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2,878 stories by "Lyn Gardner"

Children storm the stage with awkward questions for grownups by Lyn Gardner

Kids are increasingly creating work with adult theatre-makers and the results challenge our expectations of both childhood and performanceHow do we grow up? It's a good question and one rais…

SOURCE: The Guardian at 3:31pm on November 1, 2016

The Nest review " Conor McPherson gives 70s fable a fresh coat of despair by Lyn Gardner

Young Vic, London Franz Xaver Kroetz's 1975 play about a hard-up couple preparing to have a child is staged by Ian Rickson in a new translation by Conor McPhersonFranz Xaver Kroetz's play, n…

SOURCE: The Guardian at 12:31pm on November 1, 2016

The Tempest review " groundbreaking Shakespeare for autistic audiences by Lyn Gardner

Orange Tree, RichmondFlute Theatre's innovative production gives children the chance to play out the scenes initiated by the actors"The isle is full of noises," says Caliban, and it certainl…

SOURCE: The Guardian at 10:42am on October 31, 2016

Plan your week's theatre: top tickets by Lyn Gardner

The RSC's Cymbeline moves to the Barbican in London, there are world premieres by David Greig and Ron Hutchinson at the Arcola, and Red Cape celebrate everyday heroism in NewburyWhat is it l…

SOURCE: The Guardian at 3:54am on October 31, 2016

Side Show review " a spectacle in song about real-life 'freak' sister act by Lyn Gardner

Southwark Playhouse, LondonInspired performances elevate a problematic musical about conjoined twins who were exploited first in life and then on the stageFact and fiction are entwined in th…

SOURCE: The Guardian at 1:24pm on October 30, 2016

Theatre's collaboration conundrum: the fine art of co-production by Lyn Gardner

When theatres and companies of different sizes come together on joint projects, the trick is to make sure everyone benefits " and that includes the region itselfNorthern Stage's artistic dir…

SOURCE: The Guardian at 3:24pm on October 28, 2016

My Mother Medea review " child refugees given a voice in twist on classic myth by Lyn Gardner

Unicorn theatre, London Holger Schober's clever two-hander presents Medea's children as unwanted arrivals in a new school, in a timely riff on notions of them and usEriopis (Stephanie Levi-J…

SOURCE: The Guardian at 8:18am on October 27, 2016

As Emma Rice departs, the Globe has egg on its face " and no vision by Lyn Gardner

The message of artistic director Rice's departure after just two seasons? Shakespeare's Globe is not a theatre but part of the heritage industryThe news that artistic director Emma Rice will…

SOURCE: The Guardian at 10:21am on October 25, 2016

Plan your week's theatre: top tickets by Lyn Gardner

Lazarus and a female Julius Caesar come to King's Cross, Spill festival starts in Ipswich, the Salvation Army delivers compassion in Cambridge, and Ian McDiarmid tackles Enoch Powell at Birm…

SOURCE: The Guardian at 2:10am on October 24, 2016

Grain in the Blood review " folk morality thriller leads country lambs to slaughter by Lyn Gardner

Tron, Glasgow Rob Drummond harvests unnerving humour as well as tension from a rural family torn by grief, guilt and sacrificeRob Drummond never fails to surprise. Last summer in Edinburgh i…

SOURCE: The Guardian at 11:19am on October 23, 2016

Moby Dick! The Musical review " high camp on the high seas by Lyn Gardner

Union, LondonAndrew Wright heaves this risible 1992 show to the surface once more, but despite some fine voices and lots of energy the whole thing fails to floatHereward Kaye and Robert Long…

SOURCE: The Guardian at 8:51am on October 21, 2016

Theatre's gender inequality is shocking " but change is in the air by Lyn Gardner

With Agatha Christie the only female playwright represented in London's West End, a Tonic Theatre initiative is taking aim at the traditional gender imbalance in British playhousesThere was …

SOURCE: The Guardian at 10:03pm on October 20, 2016

Ragtime review " kaleidoscopic musical sings the making of modern America by Lyn Gardner

Charing Cross theatre, LondonHenry Ford and Harry Houdini pop up in this rose-tinted show based on EL Doctorow's novel and directed by Thom SoutherlandTerrence McNally, Stephen Flaherty and …

SOURCE: The Guardian at 8:03am on October 20, 2016

Arts Council England releases report on state of British theatre by Lyn Gardner

ACE has published a survey of the nation's theatregoing and theatre-making, with proposals including investing in three regional arts hubsArts Council England (ACE)'s new theatre report, pub…

SOURCE: The Guardian at 5:52am on October 20, 2016

Nina review " searing tribute restarts Simone's revolution by Lyn Gardner

Unity, LiverpoolBacked by a brilliant band, Josette Bushell-Mingo mixes story and song as she connects her own life with Nina Simone'sJosette Bushell-Mingo created the role of Rafiki in the …

SOURCE: The Guardian at 9:12am on October 19, 2016

Heads Will Roll review " whimsical tale of El Dorado chases easy laughs by Lyn Gardner

Drum, PlymouthTold By An Idiot's relentless zaniness obstructs any real exploration of why we delude ourselves in this collection of loosely linked skitsAs the company's name suggests, Told …

SOURCE: The Guardian at 8:51am on October 17, 2016

Plan your week's theatre: top tickets by Lyn Gardner

Ursula Martinez offers Free Admission at Warwick Arts Centre, The Exorcist premieres at Birmingham Rep and the world's second oldest play is at the Grand Opera House in BelfastTold by the Wi…

SOURCE: The Guardian at 2:41am on October 17, 2016

Skin a Cat review " sexual odyssey with charm and comic edge by Lyn Gardner

Bunker, LondonThis endearing drama about a woman who has vaginismus " played brilliantly by Lydia Larson " suggests its writer, Isley Lynn, could be rising star London's newest theatre, a fo…

SOURCE: The Guardian at 12:46pm on October 16, 2016

The Mountaintop review " Luther King Olivier winner returns with driving energy by Lyn Gardner

Young Vic, LondonKatori Hall's play about Martin Luther King and a hotel maid's long night flirting over civil rights issues gains fresh resonance in the context of Black Lives MatterIt's 3 …

SOURCE: The Guardian at 10:40am on October 16, 2016

'If they say it's impossible, we're spurred on': the theatrical surprises of Oily Cart by Lyn Gardner

For 35 years, Tim Webb and his crew have created ambitious sensory productions for children. He explains how it's all about disassembling the theatre machine and putting it back together for…

SOURCE: The Guardian at 2:28am on October 14, 2016

Enter stage right: three of the best theatrical arrivals by Lyn Gardner

When it comes to making a dramatic entrance, you can't beat JB Priestley's inspector, Alan Cummings' cheeky Bacchae and a certain French elephantThe unexpected ring at the doorbell is such a…

SOURCE: The Guardian at 4:52pm on October 13, 2016

Shopping and Fucking review " Mark Ravenhill's fearless play clicks into Amazon age by Lyn Gardner

Lyric Hammersmith, London Market forces rule in Sean Holmes's calculating post-crash revival, where everything comes at a price " and the cast even sell off seat upgradesThe emphasis is on t…

SOURCE: The Guardian at 9:07am on October 13, 2016

Donegal review " Frank McGuinness's ballad for a singing, squabbling family by Lyn Gardner

Abbey theatre, DublinMusician Jackie returns to his manipulative kin in Ireland, but a terrific cast can't quite make us care about their various resentmentsThe Cherry Orchard meets Dynasty …

SOURCE: The Guardian at 6:01pm on October 12, 2016

Dublin festival's boundary-busting theatre looks to Ireland's past and future by Lyn Gardner

These Rooms, which reflects on the Easter Rising, and a rural reimagining of Swan Lake both use new forms to give a different perspective on old stories"My job is to be alert and to look out…

SOURCE: The Guardian at 3:09pm on October 11, 2016

The Remains of Maisie Duggan review " dark, family tale burns itself out by Lyn Gardner

Peacock stage, Abbey theatre, DublinCarmel Winters' familiar story of domestic dysfunction plays to the stereotypes of Irish drama and is never as painfully funny or shocking as it should be…

SOURCE: The Guardian at 10:12am on October 11, 2016
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