DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
2,878 stories by "Lyn Gardner"

Macbeth review ambition of an admirable kind by Lyn Gardner

Balfron Tower, LondonThis immersive production ranges over several floors of a tower block, ending around 8am on the roof with breakfast and the swearing in of Malcolm as the new king"M…

SOURCE: The Guardian at 9:40am on July 6, 2014

The Art of Dying review beautifully crafted meditation on death by Lyn Gardner

Nick Payne's refreshingly simple three-story monologue takes us to a place none of us want to goSometimes it's good to be reminded that theatre can be at its most effective and most layered …

SOURCE: The Guardian at 9:55am on July 4, 2014

The Kindness of Strangers review a show with brains and a heart by Lyn Gardner

This superb tribute to the NHS takes place in the back of a moving ambulance with surprising and moving resultsA tribute to the NHS was at the centre of Danny Boyle's brilliant and brilliant…

SOURCE: The Guardian at 10:13am on July 3, 2014

David Wood: 'children's theatre is the most important theatre' by Lyn Gardner

As his Olivier-nominated The Tiger Who Came to Tea roars back into the West End, the playwright and director on the 'other' Matilda and why failure is not an option in children's playsDavid …

SOURCE: The Guardian at 7:36am on July 3, 2014

London wins again: why won't ACE take risks over arts funding? by Lyn Gardner

The winners and losers can be totted up from today's NPO decisions by Arts Council England, but we will never be able to calculate the loss of potential, as grassroots groups lose outIf time…

SOURCE: The Guardian at 12:56pm on July 1, 2014

The Glass Supper review objectionable people shrieking loudly by Lyn Gardner

Hampstead Downstairs, LondonGay and straight relationships alike provoke wine-soaked spite in a play that veers between soap opera and dismal Joe Orton black comedyLast year, Colin and Marcu…

SOURCE: The Guardian at 10:01am on July 1, 2014

Frantic/The Bench review small, skilled and witty by Lyn Gardner

Greenwich and Docklands festival, LondonThese two acrobatic pieces disrupt the spectacle of everyday life in hugely pleasing manner Streetwise theatre: the joy of shows in the great outdoors…

SOURCE: The Guardian at 8:52am on June 30, 2014

Plan your week's theatre: top tickets by Lyn Gardner

Grimm times afoot in the woods in Lancaster, join the herring lassies in Great Yarmouth, plus the Curious Incident of the Dog in the Night-Time returns to the West EndThe week begins with a …

SOURCE: The Guardian at 2:00am on June 30, 2014

Carousel review outdated values weigh down wartime retelling by Lyn Gardner

Arcola, LondonThis production may be beautifully sung and nicely choreographed, but its attempt to relocate the story to the second world war can't iron out the flaws in the musicalAll plays…

SOURCE: The Guardian at 9:49am on June 29, 2014

Mametz review A bloody battle on the Somme is evoked in a Welsh wood by Lyn Gardner

Great Llancayo Upper Wood, UskIn this fresh, visceral, time-bending piece, scripted by the Owen Sheers, the audience are cast as sightseers on a battlefield tour Reliving the horrors of Mame…

SOURCE: The Guardian at 9:02am on June 27, 2014

Safe House review outdoor aerial show centres on spectacle, not story by Lyn Gardner

Greenwich and Docklands festival, LondonIn spite of a thin narrative, this large-scale outdoor show has a touching intimacyWith house prices and rents rising, this new outdoor show from Metr…

SOURCE: The Guardian at 9:28am on June 26, 2014

Who's afraid of free theatre? by Lyn Gardner

Audiences, critics and theatres can all seem suspicious of shows that don't charge but they're no less ambitious or worthwhileYou are probably reading this blog for free as it's not behind …

SOURCE: The Guardian at 2:15am on June 26, 2014

The Notebook review Forced Entertainment's dark fairytale about war and childhood by Lyn Gardner

BAC, LondonThis show based on Agota Kristof's story strips away any sentimentality to present the diary of twins surviving warForced Entertainment have seldom strayed away from performance a…

SOURCE: The Guardian at 10:54am on June 25, 2014

Idomeneus review whip-smart questioning of Greek tragedy by Lyn Gardner

Gate, LondonFate and stories are not fixed entities in the hands of Roland Schimmelpfennig's playful reworking of the Troy-era legendWhen Idomeneus set out to fight at Troy he had 80 ships, …

SOURCE: The Guardian at 11:55am on June 24, 2014

Beth Steel's Wonderland: coalminer's daughter hits a rich seam in strike play by Lyn Gardner

A sprawling new drama at Hampstead theatre explores how the 1980s industrial dispute changed BritainWhen Beth Steel sent her play Wonderland to theatres for their consideration, one of them …

SOURCE: The Guardian at 10:54am on June 24, 2014

Red Forest review aesthetic hand-wringing over the environment by Lyn Gardner

Young Vic, LondonBelarus Free Theatre's impressionistic exploration of environmental catastrophe is too National Geographic to have any real political impactBelarus Free Theatre have won adm…

SOURCE: The Guardian at 7:36am on June 23, 2014

Plan your week's theatre: top tickets by Lyn Gardner

The battlefields of the Somme are recreated in Wales, Scotland considers what independence means and Richard Wilson does Beckett in SheffieldFrom 5pm tonight The Great Yes, No, Don't Know Fi…

SOURCE: The Guardian at 2:30am on June 23, 2014

This Is How We Die razor wit in a ranting monologue by Lyn Gardner

Ovalhouse, LondonChristopher Brett Bailey's show is a mesmerising experience with a surprise ending that leaves you reelingTheatre often lays special claim to its liveness. Yet it's seldom t…

SOURCE: The Guardian at 8:05am on June 20, 2014

World Cup Final 1966 review jokey re-creation is victory for silliness by Lyn Gardner

Bristol Old VicThis football show has plenty of family appeal, even if the action isn't as exciting on stage as it is on the pitch Carl Heap: finding the method in medieval theatre's madness…

SOURCE: The Guardian at 6:42am on June 19, 2014

The Ted Bundy Project review gripping one-man show about violence by Lyn Gardner

Oval House, LondonWriter-performer Greg Wohead unsettles the audience by focusing on our fixation with goreHe stands before us in tennis whites. Clean-cut and boyish. A slightly goofy smile.…

SOURCE: The Guardian at 6:31am on June 19, 2014

Pinochet generation draw on real-life tensions to play out Chile's dark days by Lyn Gardner

Lola Arias brings together actors whose families were on opposing sides of Chilean regime in The Year I Was BornThe urge to know who we are and where we have come from is strong. It's the re…

SOURCE: The Guardian at 1:11pm on June 18, 2014

How do you solve a problem like West End theatres? by Lyn Gardner

We want to save our beautiful theatres, but they must also be practical. One solution is to knock them down and start againAmbassador Theatre Group's Howard Panter has said out loud what man…

SOURCE: The Guardian at 9:29am on June 18, 2014

Klook's Last Stand review bluesy musical shoots straight from the heart by Lyn Gardner

Park theatre, LondonAko Mitchell and Sheila Atim bring vim and vigour to Ché Walker's tale of two people trying to rewrite their lives Omar Lyefook on scoring Klook, acting with Max Beesle…

SOURCE: The Guardian at 6:21am on June 17, 2014

Streetwise theatre: the joy of shows in the great outdoors by Lyn Gardner

Inspired by Danny Boyle's Olympics ceremony, 2012 was the year of open-air theatre across the UK. What is its legacy?The Guardian's best theatre of 2012 list didn't include Danny Boyle's Oly…

SOURCE: The Guardian at 3:00am on June 17, 2014

Turfed review beautiful and aching look at homelessness and youth by Lyn Gardner

Hackney Downs studio, LondonRenato Rocha and Keziah Serreau's show captures the fury and despair of young people trying to square the gap between their dreams and realityIs the kid asleep on…

SOURCE: The Guardian at 9:37am on June 16, 2014
« Previous 25   Page 64 of 116   Next 25 »