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2,878 stories by "Lyn Gardner"

The Welcoming Party review " immersive show charts fear and hope in Fortress Britain by Lyn Gardner

Museum of Science and Industry, Manchester In Theatre-Rites' remarkable, rackety promenade piece, staged in the world's first railway warehouse, actors tell their own stories of migrationWe'…

SOURCE: The Guardian at 11:36am on July 10, 2017

Lyn Gardner: As audiences, we need to step out of our comfort zones by Lyn Gardner

"I know what I like and I like what I know," goes the old saying. It's a cliche, but like many cliches

SOURCE: The Stage Registration at 2:00am on July 10, 2017

And Here I Am review " Remarkable true story of a Jihadist-turned-actor by Lyn Gardner

Arcola, LondonThis powerful real-life account of life in Jenin in the West Bank, is a raw and sharply comic production, asking if the stage can be as powerful as an AK47Ahmed lives in the Je…

SOURCE: The Guardian at 4:54pm on July 5, 2017

Lyn Gardner: Using NPO funding to compete, not collaborate, is perverse by Lyn Gardner

It was right and proper that Arts Council England's announcement of those who would be getting NPO funding over the four years

SOURCE: The Stage Registration at 2:00am on July 3, 2017

Party Skills for the End of the World review " Armageddon meets Blue Peter by Lyn Gardner

Centenary Building, Salford This Manchester foray into disaster survival, perhaps tamed by recent events, emphasises fun and craftwork rather than posing serious existential questionsWhat ar…

SOURCE: The Guardian at 7:06am on July 2, 2017

Dirty Work (The Late Shift) review " Forced Entertainment face up to life and death by Lyn Gardner

Battersea Arts Centre, LondonThe experimental troupe's revival of their 1998 show catalogues disasters and failures to probe the ethics of entertainment"Nothing will come of nothing," says K…

SOURCE: The Guardian at 6:04pm on June 28, 2017

Diversity is the real winner in Arts Council England's new round of funding by Lyn Gardner

ACE has given a boost to theatres and companies, from the Bush to Talawa, that put diversity at the heart of their artistic policiesA greater emphasis on diversity in its many forms is refle…

SOURCE: The Guardian at 12:18pm on June 27, 2017

Lyn Gardner: Should we really bemoan the death of old-style rep? by Lyn Gardner

What's the best way to train actors to give them an opportunity to develop and still serve the needs of audiences in

SOURCE: The Stage Registration at 2:00am on June 26, 2017

Hir review " Taylor Mac throws the kitchen sink at the American dream by Lyn Gardner

Bush theatre, LondonGender roles and domestic politics are the targets for fierce satire in this savagely funny drama about a soldier who returns to a broken home A marine returning weary fr…

SOURCE: The Guardian at 9:04am on June 21, 2017

These Trees Are Made of Blood review " Argentina's dirty war becomes a cabaret by Lyn Gardner

Arcola, LondonA satire set in a seedy nightclub turns a revealing spotlight on the evil trickery of the 1970s junta and the scandal of the 'disappeared'During Argentina's rightwing dictators…

SOURCE: The Guardian at 8:54am on June 19, 2017

Lyn Gardner: Well done, David Lan " knowing when to step aside is the sign of a great leader by Lyn Gardner

“There is never an easy time to slip away, but I wanted to leave at a time of our greatest strength and

SOURCE: The Stage Registration at 2:00am on June 19, 2017

Mighty Atoms review " female boxing champ inspires anti-austerity fight by Lyn Gardner

Hull Truck theatreAmanda Whittington pulls no punches with this rousing tale of solidarity that invokes the triumphs of 1950s fighter Barbara ButtrickBarbara Buttrick was a Hull pioneer: a f…

SOURCE: The Guardian at 8:54am on June 16, 2017

Fatherland: look back in anger, love and pride by Lyn Gardner

Simon Stephens grew up in Stockport, and couldn't wait to leave. Now he has built a verbatim show, with Underworld musician Karl Hyde and director Scott Graham, about returning home " and pu…

SOURCE: The Guardian at 8:54am on June 16, 2017

Julius Caesar review " populism's power reverberates in modern Rome by Lyn Gardner

Bristol Old VicJulian Glover's ruler faces down youthful conspirators in a smart staging by Simon Dormandy that brings together veteran and student actorsWith the rise of populist movements …

SOURCE: The Guardian at 8:36am on June 15, 2017

Kiss Me review " Richard Bean's tender two-hander keeps you guessing by Lyn Gardner

Trafalgar Studios, LondonThe One Man, Two Guvnors playwright has crafted a quietly funny, postwar drama about fertility, sex and survivalThere is the kiss of death and there is the kiss of l…

SOURCE: The Guardian at 8:12am on June 14, 2017

Lyn Gardner: The excellence of experience in community theatre by Lyn Gardner

In early career interviews with the wonderful Juliet Stevenson, the tale was often regurgitated of how she was working with a children's theatre

SOURCE: The Stage Registration at 5:59am on June 12, 2017

Working review " Lin-Manuel Miranda retunes Terkel's paen to American labour by Lyn Gardner

Southwark Playhouse, LondonThis musical revue " which originally flopped on Broadway " features exquisite performances and songs by Hamilton's creator but still feels quaintly nostalgicWorki…

SOURCE: The Guardian at 7:54am on June 9, 2017

Edinburgh festival 2017: what to see and where to go by Lyn Gardner

From Fleabag to Forced Entertainment, with Shakespearean puppet shows, a dance marathon and a love letter to Dolly Parton, here's a look at some of this year's fringe highlightsI'm looking f…

SOURCE: The Guardian at 7:12am on June 7, 2017

Romeo and Juliet review " Liverpool brings zing and bling to gay love story by Lyn Gardner

Liverpool PlayhouseFrom a warehouse rave to a blistering brawl, this production is full of energy and turns Juliet into Julius but the tragedy fails to make an emotional impactThe sad truth …

SOURCE: The Guardian at 1:36pm on June 6, 2017

The Site review " all the building's a stage as the Royal Court puts place before play by Lyn Gardner

Royal Court, LondonDesigner Chloe Lamford's inventive space for experimental works shakes up the process of making " and seeing " theatreThe Royal Court theatre space the Site is so blue and…

SOURCE: The Guardian at 8:33am on June 5, 2017

Lyn Gardner: Should the arts accept oil money? by Lyn Gardner

Mid-way through Matt Hartley and Kirsty Housely's Myth, part of the Royal Shakespeare Company’s Mischief Festival in Stratford-upon-Avon, a comedy about a

SOURCE: The Stage Registration at 3:00am on June 5, 2017

1984 " review by Lyn Gardner

Nottingham PlayhouseThis George Orwell adaptation is a superbly handled multimedia speculation on the nature of truthThe Party plays plenty of mind games in George Orwell's novel about …

SOURCE: The Guardian at 1:12am on June 5, 2017

The Guardian profile: Sonia Friedman by Lyn Gardner

Tony nominations mark arrival for Sonia Friedman as force on BroadwayIt has been a great week for the Brits on Broadway, but in the jubilation over the seven Tony nominations for Alan Bennet…

SOURCE: The Guardian at 8:05am on June 4, 2017

Roller Diner review " Polish immigrant brings mayhem to the menu by Lyn Gardner

Soho theatre, London Stephen Jackson's zany musical comedy poses uncomfortable questions for little Englanders as it veers between hilarity and tragedyEddie (Joe Dixon) is 18 stone of misery…

SOURCE: The Guardian at 6:33am on June 4, 2017

Rose review " one-woman show takes on a century of Jewish history by Lyn Gardner

Home, Manchester Janet Suzman's dignified performance as a woman mourning a little girl becomes unbearably poignant in a Manchester still reeling from the loss of its own childrenIn a Manche…

SOURCE: The Guardian at 9:42am on June 2, 2017
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