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2,878 stories by "Lyn Gardner"

Clowns? Don't let that sad expression give you the wrong impression by Lyn Gardner

Clowns might be getting a bad press just now, but clowning has long been an essential part of British theatre traditionEverybody loves to hate a clown, and news of sightings of clowns on str…

SOURCE: The Guardian at 8:12am on January 24, 2017

It's time theatre cut the pompous jargon by Lyn Gardner

Obscure language in show descriptions and reviews prevents us from opening the conversation to everyoneI was browsing through the programme of an international festival recently. The visuals…

SOURCE: The Guardian at 10:36am on January 23, 2017

Raising Martha review " psychedelic froggy comedy by Lyn Gardner

Park theatre, LondonDavid Spicer's humorous play about animal rights boasts deft one-liners and giant amphibians, but it ends up down a dramatic cul-de-sacMartha is dead but no longer buried…

SOURCE: The Guardian at 6:12am on January 23, 2017

Lovesong " review by Lyn Gardner

Drum, PlymouthIt's not often that you hear mass sobbing in the theatre, but it's all sniffles during the latter stages of this new Frantic Assembly show. It's hardly surprising: Abi Morgan's…

SOURCE: The Guardian at 5:06am on January 23, 2017

Plan your week's theatre: top tickets by Lyn Gardner

Escaped Alone returns, Gary Barlow opens his musical The Girls, Vault and Manipulate add to the festival fare and The White Devil walks againOwen Sheers's Pink Mist, about three lads who joi…

SOURCE: The Guardian at 3:04am on January 23, 2017

Jonah and Otto review " quiet and beautiful with an explosive centre by Lyn Gardner

Park theatre, LondonRobert Holman's play confronts the big existential questions with a graceful simplicityOtto is an anxious, ageing vicar so lonely  that he talks to walls and touches…

SOURCE: The Guardian at 11:33am on January 21, 2017

Staging the Lift festival is a drama of visas, divas and hotel rooms by Lyn Gardner

The London international festival of theatre draws great " and brave " talents from around the globe but the staff also deserve applause for this mammoth eventDuring the 2012 London internat…

SOURCE: The Guardian at 9:18am on January 21, 2017

In the Depths of Dead Love review " stultifying all-white Chinese fable by Lyn Gardner

Print Room at the Coronet, LondonA failed poet presides over a bottomless well in a production of Howard Barker's play that has drawn fire for its lack of east Asian actorsArt does not exist…

SOURCE: The Guardian at 11:24am on January 20, 2017

See Me Now: the show exposing the everyday lives of sex workers by Lyn Gardner

A new verbatim theatre piece stars teachers, consultants and cleaners who have all earned a living through the sex trade. The creators, including a dominatrix, discuss a show that's about lo…

SOURCE: The Guardian at 10:33am on January 19, 2017

Marée Basse review " boozed-up clowns make a meal of it by Lyn Gardner

The Pit, LondonMachetes fly as Sacékripa's skilful two-hander for the London international mime festival brings lethal clumsiness and passive aggression to the Barbican A lovely, low-key sh…

SOURCE: The Guardian at 7:18am on January 19, 2017

From Ibiza to the Norfolk Broads review " touching Bowie oddity by Lyn Gardner

Greenwich theatre, London Misfit teen Martin goes in search of his absent father and his pop idol in a sharply observed, compelling one-man showThose unacquainted with the lyrics to David Bo…

SOURCE: The Guardian at 2:54am on January 18, 2017

Titus Andronicus review " Shakespeare's bloodbath becomes a sadistic delight by Lyn Gardner

Shakespeare's Globe, LondonLucy Bailey's returning revival of this vicious, bloody tragedy is still ingeniously disturbing, and much more than just a splatter festNasty, but oh so very, very…

SOURCE: The Guardian at 7:04am on January 17, 2017

We need to talk about Hedda: why the National's Ibsen shocker isn't sexist by Lyn Gardner

Theatre has often depicted women subjected to degradation but context is key. The appalling final scene in the NT's production made me see the play anewWe all know that British theatre still…

SOURCE: The Guardian at 4:48am on January 17, 2017

Abigail review " cute romcom turns into violent mess by Lyn Gardner

The Bunker, LondonWhen the relationship depicted in Fiona Doyle's fractured-chronology drama falls apart, it's left to the audience to pick up the piecesWoman in her 20s meets man in his 40s…

SOURCE: The Guardian at 3:48am on January 17, 2017

Birthday Suit review " sparky comedy is like Ayckbourn for millennials by Lyn Gardner

Old Red Lion, London The laughs keep coming in David K Barnes' play about a party where awkward small talk descends into a drunken debate about personal desiresDiane (EJ Martin) is nervous w…

SOURCE: The Guardian at 2:42am on January 17, 2017

Plan your week's theatre: top tickets by Lyn Gardner

Us/Them dramatises the Beslan massacre, the London international mime festival has lots to shout about, and Theatre503 invites Neil LaBute, Caryl Churchill, Roy Williams and more to respond …

SOURCE: The Guardian at 3:04am on January 16, 2017

The Albatross 3rd & Main review " avian caper becomes a wild goose chase by Lyn Gardner

Park theatre, LondonA man tries to sell a dead eagle on the black market in a laboured comedy that, despite all the metaphors, has little to say about contemporary AmericaWhen Spider (Charli…

SOURCE: The Guardian at 12:48pm on January 13, 2017

London international mime festival: 40 years old and still contorting by Lyn Gardner

Trampolines, smashed crockery, ghostly goings-on … the annual gala of physical theatre shows no sign of slowing downAt Central St Martins' Platform theatre, two men " maybe brothers but po…

SOURCE: The Guardian at 9:33am on January 13, 2017

Cash-strapped theatres must answer difficult questions by Lyn Gardner

As funding for the arts looks increasingly uncertain, the challenge for theatres is to find the right financial model to secure their futureLast year, I visited a regional theatre whose work…

SOURCE: The Guardian at 11:33am on January 11, 2017

Us/Them: unlikely children's show about terrorism opens at National Theatre by Lyn Gardner

Beslan's 2004 school siege, in which more than 300 people died, is the subject of a playful, comic and desperately moving piece for young audiences'I'm always up for a bit of a challenge," s…

SOURCE: The Guardian at 4:02am on January 11, 2017

The Twentieth Century Way review " gay history relegated to sidebar by Lyn Gardner

Jermyn Street theatre, LondonTom Jacobson's two-hander takes a situation heavy with dramatic promise " the entrapment of gay men in 1914 America " and sacrifices it to metatheatre In 1914, C…

SOURCE: The Guardian at 7:18am on January 10, 2017

Plan your week's theatre: top tickets by Lyn Gardner

London's International Mime festival throws up some special treats including Gandini Juggling's Smashed, and Cinderella is still having a ball in BoltonThe London International Mime festival…

SOURCE: The Guardian at 3:06am on January 9, 2017

Theatre is coming to terms with its diversity problem. Real progress is vital by Lyn Gardner

The outcry over the all-white cast of In the Depths of Dead Love is a sign of shifting attitudes. But the industry still has some way to goThe "yellowface" dispute that blew up just before C…

SOURCE: The Guardian at 9:36am on January 2, 2017

Speaking truth to power: the revolutionary potential of theatre by Lyn Gardner

Soho theatre's pop-up soapbox inspired a raft of brief yet pointed speeches. The project's 2017 tour of London venues couldn't come at a better timeThe downstairs space at Soho theatre in Lo…

SOURCE: The Guardian at 8:48am on December 29, 2016

The Kite Runner " review by Lyn Gardner

Nottingham PlayhouseKhaled Hosseini's bestselling novel spans 30 years, shifts continents, entwines Afghanistan's bloody history with a family saga, and deals with themes of betrayal, guilt …

SOURCE: The Guardian at 5:42am on December 23, 2016
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