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2,878 stories by "Lyn Gardner"

Hate a show? Then say so! by Lyn Gardner

Whether you're a critic or a regular theatregoer, honesty is the best policy when it comes to criticismThe other day at a school, A-level theatre studies students asked my top tip for writin…

SOURCE: The Guardian at 9:15am on November 22, 2013

Eric and Little Ern " review by Lyn Gardner

Vaudeville, LondonIt's hard not to warm to the sweet silliness of Ian Ashpitel and Jonty Stephens's tribute to Morecambe and Wise"Where would you be without me?" asks Eric Morecambe. "Be a c…

SOURCE: The Guardian at 6:00pm on November 20, 2013

Theatre-going is not a competitive sport by Lyn Gardner

I've had a break from theatre recently. Yes I've missed stand-out shows, but it isn't a cultural crime. Others will be along soonI've just had a couple of weeks off, and it's been a real ple…

SOURCE: The Guardian at 4:09am on November 20, 2013

Bluebeard " review by Lyn Gardner

Soho theatre, LondonHattie Naylor's bold attempt to explore women's complicity in sexual violence through a male abuser's voice is both insightful and uncomfortableIn traditional versions of…

SOURCE: The Guardian at 8:15am on November 14, 2013

Can a play ever be too short? by Lyn Gardner

Some theatregoers feel short-changed by a short play. But can brevity be a bonus, or do you expect a full-night's entertainment?Linger at a press desk on a first night and you are guaranteed…

SOURCE: The Guardian at 7:22am on October 30, 2013

Gorilla " review by Lyn Gardner

Polka, LondonThe stage version of Anthony Browne's emotionally complex picture book has a sprinkling of magic for children and a few witty offerings for adultsHannah loves gorillas. In fact …

SOURCE: The Guardian at 3:05pm on October 29, 2013

Role reversal: when audience participation doesn't work by Lyn Gardner

Do you look the other way when a performer invites you on stage? Or get into the spirit of things?Last Saturday afternoon in Newcastle, I watched a very good actor struggle and work incredib…

SOURCE: The Guardian at 10:23am on October 28, 2013

The Middlemarch Trilogy: Dorothea's Story " review by Lyn Gardner

Orange Tree, LondonDespite some fine performances, the first instalment of Geoffrey Beevers's tripartite Eliot adaptation lacks pace and tensionGeoffrey Beevers has previously adapted George…

SOURCE: The Guardian at 8:04am on October 28, 2013

Fatherland " review by Lyn Gardner

BAC, LondonNic Green's tale inspired by her one and only meeting with her father at the age of 16 raises some very worthy questions, but does at times seem a little remoteIs it possible to h…

SOURCE: The Guardian at 12:45pm on October 27, 2013

Secret Theatre: Show 3 " review by Lyn Gardner

Lyric Hammersmith, LondonCaroline Bird's latest piece instils a heightened sense of alertness, its audience playing witness and colluder in the dramaCurious how not knowing what you're going…

SOURCE: The Guardian at 9:39am on October 25, 2013

Tomorrow's Parties " review by Lyn Gardner

The Junction, CambridgeTwo performers imagine possible future worlds in this unbearably sad yet absurdly optimistic performance"Those who come 100 years after us will despise us for having l…

SOURCE: The Guardian at 8:19am on October 24, 2013

The Beauty Queen of Leenane " review by Lyn Gardner

Curve theatre, LeicesterMelodrama gives way to moments of poignancy in Paul Kerryson's revival of Martin McDonagh's black comedyIt may be as creaky as the rocking chair the witchy Mags sits …

SOURCE: The Guardian at 7:18am on October 23, 2013

Why children's theatre matters by Lyn Gardner

If you are reading this blog, it probably means that you are interested in theatre. So why are some areas of theatre valued over others, particularly theatre for young audiences?This is an e…

SOURCE: The Guardian at 5:21am on October 23, 2013

Adult Supervision " review by Lyn Gardner

Park theatre, LondonSarah Rutherford's play about a middle-class party watching the Obama election attempts to expose liberal hypocrisies but lapses into caricature and crueltyIt's US electi…

SOURCE: The Guardian at 9:38am on October 22, 2013

Why regional theatre is something to be proud of by Lyn Gardner

Excavating stories, creating living history and working with the community. It's good to see local theatres being just that " localLast Wednesday night, I wandered around the streets of York…

SOURCE: The Guardian at 9:47am on October 21, 2013

Henry the Fifth " review by Lyn Gardner

Unicorn, LondonCleverly recast for young audiences, Shakespeare's warrior king becomes a stroppy teenager unwisely itching for a fightShakespeare's Henry V can be seen as a celebration of he…

SOURCE: The Guardian at 8:45am on October 17, 2013

What's in a name? Will the theatre smell as sweet? by Lyn Gardner

ATG intends to sell off the naming rights to some iconic theatres including the Lyceum and Duke of York's. Does it matter, and if you had the money who would you name a theatre after?When re…

SOURCE: The Guardian at 11:26am on October 16, 2013

My Generation " review by Lyn Gardner

West Yorkshire Playhouse, LeedsAlice Nutter's heartfelt play moves from squats to raves to government cuts, through a family's history in the counter-cultureRestless, messy, infuriating, inf…

SOURCE: The Guardian at 10:59am on October 16, 2013

The Snail and the Whale " review by Lyn Gardner

Rose, Kingston Tall Stories' adaptation of the much-loved children's book is a small but ingenious pleasurePage-to-stage adaptations of children's stories are getting better and more creativ…

SOURCE: The Guardian at 11:17am on October 15, 2013

West End previews: are we paying too much? by Lyn Gardner

Been to any previews lately? Did you get a good discount on your ticket? Or did you feel you had paid to watch a rehearsal?Have West End previews become "super-rehearsals"? That's the claim …

SOURCE: The Guardian at 11:20am on October 14, 2013

Secret Theatre: Show 2 " review by Lyn Gardner

Lyric Hammersmith, LondonThis Streetcar Named Desire is like seeing Shakespeare performed in a foreign language: fresh yet disconcerting"When a play employs unconventional techniques it is n…

SOURCE: The Guardian at 12:50pm on October 13, 2013

Should theatre fund audiences and not just artists? by Lyn Gardner

Theatres are queuing up to make relationships with artists, but they should be tending their relationships with audiences tooAt this year's Edinburgh TV festival, Kevin Spacey talked about t…

SOURCE: The Guardian at 1:00pm on October 12, 2013

Great Expectations " review by Lyn Gardner

Bristol Old VicThis clever, unsettling Dickens played out on an almost bare stage is storytelling theatre at its bestNeil Bartlett has produced impressive adaptations of Oliver Twist and A C…

SOURCE: The Guardian at 1:14pm on October 11, 2013

Great Expectations " review by Lyn Gardner

Bristol Old VicThis clever, unsettling Dickens played out on an almost bare stage is storytelling theatre at its bestNeil Bartlett has produced impressive adaptations of Oliver Twist and A C…

SOURCE: The Guardian at 1:14pm on October 11, 2013

Prince of Denmark " review by Lyn Gardner

Ambassadors, LondonThis Hamlet prequel is not on a par with Tom Stoppard's Rosencrantz and Guildenstern, but it has some artful momentsEverything is rotten in the state of Denmark. The young…

SOURCE: The Guardian at 8:55am on October 10, 2013
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