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2,878 stories by "Lyn Gardner"

Vortex " review by Lyn Gardner

Platform, LondonCompagnie Non Nova's figures take flight and a sinister figure provides a brooding presence in this dark and committed showCompagnie Non Nova's enchanting L'Après-Midi d'un …

SOURCE: The Guardian at 9:30am on January 9, 2014

Mr and Mrs Moon " review by Lyn Gardner

Stratford Circus, LondonOily Cart tell a simple, profound children's story with the aid of a sandpit in this low-key interactive showA simple storytelling circle is at the heart of this late…

SOURCE: The Guardian at 9:13am on January 9, 2014

More than a gesture: why healthy theatre audiences can always grow by Lyn Gardner

The London international mime festival won't have a problem selling tickets, but building new audiences remains a priorityWhatever kind of theatre you make, an audience is crucial. Audiences…

SOURCE: The Guardian at 8:30am on January 9, 2014

Who in British theatre should be on an alternative Stage 100 list? by Lyn Gardner

Business talks in theatre as the Stage 100 proves, but who do you rate as the people who are making a difference in British theatre?Everyone loves a list, me included. Often it's so we can d…

SOURCE: The Guardian at 4:25am on January 9, 2014

The Brontës of Dunwich Heath … and Cliff " review by Lyn Gardner

Sir John Mills theatre, IpswichEastern Angles's seasonal literary spoof has a game cast, but they cannot redeem a witless script full of rotten innuendoJane Brontë of Dunwich wants to be …

SOURCE: The Guardian at 8:42am on January 8, 2014

Cirque du Soleil " review by Lyn Gardner

Royal Albert Hall, LondonQuidam displays grace, daring and astonishing levels of perfection but its creative vision is too safeIt has not been a happy 12 months for Cirque du Soleil, the Can…

SOURCE: The Guardian at 8:19am on January 8, 2014

Cirque du Soleil " review by Lyn Gardner

Royal Albert Hall, LondonQuidam displays grace, daring and astonishing levels of perfection but its creative vision is too safeIt has not been a happy 12 months for Cirque du Soleil, the Can…

SOURCE: The Guardian at 8:19am on January 8, 2014

The Hundred and One Dalmatians " review by Lyn Gardner

New Vic, Newcastle-under-LymeThe humans can't compete with the canine charm in this stylish if underpowered adaptationThere's oodles of stylish retro charm and fun in Theresa Heskins's adap…

SOURCE: The Guardian at 7:48am on January 7, 2014

Gove v the arts: let battle commence by Lyn Gardner

Michael Gove's outburst against the way artists portray the first world war is unsurprising, but reminds theatremakers of the need to respond to current Tory cuts to arts funding' Labour con…

SOURCE: The Guardian at 8:49am on January 6, 2014

That Day We Sang " review by Lyn Gardner

Royal Exchange, Manchester Music runs through Victoria Wood's hymn to the city of Manchester like an unstoppable river of emotionFirst seen at Manchester international festival in 2011, Vict…

SOURCE: The Guardian at 7:45am on January 6, 2014

Lost Boy " review by Lyn Gardner

Finborough, LondonDespite fantastical touches, the magic of Peter Pan becomes lost in this musical spin-off set in the first world warHow do you recover from an enchanted childhood? In the e…

SOURCE: The Guardian at 8:43am on January 5, 2014

Open thread: which shows will you be booking for in 2014? by Lyn Gardner

Maxine Peake playing Hamlet in Manchester? Hairspray at the Curve or Urinetown at the St James? The latest from Tim Crouch? Tell us which productions you want to see " and whyYesterday's 201…

SOURCE: The Guardian at 10:06am on January 2, 2014

Who were the best theatre actors of 2013? by Lyn Gardner

Which thespians stood out in the theatre this year? Tell us about the new faces you spotted and the performances you lovedSome of the gongs of the year have already been handed out, and in t…

SOURCE: The Guardian at 8:03am on December 30, 2013

Clowns? Don't let that sad expression give you the wrong impression by Lyn Gardner

Clowns might be getting a bad press just now, but clowning has long been an essential part of British theatre traditionEverybody loves to hate a clown, and news of sightings of clowns on str…

SOURCE: The Guardian at 8:37am on December 27, 2013

Best theatre of 2013, No 5: Grounded by Lyn Gardner

Lyn Gardner: George Brant's searing monologue about an ace US pilot now flying drones, was a gripping analysis of 21st-century warfareLyn Gardner

SOURCE: The Guardian at 4:00am on December 26, 2013

Lessons from the Apollo: we must kick theatres into the 21st century by Lyn Gardner

After the roof collapse at London's Apollo theatre, it's high time the West End followed the world of football and modernisedCould it be curtains for London's West End theatres? That was the…

SOURCE: The Guardian at 12:57pm on December 23, 2013

No sex please, we're in the theatre by Lyn Gardner

Stephen Ward has an orgy on stage and Beauty and Beast lets it all hang out, but it's suggestion rather than the act that's most eroticEven Virginia Woolf was afraid of sex on stage. Writing…

SOURCE: The Guardian at 10:07am on December 20, 2013

Protest Song " review by Lyn Gardner

Rhys Ifans brings a whiff of danger to a heartfelt solo piece on the Occupy movement and homelessnessOn your way to the National Theatre you will almost certainly spot some of London's rough…

SOURCE: The Guardian at 8:15am on December 20, 2013

Get Happy " review by Lyn Gardner

Barbican, LondonChildren just want to laugh at this type of play, or at least believe in the characters, but there's not much chance of either hereMaking theatre for children is not child's …

SOURCE: The Guardian at 11:47am on December 19, 2013

The Boy Who Cried Wolf " review by Lyn Gardner

Crucible theatre, SheffieldTutti Frutti's charming new take on Aesop's fable celebrates storytelling, families and quality knitwearClickety-click go the knitting needles " and they're not j…

SOURCE: The Guardian at 11:31am on December 19, 2013

A manifesto for theatre: what would you include? by Lyn Gardner

Sick of booking fees? Want to see more new writing and less Shakespeare? More cash for the regions? Share your suggestions for how to improve theatreNext Friday, at Oval House in south Londo…

SOURCE: The Guardian at 11:19am on December 19, 2013

The Nutcracker " review by Lyn Gardner

Nuffield, SouthamptonThis adaptation of ETA Hoffmann's short story looks good, but fails to engage with its darknessNarrative was never the strongest point of Hattie Naylor and Paul Dodgson'…

SOURCE: The Guardian at 10:20am on December 18, 2013

Oliver! " review by Lyn Gardner

Crucible, SheffieldDaniel Evans finds some darkness lurking amid the cheer in this joyful pack of brilliant songsDaniel Evans's last two Christmas presents to the people of Sheffield have be…

SOURCE: The Guardian at 8:08am on December 17, 2013

Dazzled by design: when theatre sets stop the show by Lyn Gardner

Great sets can enhance a production " but can they also disguise weak material?"Too much visual spinning; too many skinny texts," declared Susannah Clapp yesterday, in her review of Georg Ka…

SOURCE: The Guardian at 12:19pm on December 16, 2013

The Last March " review by Lyn Gardner

Southwark Playhouse, LondonThis affectionate send-up of Scott's expedition to the south pole has fine comic moments, but feels unfinishedThere is a moment in Tinder's affectionate send-up of…

SOURCE: The Guardian at 7:31am on December 16, 2013
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