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2,878 stories by "Lyn Gardner"

Tamburlaine review " stylish take on Marlowe's tale of toxic masculinity by Lyn Gardner

Arcola, London A predominantly female cast return the story to its Asian origins in Yellow Earth's adaptation of the Elizabethan epicAn outsize play about an outsize personality, Christopher…

SOURCE: The Guardian at 11:12am on March 21, 2017

Re-Member Me review " a seance of Hamlets from O'Toole to Day-Lewis by Lyn Gardner

Almeida, LondonDickie Beau's remarkable show examines memory and mortality as he conjures the actors who have played Shakespeare's tragic prince"Remember me," demands the ghost in Hamlet. It…

SOURCE: The Guardian at 11:36am on March 20, 2017

The Roman Tragedies review " Ivo van Hove's magnificent take on the spectacle of politics by Lyn Gardner

Barbican, LondonThe condensed staging of Coriolanus, Julius Caesar, and Antony and Cleopatra is as electrifying and relevant as ever Hans Kesting is about to give his funeral oration as Mark…

SOURCE: The Guardian at 8:24am on March 19, 2017

The Grapes of Wrath review " Steinbeck's dustbowl refugees find no relief by Lyn Gardner

Nuffield, SouthamptonSome impressive visual moments fail to rescue this ambitious adaptation from its intrusive use of music, cumbersome design and lack of momemtumIt begins with the plainti…

SOURCE: The Guardian at 3:48am on March 18, 2017

Why every day should be Baby Day at the theatre by Lyn Gardner

Too often theatres neglect younger audiences, but Belfast's Young at Art festival shows how vital new recruits are to the future of the artsIt's Sunday afternoon on a bright spring day, and …

SOURCE: The Guardian at 11:48am on March 17, 2017

Stepping Out review " laughter on tap in feelgood musical with Amanda Holden by Lyn Gardner

Vaudeville, LondonThere are some spot-on performances in this West End revival of Richard Harris's likable play about budding hoofers in a church hallThe great tap-dance musical 42nd Street …

SOURCE: The Guardian at 4:36pm on March 15, 2017

Sheep Pig Goat: theatre for an audience of animals by Lyn Gardner

How can you tell if a sheep likes theatre? Or a pig is into dance? Fevered Sleep are staging a show for farmyard creatures " while humans decide if they're bleating for moreAlmost 10 years a…

SOURCE: The Guardian at 7:48am on March 15, 2017

Plan your week's theatre: top tickets by Lyn Gardner

David Tennant's Don Juan saunters into Soho, Cardiff hosts a Cock and Bull story and Mark Thomas's tale of activism and memory heads to NewcastleJack Thorne and Stephen Warbeck's loveable mu…

SOURCE: The Guardian at 3:54am on March 13, 2017

Break an egg! A theatre critic reviews Leon's singing staff by Lyn Gardner

Employees at the West End branch of the restaurant now sing showtunes for customers. Will it lead to empty chairs at empty tables?Charlotte Chalkey and Aaron Rahn have only recently graduate…

SOURCE: The Guardian at 11:18am on March 12, 2017

It's boom time for older actors but how realistic are their roles? by Lyn Gardner

From Silver Lining to Roundelay, a handful of new shows focus on elderly people. Let's hope it leads to lasting change in the way they're represented on stageIn Sandi Toksvig's Silver Lining…

SOURCE: The Guardian at 9:48am on March 10, 2017

City of Glass review " Paul Auster's meta-mystery gets a stunning staging by Lyn Gardner

Home, ManchesterDuncan Macmillan's adaptation of Auster's story becomes a jaw-dropping spectacle, but the cunning visuals come at the expense of emotional engagementIn Paul Auster's 1985 nov…

SOURCE: The Guardian at 8:42am on March 10, 2017

Faust x2 review " Ian McDiarmid's Goethe drama is a devil of a time by Lyn Gardner

Watermill, BagnorAdapted by and starring McDiarmid, this account of the Faustian pact features a fine Mephisto but doesn't succeed in bringing the play into the 21st centuryRegrets? We all h…

SOURCE: The Guardian at 2:12pm on March 9, 2017

Shut down but not silenced: Isis play Homegrown demands to be staged by Lyn Gardner

Cancelled in 2015, a play about the radicalisation of young Muslims has now been published. It's challenging, gloriously authentic and prompts grownup debate. So who is brave enough to put i…

SOURCE: The Guardian at 9:42am on March 8, 2017

Othello review " brutal, candlelit tragedy in a man's world by Lyn Gardner

Sam Wanamaker Playhouse, LondonEllen McDougall's claustrophobic staging of Shakespeare's tragedy has moments that make you see the play afreshIn director Ellen McDougall's Othello, Desdemona…

SOURCE: The Guardian at 2:54am on March 7, 2017

Plan your week's theatre: top tickets by Lyn Gardner

David Greig's astounding Aeschylus rewrite reaches Manchester, while An American in Paris comes to the West End and the Menier Chocolate Factory revives RattiganThe Tony award-winning musica…

SOURCE: The Guardian at 2:54am on March 6, 2017

Plastic review " sneaky middle-class satire makes audience squirm by Lyn Gardner

Ustinov Studio, BathMarius von Mayenburg skewers pretensions and hypocrisies with this study of a self-involved familyNobody likes doing the chores. But Ulrike (Charlotte Randle) and Michael…

SOURCE: The Guardian at 9:54am on March 3, 2017

Junkyard review " Jack Thorne's joyful musical for school misfits by Lyn Gardner

Thorne, composer Stephen Warbeck, director Jeremy Herrin and a fantastic ensemble deliver a show that celebrates young people's sense of adventureFiz, Ginger, Tilly and the others aren't eve…

SOURCE: The Guardian at 7:42am on March 3, 2017

Sweeney Todd review: 'All meat and no gristle' by Lyn Gardner

Harrington's Pie and Mash Shop, LondonThis clever pie-shop staging of Sondheim's musical walks the tightrope between grisly and comic in its tiny chamber of horrorsWho knows if Harrington's …

SOURCE: The Guardian at 5:04pm on March 2, 2017

Sia brings a mother and son together at Glasgow's startling new festival by Lyn Gardner

The Ballad of the Apathetic Son and his Narcissistic Mother stands out at a new celebration of performance, alongside a powerful take on black masculinityIn 21cc's show The Ballad of the Apa…

SOURCE: The Guardian at 11:32am on March 2, 2017

Orpheus beneath a bridge, Macbeth in a cave: theatre's ever stranger locations by Lyn Gardner

A chamber below Clifton suspension bridge in Bristol is hosting a new version of Orpheus and Eurydice. When does a bold new setting become a gimmick?We knock on the red door. A bell rings. T…

SOURCE: The Guardian at 9:12am on March 1, 2017

Plan your week's theatre: top tickets by Lyn Gardner

The National Theatre's My Country delivers a verbatim verdict on Brexit and Duncan Macmillan adapts Auster's City of Glass in ManchesterLittle Bulb's all-singing Wail, which is about whales …

SOURCE: The Guardian at 2:32am on February 27, 2017

Fiddler on the Roof review " Liverpool delivers milkman musical for our times by Lyn Gardner

Everyman, LiverpoolGemma Bodinetz's loving, elegant revival of the Russian villagers' story is joyful and warm in the hands of the theatre's versatile new repertory companyAn old Broadway mu…

SOURCE: The Guardian at 11:36am on February 23, 2017

Othello review " thriller focuses on anti-Muslim prejudice and 'alternative facts' by Lyn Gardner

Tobacco Factory, Bristol Director Richard Twyman's riveting production excels at depicting the racial and religious tensions underlying Othello and Desdemona's peril"So much ado, so much str…

SOURCE: The Guardian at 8:12am on February 22, 2017

No excuses necessary: why fringe theatre isn't playing the victim by Lyn Gardner

Theatre-makers are creating personal work that might be hard to deal with but that shouldn't make it out of bounds for artists, critics or audiencesLast weekend's The Sick of the Fringe fest…

SOURCE: The Guardian at 5:02am on February 22, 2017

Low Level Panic review " sexual anxiety in the bathroom queue by Lyn Gardner

Orange Tree, Richmond Like 1980s precursors to Fleabag, young female flatmates confide their fantasies in a world where men seem to hold all the powerMore than a third of teenage girls suffe…

SOURCE: The Guardian at 10:18am on February 21, 2017
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