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2,878 stories by "Lyn Gardner"

I Found My Horn review 'This one-man show turned out to be oddly affecting' by Lyn Gardner

Trafalgar Studios 2, LondonJasper Rees tackled his midlife crisis by relearning the French horn and devising a one-man play about itThe midlife crisis comes in many forms. For the journalis…

SOURCE: The Guardian at 1:30pm on April 10, 2014

Theatre bars and cafes: tell us your best and worst by Lyn Gardner

Ice-creams that cost £4.50, wine at £9 a glass theatre bars and cafes can be a rip-off, but the best are destinations in their own rightI've always said that it's the work taking plac…

SOURCE: The Guardian at 12:41pm on April 9, 2014

At the End of Everything Else review pedal-powered Icarus proves uplifting by Lyn Gardner

Its over-earnest environmental message may overwhelm the narrative, but this take on the Icarus myth powered by its cycling cast does have some wonderful live animation Children's theatre gr…

SOURCE: The Guardian at 8:43am on April 9, 2014

Banksy: The Room in the Elephant review 'Who owns the story?' by Lyn Gardner

Arcola theatre, LondonThe tale of a man made homeless when the LA water tank he lived in was turned into a Banksy artwork is fascinating and thought-provoking Read our interview with the pla…

SOURCE: The Guardian at 11:20am on April 8, 2014

Let the Right One In five-star review 'Exquisitely beautiful staging' by Lyn Gardner

Apollo theatre, LondonThe Swedish horror-drama about a love between a vampire and a bullied schoolboy is brought to life once more in this sensitive, ambiguous adaptation Blood, sex, gore an…

SOURCE: The Guardian at 7:21am on April 8, 2014

Another Country review Suffocating study of the spies who betrayed Britain by Lyn Gardner

Trafalgar Studios, LondonThis slow piece's young cast capture the emotional consequences of the cruel and hollow world that produced Burgess, Blunt, Maclean and PhilbyWhy did the cold-war sp…

SOURCE: The Guardian at 12:35pm on April 7, 2014

Apollo theatre reopening: the West End must be fit for purpose by Lyn Gardner

Heritage should be secondary to safety and practicality when it comes to Theatreland's ailing buildingsWhen John Tiffany's production of Let the Right One In opens at the Apollo theatre in t…

SOURCE: The Guardian at 7:44am on April 7, 2014

Children's theatre grows up at Purni Morell's magical Unicorn by Lyn Gardner

The Unicorn theatre is on a roll with a teenaged Henry the Fifth, adventurous adaptations of kids' books and spellbinding devised work. And now there's talk of banning the adults The Velvete…

SOURCE: The Guardian at 10:22am on April 3, 2014

CircusFest: meet the jugglers taking the artform to dizzy heights by Lyn Gardner

Gandini Juggling and Compagnie Jerome Thomas don't just keep multiple balls airborne " they explore ideas and emotion, and play with narrativeLuke Hallgarten and Tom Gaskin see the world dif…

SOURCE: The Guardian at 6:30am on March 26, 2014

Adrian Howells by Lyn Gardner

Pioneering theatrical performer who liked to invite the participation of members of his audienceThere are not many theatrical performers whose engagement with the audience extends to hugging…

SOURCE: The Guardian at 1:45pm on March 24, 2014

Spring Awakening review " 'These teens seem out of time' by Lyn Gardner

West Yorkshire Playhouse, LeedsHeadlong and Anya Reiss's update of the Wedekind sexual discovery play has plenty of swagger but a lack of mordant modern wit, despite canny use of YouTubeWhen…

SOURCE: The Guardian at 11:06am on March 13, 2014

Lyn Gardner: Theatre must look to the future by Lyn Gardner

Theatre has a rich history. But in times of squeezed funding we should place emphasis on what comes next and not just safeguard legacyDance Gazette recently asked international directors fro…

SOURCE: The Guardian at 12:21pm on March 5, 2014

Blithe Spirit and theatre as seance: the lasting appeal of spiritualism on stage by Lyn Gardner

Channelling voices, raising the dead, audiences eager to believe … spiritualism makes great theatre. Noël Coward's Blithe Spirit is a comedy classic haunted by a host of spectres and sh…

SOURCE: The Guardian at 1:23pm on March 4, 2014

The One review " 'A curious little shocker with Phoebe Waller-Bridge' by Lyn Gardner

This zestfully filthy and vicious story of a destructive relationship makes Who's Afraid of Virginia Woolf? look sweetPlaywright Vicky Jones's debut is unapologetically brazen. It hooks you …

SOURCE: The Guardian at 9:00am on March 4, 2014

British theatre is default white, middle-class and male. It's time to diversify or die by Lyn Gardner

Only by becoming more inclusive can British theatre fend off accusations that it is an art form made by an elite, for the elite"Theatre is default white," said one of the participants at Dev…

SOURCE: The Guardian at 8:10am on March 3, 2014

No Boundaries: theatres must reach out and involve their audiences by Lyn Gardner

Two days of discussion about the arts questioned the role of theatre, where it happens and who can access itIf there were two people who for me summed up No Boundaries " a symposium about th…

SOURCE: The Guardian at 12:04pm on February 28, 2014

Mozart Undone review " 'makes Cirque du Soleil seem radical' by Lyn Gardner

Barbican, LondonCascades of glitter, soap and water drown out the Mozart in Betty Nansen Teatret's madcap Danish 'theatre concert' You may enter the Barbican a reasonably sane person, but th…

SOURCE: The Guardian at 8:04am on February 28, 2014

As You Like It review " 'Shakespeare goes glamping in the Forest of Arden' by Lyn Gardner

Tobacco Factory, BristolAndrew Hilton's production can't escape Shakespeare's flaws, but there is plenty to enjoy in its portrayal of loveI must confess to a bit of a love-hate relationship …

SOURCE: The Guardian at 7:48am on February 26, 2014

Page to stage: is it always second best? by Lyn Gardner

Adaptations of novels are rife in theatre. But it's wrong to think of them as inferior " sometimes they are more than a match for the original worksOver the weekend I was in Bristol watching…

SOURCE: The Guardian at 4:00am on February 25, 2014

Jane Eyre " review by Lyn Gardner

Bristol Old Vic An inventive staging of Charlotte Brontë's novel shines thanks to attention to storytelling and Madeleine Worrall's superb JaneSally Cookson's two-part four-and-a-half-hou…

SOURCE: The Guardian at 8:05am on February 24, 2014

Is it time to teach theatre manners to children? by Lyn Gardner

An RSC production of Shakespeare's Taming of the Shrew was recently disrupted by some of its young audience. But does the fault in such cases lie with the kids or the company?Do children nee…

SOURCE: The Guardian at 12:42pm on February 21, 2014

Our Big Land " review by Lyn Gardner

Ovalhouse, LondonThere's a brooding, bloody power in Dan Allum's three-hander about Gypsy life, using music and ritual to hypnotic effectSophie's mum told her that she shouldn't play with th…

SOURCE: The Guardian at 8:50am on February 21, 2014

Lyn Gardner: Arts Council cash must be split wisely between theatre in London and the regions by Lyn Gardner

Yes, theatre outside the capital should get more money, but it's crucial that funding is targeted carefullyAlthough there are some vocal dissenters, many would agree that in the next round o…

SOURCE: The Guardian at 8:38am on February 20, 2014

Grandpa's Railway " review by Lyn Gardner

Unicorn, LondonAn understated script about attachment to place picks up steam when a working model railway is unveiled, delighting adults and children alikeA fully working model railway is t…

SOURCE: The Guardian at 8:30am on February 20, 2014

Circa: Opus " review by Lyn Gardner

Barbican, LondonDazzling acrobatics build up a jaw-dropping parade of imagery suggesting 20th-century horrors, yet this thrilling show never quite touches the heartThe Australian company Cir…

SOURCE: The Guardian at 7:18am on February 20, 2014
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