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2,878 stories by "Lyn Gardner"

Sunny Afternoon review Ray Davies musical is hardly rock'n'roll by Lyn Gardner

This story about the Kinks would have been better presented as a jukebox musicalIt's definitely not Birdland. This story of that very English rock star and songwriter Ray Davies of the Kinks…

SOURCE: The Guardian at 8:25am on May 2, 2014

Venice Preserv'd review immersive drama that's more of an aimless wander by Lyn Gardner

Spectators' Guild stumble and fall in this misconceived staging of a medieval tragedy that's more pedestrian than perambulatory Casting call for buildings: on location with Punchdrunk and Sp…

SOURCE: The Guardian at 8:16am on May 1, 2014

Old and bold: there's no age limit on emerging artists by Lyn Gardner

From knitting to circus skills, the creativity of the over-60s is being celebrated and harnessed by theatres, resulting in closer relationships between artists and audiencesMany theatres and…

SOURCE: The Guardian at 5:21am on May 1, 2014

Every Last Trick review Feydeau's comic classic comes a cropper by Lyn Gardner

Royal and Derngate, NorthamptonFeydeau is left far behind in Tamsin Oglesby's rehash of the French master's farceAngela (Sophie Russell) has been unlucky in love. Her first husband was a phi…

SOURCE: The Guardian at 11:13am on April 29, 2014

Puffball review an LGBTQ circus brimming with love by Lyn Gardner

Roundhouse, LondonWith a cast including a man trapped in a trampoline and a performer unwrapped like a butterfly, this is a transformative evening Puffball: sexuality under circus's big top …

SOURCE: The Guardian at 8:35am on April 29, 2014

Archimedes' Principle review a cleverly executed, slippery little play by Lyn Gardner

Park theatre, LondonYou can almost smell the chlorine in Josep Maria Miró i Coromina's child-abuse drama set in a leisure centreBrandon (Lee Knight) and Matt (Matt Bradley-Robinson) are s…

SOURCE: The Guardian at 11:24am on April 28, 2014

I Can't Sing may have flopped but plenty of musicals still have the X factor by Lyn Gardner

Despite the early closures of I Can't Sing, Stephen Ward and From Here to Eternity, musical theatre is not on its last legsThe imminent death of any artform tends to be overstated. I get ema…

SOURCE: The Guardian at 6:40am on April 28, 2014

Luck of the draw: arts funding that favours London and the super-rich has to stop by Lyn Gardner

A new report shows that boroughs such as Westminster have won the arts funding lottery, with £1.1bn going to London alone. It's time to think about how we weigh and distribute funding&quo…

SOURCE: The Guardian at 5:59am on April 28, 2014

The Believers review thrilling theatrical conjuring tricks, but no big revelations by Lyn Gardner

Tricycle, LondonFrantic Assembly's tale of two neighbouring couples comparing philosophies and parenting styles is spooky and inventive, but not entirely convincingWe are in the dark. So are…

SOURCE: The Guardian at 11:45am on April 27, 2014

Catch-22 review Joseph Heller's theatre of the absurd by Lyn Gardner

Northern Stage, Newcastle upon TyneThere are some wonderful splintered moments in this staging of Heller's own adaptation of his satirical novelYossarian is trapped in a nightmare with no en…

SOURCE: The Guardian at 11:09am on April 25, 2014

The Life and Times of Mitchell and Kenyon review celluloid ghosts are spellbinding on stage by Lyn Gardner

Dukes, LancasterDaragh Carville's play records the work of two pioneering film-makers who documented northern working-class lifeLong before Andy Warhol predicted everyone's 15 minutes of fam…

SOURCE: The Guardian at 11:40am on April 24, 2014

Buzzcut festival: free, fun and buzzing with shows by Lyn Gardner

If you think performance art isn't for you, perhaps Glasgow's artist-led Buzzcut festival will change your mindThe festival season is upon us. Between now and the end of August, you could pr…

SOURCE: The Guardian at 11:00am on April 24, 2014

An Intervention review Mike Bartlett's mischievous double act by Lyn Gardner

Watford PalaceThe in-demand Mike Bartlett provocatively questions our responsibilities as friends and citizens in this two-handerHe's a clever one, that Mike Bartlett. Not only does he have …

SOURCE: The Guardian at 11:05am on April 23, 2014

The art of juggling: four classic YouTube videos by Lyn Gardner

Gandini Juggling's witty circus show Smashed opens at the Udderbelly in London tonight. To celebrate, here's a selection of clips showing great jugglers operating at full stretchSome years a…

SOURCE: The Guardian at 6:33am on April 23, 2014

Hetty Feather review Jacqueline Wilson circus show needs more tricks by Lyn Gardner

Rose, KingstonSally Cookson's production has some magical touches but it stays too faithful to the script, with the red-haired heroine ultimately outstaying her welcome Hetty Feather review …

SOURCE: The Guardian at 9:35am on April 22, 2014

Children's theatre: once seen, never forgotten by Lyn Gardner

For children, theatre can be magical, transporting and unforgettable. Which plays cast a spell on you as a child?Can you remember going to the theatre as a child? I do. There was a Toad of T…

SOURCE: The Guardian at 10:24am on April 21, 2014

La Merda review 'Extraordinary, terrifying and hard to ignore' by Lyn Gardner

Soho theatre, LondonThis startling monologue on body image, fame and politics is performed with mesmerising bravery by a naked Silvia GalleranoShe sits on a small, raised metal platform, lik…

SOURCE: The Guardian at 9:48am on April 21, 2014

Arcadia review Tom Stoppard's lofty drama given a flaming warmth by Lyn Gardner

Tobacco Factory, BristolAndrew Hilton's unaffected revival of the Tom Stoppard play brings out the human side to counterbalance its many dancing ideasTwenty-one years young, Tom Stoppard's d…

SOURCE: The Guardian at 8:24am on April 20, 2014

A Steady Rain review 'A tale of betrayal that keeps you guessing' by Lyn Gardner

Ustinov Studio, BathInspired by the Jeffrey Dahmer case, Mad Men writer Keith Huff's look at two childhood friends turned Chicago cops is meticulously staged even as it drowns in its own gr…

SOURCE: The Guardian at 8:08am on April 18, 2014

Belonging review 'Pioneering use of spoken, physical and sign language' by Lyn Gardner

Roundhouse, LondonThis powerful production by the deaf and disabled-led company Graeae has flashes of comedy and soulful musicIn this circus collaboration between the deaf and disabled-led c…

SOURCE: The Guardian at 1:46pm on April 17, 2014

Reviewing the situation: are theatre critics covering the right shows? by Lyn Gardner

There is more work than ever being staged across the country. We must be bolder about the choices we make in our coverageI had a heartfelt email from a small London theatre the other day ask…

SOURCE: The Guardian at 7:11am on April 17, 2014

Maudie's Rooms review 'Dripping with atmosphere and mystery' by Lyn Gardner

Secret location, CardiffA family show that is creepy enough to stay in the minds of its young audience for years to comeArlo Butterworth is a man who has never felt that he measures up. Even…

SOURCE: The Guardian at 10:07am on April 16, 2014

Handbagged review Playful speculation on Thatcher's meetings with the Queen by Lyn Gardner

Vaudeville, LondonMoira Buffini's high-spirited and shrewd piece cleverly explores the nature of history and what might have gone on behind closed doors Read Moira Buffini: Margaret Thatche…

SOURCE: The Guardian at 8:48am on April 15, 2014

Behind most great actors there's a great drama teacher by Lyn Gardner

Eddie Redmayne still rings up his old drama teacher for advice. He's not alone among those in the performing artsIt is perfectly possible that there are plenty of people whose maths or chemi…

SOURCE: The Guardian at 7:26am on April 15, 2014

She Would Walk the Sky review: 'Not just high-flown, but overblown' by Lyn Gardner

Roundhouse, LondonDespite the fraying red-velvet atmosphere and delightful moves, a heavy, poetic story weighs down the performers' light touchThere is plenty that is high-flown about Compan…

SOURCE: The Guardian at 11:56am on April 14, 2014
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