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2,878 stories by "Lyn Gardner"

Plan your week's theatre: top tickets by Lyn Gardner

Travel in the back of an ambulance in Plymouth, gamble with real money in Inverness and get planning for the Greenwich and Docklands festival, where all events are freeFor tried and tested s…

SOURCE: The Guardian at 2:30am on June 16, 2014

Enduring Song review bloated as a rotting whale by Lyn Gardner

Southwark Playhouse, LondonMore buckle than swash, it's as if a first draft has meandered on to the stageWe're in France in 1096. Matthew works on the failing family farm, is at odds with hi…

SOURCE: The Guardian at 11:23am on June 15, 2014

Angel Meadow review a show full of brawling energy by Lyn Gardner

Ancoats, ManchesterAnu's show rewards a willingness to interact, but the in-depth research isn't translated into a clarity of storytelling Re-creating the terror of slum lifeHome, Manchester…

SOURCE: The Guardian at 10:27am on June 13, 2014

Are we training too many actors? by Lyn Gardner

An explosion in training opportunities offered by drama schools and universities means ever greater numbers of actors and theatre-makers. Are some being sold a pup?Susan Elkin has asked, in …

SOURCE: The Guardian at 9:51am on June 13, 2014

Summer review who are the performers and who the spectators? by Lyn Gardner

Regent Trading Estate, ManchesterThe actors and the audience watch each other in Quarantine's delicate and searching show about what it means to be humanQuarantine's latest show the first o…

SOURCE: The Guardian at 7:25am on June 12, 2014

Do booking fees stop you buying theatre tickets? by Lyn Gardner

The commercial sector often slaps on outrageous fees but many subsidised theatres are just as badSo you've sorted your accommodation, browsed the fringe programme, made your selections and a…

SOURCE: The Guardian at 3:51am on June 11, 2014

The Roof review staged video game runs out of life by Lyn Gardner

Doon Street car park, LondonYou're meant to feel like the hero running free and battling opponents, but the thrills never quite take off The Roof see our gallery of images from the showA re…

SOURCE: The Guardian at 7:35am on June 10, 2014

Theatre seating: some reservations by Lyn Gardner

We talk about going to see a show, but not all seats come with a good view and the scramble for unreserved seating can leave you exhausted even before the show has begunIt would be nice to …

SOURCE: The Guardian at 2:00am on June 10, 2014

Museum of Water review every drop tells a story in show of donated water by Lyn Gardner

Somerset House, LondonTears from a miscarriage and bathwater shared by a mother and child are on display in this touching gallery of samplesA human body can be as much as 80% water. We can s…

SOURCE: The Guardian at 7:36am on June 9, 2014

Plan your week's theatre: top tickets by Lyn Gardner

Peter Brook in Warwick, Chaucer in Bath, clogging in Oldham ... here's a day-by-day guide to the UK's best showsDo yourself a favour and hit Contact in Manchester, where the gorgeous, gaudy,…

SOURCE: The Guardian at 2:30am on June 9, 2014

A Simple Space review circus troupe with wow factor by Lyn Gardner

Udderbelly, LondonSeven highly skilled acrobats combine dexterity with sweaty, up-close intimacy, but it's sometimes hard to judge what is real and what is stagedBeginning with a sequence of…

SOURCE: The Guardian at 10:01am on June 8, 2014

When theatrical regime change creates an in-house drama by Lyn Gardner

Any incoming artistic director faces a challenge especially when the outgoing director was as well respected as Sam Walters at Richmond's Orange TreeIt's often said that in politics and rev…

SOURCE: The Guardian at 7:07am on June 6, 2014

Intimate Apparel review writing as delicate as a lace undergarment by Lyn Gardner

Ustinov studio, BathLynn Nottage explores the secret history of her great-grandparents in this play about a seamstress who longs for love Lynn Nottage: Intimate Apparel and what lies beneath…

SOURCE: The Guardian at 12:01pm on June 5, 2014

Edinburgh fringe 2014: the hot tickets by Lyn Gardner

Jane Fonda on trial, zombies and an all-male Wuthering Heights ... These Edinburgh shows caught my eye along with work by Bryony Kimmings, Duncan Macmillan and Chris Thorpe. What will you b…

SOURCE: The Guardian at 8:22am on June 5, 2014

Staging the Lift festival is a drama of visas, egos and hotel rooms by Lyn Gardner

The London international festival of theatre draws great and brave talents from around the globe but the staff also deserve applause for this mammoth eventDuring the 2012 London internatio…

SOURCE: The Guardian at 2:30am on June 5, 2014

Testament review Lear-inspired show searingly exposes family ties and debts by Lyn Gardner

Barbican, LondonPlayful piece by Berlin collective based on Shakespeare's tragedy uses actors' real fathers to tender and honest effectWhere did King Lear go wrong? In this playful, thoughtf…

SOURCE: The Guardian at 8:13am on June 4, 2014

The Manual Oracle review fun but underexploited sketches on fear by Lyn Gardner

The Yard, LondonTold through a series of 17th-century maxims, Phoebe von Held's show brings an air of paranoia to the new Anxiety arts festivalAs the saying goes: "Just because you're p…

SOURCE: The Guardian at 8:58am on June 3, 2014

In the Vale of Health review Simon Gray's marathon of indecision by Lyn Gardner

Hampstead theatre, LondonThese riffs on the story of Japes come across as a writing exercise but the cast give an acting masterclassThis quartet by Simon Gray adds three variations to his 20…

SOURCE: The Guardian at 8:30am on June 3, 2014

My disability helped me understand Blanche DuBois, says Streetcar actor by Lyn Gardner

One blogger described the casting as 'ludicrous', but Nadia Albina says her physical disability helped her performance in Secret Theatre's showThere was a day in the runup to the opening of …

SOURCE: The Guardian at 10:23am on June 2, 2014

Incorruptible Flesh: Messianic Remains review a theatrical resurrection by Lyn Gardner

Ron Athey's oddly moving performance art piece makes us stare at our own mortalityAt first sight, the intricately tattooed naked male body trapped on the metal rack could be a corpse. Hooks …

SOURCE: The Guardian at 9:54am on June 2, 2014

Which plays should be set texts? by Lyn Gardner

An Inspector Calls and Blood Brothers are on the GCSE syllabus. I'd add some Polly Stenham and Caryl ChurchillSo Arthur Miller's The Crucible will no longer feature on the English Literature…

SOURCE: The Guardian at 4:28am on June 2, 2014

Squirrels/The After-Dinner Joke review absurdist-edged satire by Lyn Gardner

Orange Tree, London David Mamet's Squirrels captures moments of comedy, but it's Caryl Churchill's Joke that gets the biggest laugh in these productions from two up-and-coming directorsThe O…

SOURCE: The Guardian at 1:30pm on June 1, 2014

Johnny Got His Gun review a one-man scream at the horror of war by Lyn Gardner

Southwark Playhouse, LondonDavid Mercatali's adroit staging of Dalton Trumbo's novel is full of pain and rage Johnny Got His Gun: adapting the 'unstageable' anti-war novelBrass bands were pl…

SOURCE: The Guardian at 9:38am on May 29, 2014

A Human Being Died That Night review a scorching look at apartheid guilt by Lyn Gardner

Hampstead Downstairs, LondonWhat is forgiveness, asks Nicholas Wright's tense true-story play, in which a psychologist interviews an apartheid assassinThere is a moment near the start of Nic…

SOURCE: The Guardian at 9:03am on May 29, 2014

What makes a good theatre date? by Lyn Gardner

For me, theatre-going companions need to have an open mind and not talk about the show too much in the intervalA close friend of mine is the kiss of death at the theatre. It's become a bit …

SOURCE: The Guardian at 11:45am on May 28, 2014
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