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2,878 stories by "Lyn Gardner"

Lyn Gardner: As independents face 'Armageddon', funded theatres must lend their support by Lyn Gardner

It's the time of the year when thoughts turn again to Edinburgh, as companies weigh up whether to take part in next

SOURCE: The Stage Registration at 2:00am on December 4, 2017

The best theatre of Christmas 2017 " from Treasure Island to Guys and Dolls by Lyn Gardner

Romance and adventure abound as Rhys Ifans plays Scrooge, Guys and Dolls hits Harlem and Sherlock returnsMore to see: Carols and concerts | Dance | ComedyBea Roberts is a smart writer with a…

SOURCE: The Guardian at 1:12am on December 2, 2017

Snow White and Rose Red review " sisters doing it for themselves by Lyn Gardner

BAC, LondonFeminist theatre company RashDash rework the Brothers Grimm fairytale for a family audience, with colourful heroines in control of their own destinies'No, not the Disney version,"…

SOURCE: The Guardian at 8:42am on December 1, 2017

Lyn Gardner reconsiders Sleeping Beauty by Lyn Gardner

Sleeping Beauty hasn't always been a docile object, says Lyn Gardner. She's had to face a cannibal queen, a rapist king - and even a Nazi princeFor our age of anxiety, Sleeping Beauty is the…

SOURCE: The Guardian at 4:24am on December 1, 2017

National Theatre of Scotland boss Jackie Wylie: 'I want to take theatre off its pedestal' by Lyn Gardner

As she announces her first season, including a My Left Foot musical, the new head of NTS says she wants to demystify the artistic process and is calling on young people to shape the company'…

SOURCE: The Guardian at 7:36am on November 29, 2017

Lyn Gardner: We own publicly funded theatres. It's time to occupy them by Lyn Gardner

"I can take any empty space and call it a bare stage," wrote Peter Brook in his famed 1968 book The Empty

SOURCE: The Stage Registration at 2:00am on November 27, 2017

Roller review " it's theatre as full-contact sport in urgent look at female power by Lyn Gardner

The Pit, LondonCurrent events cast a timely light on this funny, gripping story of oppression, told through the world of all-female roller derby'This is a witch hunt. We are the witches, and…

SOURCE: The Guardian at 8:54am on November 26, 2017

Sex Workers' Opera review " intimate show upends all the cliches by Lyn Gardner

Oval House, LondonSex workers and professional actors take to the stage together to undermine received ideas in a ramshackle but engaging eveningEarlier this year, the Young Vic handed over …

SOURCE: The Guardian at 2:33pm on November 24, 2017

Lyn Gardner: It's time to stop romanticising the London fringe and clamp down on rogue operators by Lyn Gardner

In Paddington 2, Hugh Grant plays villainous actor Phoenix Buchanan, a man of unlimited egotism and fading fame. To fund his one-man

SOURCE: The Stage Registration at 2:00am on November 20, 2017

Tiger Bay review " Cardiff's docks get the Les Mis treatment in overblown epic by Lyn Gardner

Wales Millennium Centre, CardiffThis three-hour hymn to Welsh dockers in the early 20th century is a throwback to the musical theatre of the 80s " and exhausting to watchWriting a new musica…

SOURCE: The Guardian at 8:04am on November 16, 2017

Chekhov's revolutions: the Russian master still speaks to a world in flux by Lyn Gardner

On the centenary of the Russian revolution, a glut of revivals show Chekhov's characters struggling to adjust to the social earthquakes that engulf themIt's over a decade since Katie Mitchel…

SOURCE: The Guardian at 3:18am on November 14, 2017

Lyn Gardner: We all must ensure we stop abuse by Lyn Gardner

Last Thursday, The Stage and its editor, Alistair Smith, asked six key questions of the Old Vic board over the Kevin Spacey

SOURCE: The Stage Registration at 2:00am on November 13, 2017

The Last Testament of Lillian Bilocca review " Maxine Peake salutes Hull's wonder women by Lyn Gardner

Guildhall, HullPeake reels us in with this winning story about the women who fought for fishermen's rights, featuring folksy music by the Unthanks 'Good to see you. You're a rum lot," says L…

SOURCE: The Guardian at 11:04am on November 10, 2017

The Retreat review " gag overkill in new comedy from Peep Show's Sam Bain by Lyn Gardner

Park theatre, LondonKathy Burke directs this three-hander about a city boy seeking enlightenment but the jokes keep getting in the way of the storyYou'd expect plenty of jokes from the first…

SOURCE: The Guardian at 2:12am on November 9, 2017

Jubilee review " Toyah Willcox returns in theatre tribute to Jarman's punk pageant by Lyn Gardner

Royal Exchange, ManchesterChris Goode directs Toyah Willcox in a wild reimagining of Derek Jarman's film about a time-travelling queen and a generation with no future'Welcome to Jubilee," sa…

SOURCE: The Guardian at 6:18pm on November 7, 2017

Fog, smog and eco-drag: these climate-change shows are a breath of fresh air by Lyn Gardner

From cabaret to a witty teenage odyssey, the Shoot the Breeze festival at Camden People's theatre considers global warming and pollution in striking styleWas Shakespeare a chronicler of clim…

SOURCE: The Guardian at 11:42am on November 7, 2017

More pow! to you: Touretteshero's utterly joyous Barbican takeover by Lyn Gardner

Jess Thom's wonderful weekender featured bipolar pop star Captain Hotknives, a witty striptease by blind performer Amelia Cavallo and poetry done in BSL"Is there anything going on for us?" a…

SOURCE: The Guardian at 4:24am on November 6, 2017

Lyn Gardner: Why does support for emerging artists vanish once they have 'emerged'? by Lyn Gardner

Last week, Camden People's Theatre's outgoing executive director Amber Massie-Blomfield observed, very wisely, that not every small theatre has a big theatre

SOURCE: The Stage Registration at 2:00am on November 6, 2017

Christmas Eve review " fizzling thriller feels like tuning in too late to Spooks by Lyn Gardner

Ustinov studio, BathPatrick Baladi and Niamh Cusack impress in Daniel Kehlmann's two-hander about surveillance, but their characters are mere mouthpiecesJudith, a philosophy professor, is on…

SOURCE: The Guardian at 5:24am on November 4, 2017

Ugly Chief review " how to attend your own funeral by Lyn Gardner

BAC, LondonIn a ridiculously enjoyable show, Victoria Melody and her father, Mike, reveal how they came to organise his funeral even though he was still very much aliveWe don't like speaking…

SOURCE: The Guardian at 8:24am on November 3, 2017

The Slaves of Solitude review " passion, patriots and spam fritters in wartime Britain by Lyn Gardner

Hampstead theatre, LondonFenella Woolgar is magnificent as a woman in fear of intimacy but the nuances of Patrick Hamilton's world are lost in Jonathan Kent's uncertain productionIf there is…

SOURCE: The Guardian at 10:06am on November 2, 2017

The Exorcist review " West End horror show is as spooky as a wet sock by Lyn Gardner

Phoenix theatre, London This stage version of the classic movie deploys blackouts, special effects and the voice of Ian McKellen to do the devil's work, but possesses no fearful thrillsThe d…

SOURCE: The Guardian at 6:48am on November 1, 2017

Blurred Lines " review by Lyn Gardner

The Shed, LondonTaking its title from Robin Thicke's song, director Carrie Cracknell's show cunningly exposes gender inequalityThere is a terrific scene towards the end of this piece examini…

SOURCE: The Guardian at 5:12am on October 31, 2017

Romantics Anonymous review " Emma Rice's charming Globe swansong by Lyn Gardner

Sam Wanamaker Playhouse, LondonRice caps her brief Globe tenure with this endearing musical about a pair of shy chocolate makers " and shows she's not done taking risksWhen relationships fai…

SOURCE: The Guardian at 5:12am on October 31, 2017

Lyn Gardner: Adaptations are not vandalism by Lyn Gardner

Recently, I described Sally Cookson's staging of Jane Eyre as theatre at its most original. A theatre company retorted on Twitter: "Suspect

SOURCE: The Stage Registration at 3:00am on October 30, 2017
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