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2,878 stories by "Lyn Gardner"

Him with His Foot in His Mouth " review by Lyn Gardner

Greenwich theatre, LondonThis one-man adaptation of a Saul Bellow story lacks the quiet comedy and messy human warmth of the novelist's workSaul Bellow wrote exquisite prose and memorable ch…

SOURCE: The Guardian at 9:55am on February 19, 2014

An August Bank Holiday Lark " review by Lyn Gardner

New Vic, Newcastle-under-LymeThis lyrical, beautifully constructed first world war drama is a reminder not only of lives lost, but of the traditions that made those lives worth living' Read …

SOURCE: The Guardian at 12:22pm on February 17, 2014

Hannah " review by Lyn Gardner

Unicorn, LondonWriter Chris Thorpe's customary gift for making the complex riveting and accessible is absent in this contemporary take on Doctor FaustusIt's just an ordinary Saturday morning…

SOURCE: The Guardian at 9:42am on February 17, 2014

Lyn Gardner: What makes a decent interval? by Lyn Gardner

Some productions, such as the current Ghosts revival, do away with intervals entirely. But, as in the plays of Harold Pinter, a pause in the action really can matterTheatre critics are almos…

SOURCE: The Guardian at 8:43am on February 17, 2014

Sizwe Banzi Is Dead " review by Lyn Gardner

Young Vic, LondonThis still-relevant revival gifts Fugard, Kani and Ntshona's 1972 play with terrific performancesMr Styles is in the memorial business. A photographer living near Port Eliza…

SOURCE: The Guardian at 11:21am on February 16, 2014

If audiences are so well-versed in theatre, why is there so much fuss about poetry onstage? by Lyn Gardner

Blank verse can be wonderfully contemporary, and spoken-word works such as Kate Tempest's sell-out Brand New Ancients prove that theatre producers shouldn't fear poetryWould you attend a pla…

SOURCE: The Guardian at 11:02am on February 14, 2014

A Number " review by Lyn Gardner

Nuffield, SouthamptonHuman individuality is at the heart of Caryl Churchill's brilliantly staged, punchy and discomforting look at cloning' Read interview with cast members John and Lex Shra…

SOURCE: The Guardian at 10:25am on February 14, 2014

Secret Theatre: Show 4 " review by Lyn Gardner

Lyric Hammersmith, LondonEllen McDougall brings a seething, messy energy to this fitfully brilliant show of gender politicsDirector Ellen McDougall has a good eye for the best kind of cultur…

SOURCE: The Guardian at 8:30am on February 13, 2014

Date-night theatre: the best (and worst) plays for Valentine's Day by Lyn Gardner

Loved-up couples should probably give Strindberg and Beckett a miss. And Romeo and Juliet doesn't guarantee a romantic night out. What shows are fit for 14 February?It's Valentine's Day tomo…

SOURCE: The Guardian at 12:17pm on February 12, 2014

Put Your Sweet Hand in Mine - review by Lyn Gardner

Battersea Arts Centre, London As Valentine's Day looms, this fragmentary tale offers a timely reminder of the visceral nature and the duality of loveThe fast-approaching St Valentine's Day m…

SOURCE: The Guardian at 10:14am on February 12, 2014

Lyn Gardner: What's it all about? In theatre, it's sometimes best if you don't know by Lyn Gardner

As Tanztheater Wuppertal's 1980 proves, theatre is at its most potent when it doesn't offer answersSomebody once asked the dancer Anna Pavlova what she meant when she was dancing. "If I coul…

SOURCE: The Guardian at 12:31pm on February 11, 2014

Unmythable " review by Lyn Gardner

St James Studio, LondonAn expertly performed and energetic show that pulls the audience deep into the world of Greek mythologyEverybody wants to be a hero, and everyone can be with Temple Th…

SOURCE: The Guardian at 7:23am on February 11, 2014

London international festival of theatre: still living and dancing in 2014 by Lyn Gardner

Lift's lineup of productions from around the globe breaks down distinctions between artforms and allows audiences to experience the work of world-class theatremakers"Theatre is my map of the…

SOURCE: The Guardian at 1:20pm on February 10, 2014

Sochi 2014 " theatre review by Lyn Gardner

Hope, LondonWhat will happen to Russia's gay community once the Olympic cameras have left? That's the question at the heart of this verbatim-style playStephen Fry's call for a boycott of the…

SOURCE: The Guardian at 10:31am on February 9, 2014

Infinite Lives " review by Lyn Gardner

Tobacco Factory, BristolWitty, heartbreaking and painful, this play about modern, digital alienation is uncomfortably prescientWhen you were young, did you imagine that the future would be l…

SOURCE: The Guardian at 9:24am on February 7, 2014

The Glasshouse " review by Lyn Gardner

Albany, LondonAudience participation brings energy to this Cardboard Citizens production of Kate Tempest's play, but the story about family fragilities lacks clarityRia had Jess young, and J…

SOURCE: The Guardian at 2:29pm on February 6, 2014

Theatre novels: a reading list of favourite stage fiction by Lyn Gardner

Wise Children, Ballet Shoes, The Swish of the Curtain or One Good Turn. Which theatre-related novels do you love?Since childhood I've always loved a really good theatrical novel. Begun when …

SOURCE: The Guardian at 7:00am on February 6, 2014

The Worst of Scottee " review by Lyn Gardner

Roundhouse, LondonIn this affecting one-man show, the past of a compulsive liar is laid bare " but is his emotional selfie a true confession?Scottee is sitting on stage in a photobooth. We w…

SOURCE: The Guardian at 8:26am on February 5, 2014

Lyn Gardner: What do theatre audiences want? by Lyn Gardner

According to David Mamet, the audience is the only judge. But theatres are afraid of asking them what they really thinkAt Paines Plough's symposium on the future of small-scale touring in Ma…

SOURCE: The Guardian at 3:00am on February 5, 2014

Lulu: A Murder Ballad " review by Lyn Gardner

West Yorkshire Playhouse, LeedsThis Opera North production, inspired by Wedekind's Lulu plays and featuring the Tiger Lillies, makes for disturbing and compulsive viewing' Read an interview …

SOURCE: The Guardian at 7:44am on February 4, 2014

Lyn Gardner: In an age of austerity we can still afford a fairer system of arts funding by Lyn Gardner

We should dream about theatre's future rather than limiting our creative scope by endorsing austerity and cutsOne of the telling moments at the Paines Plough conference on the future of smal…

SOURCE: The Guardian at 6:40am on February 4, 2014

Fear and Loathing in Las Vegas " review by Lyn Gardner

The Vaults, LondonThis limp adaptation of Hunter S Thompson's 1971 novel suffers from clumsy design and a lack of theatrical imaginationMore like fear and loathing in SE1. Only those longing…

SOURCE: The Guardian at 12:38pm on February 3, 2014

Analogue: Re-Enactments " review by Lyn Gardner

Shoreditch Town Hall, LondonThis exploration of the unrehearsed moment, in which the audience are the players, is intriguing yet too cerebralHave you ever walked down a street and felt like …

SOURCE: The Guardian at 6:50am on February 2, 2014

Stage heroines: tell us your favourites by Lyn Gardner

Do you have a soft spot for Ophelia? Do you secretly admire Lady M and Medea? An homage to favourite female charactersI've been reading Samantha Ellis's terrific How to be a Heroine. Ellis c…

SOURCE: The Guardian at 12:55pm on January 31, 2014

Blindsided " review by Lyn Gardner

Royal Exchange, ManchesterA haunting and beautifully acted production of Simon Stephens's latest Stockport play emphasises our longing to connectYou can love a place and hate it too. Even as…

SOURCE: The Guardian at 7:56am on January 31, 2014
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