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2,878 stories by "Lyn Gardner"

Prince of Denmark " review by Lyn Gardner

Ambassadors, LondonThis Hamlet prequel is not on a par with Tom Stoppard's Rosencrantz and Guildenstern, but it has some artful momentsEverything is rotten in the state of Denmark. The young…

SOURCE: The Guardian at 8:55am on October 10, 2013

Perfect Match " review by Lyn Gardner

Watford PalaceGary Owen's spry online-dating satire stretches credulity but doesn't dodge some of the trickier questions around loveThe nagging thought that there might be someone out there …

SOURCE: The Guardian at 5:22am on October 10, 2013

The Light Princess " review by Lyn Gardner

Lyttelton, LondonThis almost entirely sung-through show lacks a genuine fairy tale sense of wonder or real emotional punchOnce upon a time the National Theatre proposed to stage a fairy tale…

SOURCE: The Guardian at 8:19pm on October 9, 2013

Roots " review by Lyn Gardner

Donmar Warehouse, LondonA fine revival of Wesker's kitchen-sink drama, in which a daughter's return reveals the emptiness of lives marked in potato peelingsLook Back in Anger is often cited …

SOURCE: The Guardian at 8:40am on October 9, 2013

Override/Virgin " reviews by Lyn Gardner

Watford PalaceTwo plays take on the impact of the digital world: futuristic Override is an at-times sinister comedy, while Virgin examines what women gain and lose from brave new techStars: …

SOURCE: The Guardian at 1:17pm on October 8, 2013

Is theatre criticism in crisis? by Lyn Gardner

Critics are getting laid off. It's getting tougher to find ways to be paid to write. It sounds as if theatre criticism is on life support. Or is it?Is theatre criticism in meltdown, as some …

SOURCE: The Guardian at 7:07am on October 8, 2013

Sweeney Todd " review by Lyn Gardner

West Yorkshire Playhouse, LeedsJames Brining's debut production strips the Victorian gothic from Sondheim's greatest musical " with compelling resultsAll the world's a madhouse in James Brin…

SOURCE: The Guardian at 8:32am on October 4, 2013

Speeches from plays: tell us your favourites by Lyn Gardner

From rabble-rousing to quietly comforting, which monologues make you lean forward in your seat?A revival of Arnold Wesker's 1959 play, Roots, opens at the Donmar Warehouse next week. It star…

SOURCE: The Guardian at 11:52am on October 3, 2013

Tory Boyz " review by Lyn Gardner

Ambassadors theatre, LondonThis look at the Conservative party's struggles with sexuality is timely and thoughtful, with lively performancesSam is a young, working-class Tory education resea…

SOURCE: The Guardian at 9:24am on October 3, 2013

National Theatre's Nicholas Hytner: a hard act to follow by Lyn Gardner

Hytner's successor needs to make bold, brave changes to keep the NT relevant through the 21st centuryEveryone who works in theatre knows that it is the successful act that is the hardest one…

SOURCE: The Guardian at 9:01am on October 2, 2013

Cirque Éloize: ID " review by Lyn Gardner

Peacock, LondonFrom breakdancing to trampowalling, the Canadian circus's latest spectacle fizzes with skill and self-beliefTake the energy of a small nuclear explosion and add the attitude o…

SOURCE: The Guardian at 8:43am on October 2, 2013

The World of Extreme Happiness " review by Lyn Gardner

National Theatre, LondonFrances Ya-Chu Cowhig's play puts the flesh and blood on the stories of China's workers who flock to the citiesWhen Sunny (Katie Leung) is born in rural China in 1992…

SOURCE: The Guardian at 12:24pm on October 1, 2013

Ghosts " review by Lyn Gardner

Rose, KingstonStephen Unwin's production captures the grey mood of Ibsen's gripping family story " until an ill-timed interval breaks the spellThe portrait of the late Captain Alving ma…

SOURCE: The Guardian at 11:15am on September 30, 2013

Scenes from a Marriage " review by Lyn Gardner

St James, LondonOlivia Williams and Mark Bazeley are lacerating as the central couple in this stage adaptation of Ingmar Bergman's filmMarianne (Olivia Williams) and Johan (Mark Bazeley) see…

SOURCE: The Guardian at 6:05am on September 27, 2013

The Resistible Rise of Arturo Ui " review by Lyn Gardner

Duchess, LondonHitler's rise to power is parodied in Brecht's allegorical satire with the Führer as scary as a tea cosy. But the finale is soberingThe American gangster movie meets Richard …

SOURCE: The Guardian at 12:46pm on September 26, 2013

Young, gifted and back in the theatre by Lyn Gardner

New research suggests that teenagers don't think that theatre is just for their mums and dads. Maybe theatres should take note' Read more on the reportAre theatre audiences getting younger a…

SOURCE: The Guardian at 12:45pm on September 26, 2013

Why theatres need to get out more by Lyn Gardner

Taking shows out of traditional venues will be good for audiences " and provide a necessary fillip for stagecraft tooAccepting a special commendation at this year's Amnesty International Fre…

SOURCE: The Guardian at 7:06am on September 25, 2013

Hopelessly Devoted " review by Lyn Gardner

The Door, BirminghamKate Tempest's single, unguarded three-hander about women in prison is a little too earnest but fizzes with truthChess (Amanda Wilkin) and Serena (Gbemisola Ikumeio) are …

SOURCE: The Guardian at 7:14am on September 24, 2013

Kes " review by Lyn Gardner

Derby theatreThis fluid, largely traditional take on the boy and his bird taps directly into current concerns about wasted potentialSince the arrival of new artistic director Sarah Brigham a…

SOURCE: The Guardian at 6:50am on September 23, 2013

Which modern classics would you like to see with an all-female cast? by Lyn Gardner

Equity wants action on female stereotypes on stage. But change would be swifter if theatre-makers challenged their own thinkingWomen are at the heart of Ché Walker and Arthur Darvill's The …

SOURCE: The Guardian at 6:29am on September 23, 2013

1984 " review by Lyn Gardner

Nottingham PlayhouseThis George Orwell adaptation is a superbly handled multimedia speculation on the nature of truthThe Party plays plenty of mind games in George Orwell's novel about …

SOURCE: The Guardian at 10:57am on September 22, 2013

Why job insecurity makes great theatre by Lyn Gardner

We all know the stage is a precarious profession. But maybe that's what's driving such brave and creative performancesPlaywright Simon Stephens says actors are being creatively "stifled" and…

SOURCE: The Guardian at 12:10pm on September 19, 2013

The Lightning Child " review by Lyn Gardner

Shakespeare's Globe, LondonThis wild, panto-campy version of Euripides's last play is oddly conventional and pointlessly excessiveEuripides's last play still has a grip on British theatre. S…

SOURCE: The Guardian at 11:52am on September 19, 2013

London Stories " review by Lyn Gardner

Battersea Arts CentreWith tales told by a single storyteller, this site-specific journey through the city finds the extraordinary in ordinary livesIn big cities, most people are strangers an…

SOURCE: The Guardian at 8:51am on September 18, 2013

Stella " review by Lyn Gardner

Mill Studio, GuildfordSiobhan Nicholas looks to the stars in an exploration of the role played by women as thinkers and scientists throughout historyYou have probably heard of William Hersch…

SOURCE: The Guardian at 8:32am on September 18, 2013
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