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2,878 stories by "Lyn Gardner"

Performers/Creatives reviews " Irvine Welsh's two plays are exercises in tedium by Lyn Gardner

Assembly Rooms; Pleasance Courtyard, EdinburghHad they not had Welsh's name attached, these tired, clumsy and slackly directed works would surely never have seen the light of dayNot so much …

SOURCE: The Guardian at 2:06pm on August 11, 2017

Meow Meow's Little Mermaid review " cabaret star's sly, sequinned sendup by Lyn Gardner

The Hub, EdinburghThe Australian diva's enjoyable tongue-in-cheek evening uses blow-up dolls and double entendres to deliciously subvert the fairytale of enduring loveUnder Fergus Linehan, t…

SOURCE: The Guardian at 1:54pm on August 10, 2017

Tales of transformation: transgender plays at Edinburgh festival by Lyn Gardner

A new wave of pioneers at the fringe are telling their stories of mental and physical journeys with honesty, passion, wit and a peep-show vaginaBack in the 1970s and 80s, in the early days o…

SOURCE: The Guardian at 6:33am on August 10, 2017

Nassim review " language and life lessons from a vivid Iranian voice by Lyn Gardner

Traverse, EdinburghA different actor performs each night in Nassim Soleimanpour's audacious new play that explores the freedom and limitation of languageWhen we go to another country, what i…

SOURCE: The Guardian at 11:48am on August 9, 2017

Cosmic Scallies review " oddball friends seek hope in Skelmersdale by Lyn Gardner

Northern Stage at Summerhall, EdinburghAn unloved new town reunites old friends in Jackie Hagen's two-hander, lifted by the performances of Reuben Johnson and Rachel DenningThe disabled-led …

SOURCE: The Guardian at 11:24am on August 7, 2017

The Shape of the Pain review " kaleidoscopic exercise in empathy by Lyn Gardner

Summerhall, EdinburghA winning performance amid exhilarating sound and lighting gives universal resonance to this account of the director's rare conditionIs it possible for us to understand …

SOURCE: The Guardian at 9:12am on August 7, 2017

Lyn Gardner: The fringe can be a lonely place, so let's look out for each other by Lyn Gardner

This week, the first full week of the fringe, Edinburgh is still one of the most optimistic places on earth. Even if

SOURCE: The Stage Registration at 2:00am on August 7, 2017

Martin Creed's Words and Music review " an impish evening of artistic musing by Lyn Gardner

The Studio, Edinburgh The Turner prize-winner improvises with a mic and guitar in an endearing, exposing show full of ticklish humourA few years ago, the Turner prize-winner Martin Creed was…

SOURCE: The Guardian at 7:24am on August 6, 2017

Letters to Morrissey review " this charming fan's teenage tribute by Lyn Gardner

Traverse, EdinburghGary McNair's play about a lonely misfit's one-sided correspondence with the Smiths frontman makes for a touching hour'This isn't fan mail, it's correspondence," declares …

SOURCE: The Guardian at 7:06am on August 5, 2017

Salt review " one-woman show retraces the transatlantic slave route by Lyn Gardner

Northern Stage at Summerhall, EdinburghSelina Thompson uses a light touch and humour to leaven anger and grief, as she brings past traumas palpably up to dateTim Etchells of the experimental…

SOURCE: The Guardian at 12:18pm on August 4, 2017

Edinburgh Fringe and EIF provide distinctive flavours in vintage 70th year by Lyn Gardner

They're back to dominate the industry's focus throughout August. The Edinburgh International Festival and its vast, unwieldy offshoot, the Edinburgh Festival Fringe,

SOURCE: The Stage Registration at 5:00am on August 3, 2017

Lyn Gardner: Star ratings can be misleading by Lyn Gardner

Last week, I wrote a one-star review for I Loved Lucy at the Arts Theatre in London. Like its five-star counterpoint, the

SOURCE: The Stage Registration at 2:00am on July 31, 2017

I Loved Lucy review " Lucille Ball is diminished by this needy bioplay by Lyn Gardner

Arts theatre, LondonSandra Dickinson's heroic portrayal of the once world-famous TV comedian brings a pulse to this stage corpseAt the height of her success, Lucille Ball was the most famous…

SOURCE: The Guardian at 1:18pm on July 25, 2017

Lyn Gardner: I wish Michelle Terry well at Shakespeare's Globe, but it won't be easy by Lyn Gardner

The appointment of Michelle Terry as artistic director of Shakespeare's Globe is a smart move by a theatre board that rightly came in

SOURCE: The Stage Registration at 8:33am on July 24, 2017

Lyn Gardner: Millennials refuse to let arts industry's dinosaurs silence them by Lyn Gardner

There has been some furore over an advert placed " then hastily removed by Arts Council England " on its jobs website

SOURCE: The Stage Registration at 2:00am on July 24, 2017

Much Ado About Nothing review " more sombreros than a Club 18-30 holiday by Lyn Gardner

Shakespeare's Globe, LondonMatthew Dunster transposes Shakespeare's battle of the sexes comedy to the Mexican revolution, in a production with a fiesta spirit and a feisty BeatriceThe Summer…

SOURCE: The Guardian at 10:12am on July 21, 2017

Prurience review " come and join the self-help group for porn addicts by Lyn Gardner

Blue Room, Royal Festival Hall, London It's hard to know who is acting and who is oversharing in a show that explores our personal experience of pornography " and tests the limits of theatre…

SOURCE: The Guardian at 10:48am on July 20, 2017

Fiddler on the Roof review " Omid Djalili delivers the laughs as a terrific Tevye by Lyn Gardner

Chichester Festival theatreDirector Daniel Evans draws out the warmth, comedy and emotional honesty of a musical that is often underserved by sentimental productions'No smash, no blockbuster…

SOURCE: The Guardian at 11:36am on July 19, 2017

'We haven't made a profit for five years': risky business at Edinburgh fringe by Lyn Gardner

Running a festival venue is about more than booking acts and selling tickets. From converting lecture rooms to spending £25,000 on Astroturf, we reveal the costs of putting on a showTen y…

SOURCE: The Guardian at 2:12am on July 19, 2017

From Fleabag to Flying Lovers: 15 surefire Edinburgh festival shows by Lyn Gardner

Maddie Rice performs Phoebe Waller-Bridge's filthy smash, Stacey Gregg delivers a scorching study of gender fraud and there are life lessons at a wakePauline Goldsmith resurrects her alterna…

SOURCE: The Guardian at 1:12am on July 18, 2017

Lyn Gardner: David Mamet's attempt to silence debate risks turning theatre into pointless masturbation by Lyn Gardner

So, David Mamet doesn't want any post-show discussions of his plays. Companies staging his work are liable to a $25,000 fine if

SOURCE: The Stage Registration at 2:00am on July 17, 2017

Touch review " Fleabag follow-up is a glorious cocktail of sex and self-discovery by Lyn Gardner

Soho theatre, LondonVicky Jones directs her own cringe-inducing drama of wine, bedsits and Tinder calamities, featuring a delightful lead performance by Amy MorganVicky Jones's new play is a…

SOURCE: The Guardian at 8:06pm on July 13, 2017

Cotton Panic! review " Jane Horrocks sings out for solidarity in tribute to Manchester mills by Lyn Gardner

Upper Campfield Market Hall, ManchesterThe folk songs of Lancashire workers combine with the gospel tunes of black slaves in a show linking the histories of England's north and America's sou…

SOURCE: The Guardian at 4:24pm on July 11, 2017

World Fringe Day: 70 years of risky, revolutionary theatre by Lyn Gardner

Edinburgh fringe was born in 1947 and its spirit is felt at festivals across the world, where talent is spotted and careers are forgedIf you've been lamenting that you somehow overlooked Int…

SOURCE: The Guardian at 1:36am on July 11, 2017

The One review " 'A curious little shocker with Phoebe Waller-Bridge' by Lyn Gardner

This zestfully filthy and vicious story of a destructive relationship makes Who's Afraid of Virginia Woolf? look sweetPlaywright Vicky Jones's debut is unapologetically brazen. It hooks you …

SOURCE: The Guardian at 4:18pm on July 10, 2017
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