture of Dorian Gray is its author's self-portrait — perversely paradoxical, sardonically aesthetic, and (necessarily) obsessed with concealment. First pu…

SOURCE: Stage and Cinema at 12:55pm on March 12, 2018[SHARE]
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