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2,878 stories by "Lyn Gardner"

British Shakespeare productions need more than scene-stealing stars by Lyn Gardner

Coriolanus, King Lear and Richard II have all been hot tickets - but possibly not for all the right reasons"The Bard, 450 years after his birth, is on a roll," trumpeted an Evening Standard …

SOURCE: The Guardian at 4:26am on January 30, 2014

Two pints of lager and a play please: why theatre works perfectly in pubs by Lyn Gardner

Touring companies such as the Flanagan Collective are taking shows into spaces that come with a ready-formed communityIt's a Thursday night in the Fauconberg Arms, a 17th-century coaching in…

SOURCE: The Guardian at 9:13am on January 28, 2014

Finding Joy " review by Lyn Gardner

Jacksons Lane, LondonThis silent, full-mask show presents an enjoyable and crafty examination of dementia, but is undermined by sentimentalityThere is a lovely scene in this silent, full-mas…

SOURCE: The Guardian at 7:34am on January 28, 2014

Ghosts " review by Lyn Gardner

Trafalgar Studios, LondonLesley Manville gives a vivid, intense performance in Richard Eyre's exquisite revival of Ibsen's dramaIn the dying moments of Richard Eyre's exquisite revival of Ib…

SOURCE: The Guardian at 7:24am on January 27, 2014

The Body of an American " review by Lyn Gardner

Gate, LondonInspired by the experiences of war photographer Paul Watson, this story of hauntings is brilliantly acted and shrewdly stagedIn 1993 the Canadian war photographer, Paul Watson, t…

SOURCE: The Guardian at 12:01pm on January 26, 2014

Theatre membership schemes: a case of short-term gain for long-term pain? by Lyn Gardner

Patronage raises much-needed funds for arts organisations, but is it good for theatres and their patrons over the long haul?Would you like tickets to see King Lear? Well, day seats are avail…

SOURCE: The Guardian at 8:11am on January 24, 2014

Blurred Lines " review by Lyn Gardner

The Shed, LondonTaking its title from Robin Thicke's song, director Carrie Cracknell's show cunningly exposes gender inequalityThere is a terrific scene towards the end of this piece examini…

SOURCE: The Guardian at 7:24am on January 23, 2014

The Weir " review by Lyn Gardner

Wyndham's, LondonConor McPherson's unassuming play smoulders into life in Josie Rourke's production, proving we are all haunted by different ghosts"It's just people talking," said Conor McPh…

SOURCE: The Guardian at 7:39am on January 22, 2014

Mat Fraser's museum piece challenges us all to bring disability out of the box by Lyn Gardner

The actor and performance artist's latest piece, The Cabinet of Curiosities, crashes art-form boundaries while exploring how the medical profession has approached disabilityMat Fraser is sta…

SOURCE: The Guardian at 3:00am on January 22, 2014

Fiji Land " review by Lyn Gardner

Southwark Playhouse, LondonNick Gill's play of three military men and their pot-plant detainees is quite a hard watch: prisoners are definitely harmed in this productionIn 2007, Ali Shalah, …

SOURCE: The Guardian at 9:27am on January 21, 2014

The curse of the 'promising' playwright by Lyn Gardner

Promising playwright or emerging artist are terms that are regularly flung around by critics, funders and theatres. But are they helpful?"Whom the gods wish to destroy they first call promis…

SOURCE: The Guardian at 6:46am on January 21, 2014

Don Quijote, Camden People's theatre, review by Lyn Gardner

Camden People's theatre Cheerfully anarchic show takes apart Cervantes' novel " with a power saw " and sends a reminder that change begins with usSometimes, to really understand something y…

SOURCE: The Guardian at 11:37am on January 20, 2014

The Pardoner's Tale " review by Lyn Gardner

Unicorn, LondonLewis Gibson's witty adaptation of Chaucer's poetic masterpiece may be wicked fun, but it's not entertainment for young childrenChaucer's sly, gruesome story from TheCanterbu…

SOURCE: The Guardian at 11:35am on January 20, 2014

Musicals we love: Sondheim's Follies by Lyn Gardner

Beginning our series of Guardian writers' favourite musicals, Lyn Gardner describes why she loves Stephen Sondheim's 1971 'pas de deux of regret'"Without music, life would be a mistake," sug…

SOURCE: The Guardian at 5:37am on January 20, 2014

Babylon " review by Lyn Gardner

Fauconberg Arms, CoxwoldWith some streamlining of the storytelling, this foot-stamping folk musical designed for pubs could be a little crackerSmall, not as yet perfectly formed, but ruddy g…

SOURCE: The Guardian at 9:17am on January 17, 2014

Why digital theatre poses no threat to live performance by Lyn Gardner

Did you watch the live-streaming of Howard Brenton's Drawing the Line with us? Have you been to one of the NT Live broadcasts? Will that stop you going to the theatre?The early 20th-century …

SOURCE: The Guardian at 8:28am on January 17, 2014

Cuckoo " review by Lyn Gardner

Unicorn, LondonThis play about a friendship between good girl and bad girl is sparkily written but undermined by a one-dimensional motherJenny's liberal, hippyish mum doesn't like being defi…

SOURCE: The Guardian at 8:40am on January 16, 2014

The Day Shall Declare It " review by Lyn Gardner

Marylebone Gardens, LondonWork-life tensions are boldly explored in this dreamy immersive dance-theatre piece, but the result is oddly woollyAs Sonya in Chekhov's Uncle Vanya suggests, work …

SOURCE: The Guardian at 8:05am on January 15, 2014

Great expectations: does a three-star theatre review put you off? by Lyn Gardner

When critics give a show three stars, it may not be great for sales, but nor should it deter audiences from buying a ticketBefore the arrival of star ratings, regular theatregoers would read…

SOURCE: The Guardian at 12:54pm on January 14, 2014

Bloodshot " review by Lyn Gardner

St James Studio, LondonSimon Slater gives a terrifically versatile performance as a 1950s photographer who allows himself to be blindsidedWhen your eyes are bloodshot, you don't always see c…

SOURCE: The Guardian at 11:45am on January 14, 2014

Not I/Footfalls/Rockaby " review by Lyn Gardner

Royal Court, LondonThree late pieces from Samuel Beckett last a bare hour but encompass the agonies of many lifetimesIf Samuel Beckett's plays sometimes feel like an expression of the annihi…

SOURCE: The Guardian at 7:07am on January 14, 2014

Lebensraum " review by Lyn Gardner

Purcell Room, LondonThere is something disturbing going on in this tale of identity, gender politics and Frankenstein-style experimentationIt is breakfast time for two men " inventors who bo…

SOURCE: The Guardian at 12:06pm on January 13, 2014

King Lear: a YouTube roundup by Lyn Gardner

This week Simon Russell Beale takes on the royal role in a revival by Sam Mendes at the National Theatre. Here's a look back at Lear on filmReading on a mobile? Click here to viewOne of the …

SOURCE: The Guardian at 7:33am on January 13, 2014

Women of Twilight " review by Lyn Gardner

White Bear, LondonWomen of Twilight is not a long-neglected classic but it still shines a light on to one of the murkier corners of British lifeSigns declaring "No blacks. No Irish" were oft…

SOURCE: The Guardian at 6:48am on January 13, 2014

A Bas Bruit " review by Lyn Gardner

Linbury, LondonThe latest physical theatre piece from Mathurin Bolze does not give up its meanings easily but is brilliantly performed and exquisitely texturedWhen you set out on a walk, is …

SOURCE: The Guardian at 8:16am on January 10, 2014
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