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2,878 stories by "Lyn Gardner"

Farragut North " review by Lyn Gardner

Southwark Playhouse, LondonBeau Willimon's play about political machinations in modern-day Washington DC suffers in this rather low-energy productionFarragut North is the name of the metro s…

SOURCE: The Guardian at 10:34am on September 17, 2013

What's your favourite play? by Lyn Gardner

English Touring Theatre is on a mission to find the nation's best-loved theatre piece. Let's give them a helping handLeafing through an old theatre guide to playwrights, living and dead, whi…

SOURCE: The Guardian at 6:27am on September 16, 2013

Hysteria " review by Lyn Gardner

Hampstead theatre, LondonTerry Johnson's farce about Dalí's meeting with Freud is not just clever and funny, it's unexpectedly moving, tooIn 1938 the surrealist painter Salvador Dalí p…

SOURCE: The Guardian at 9:16am on September 13, 2013

Which actors pass the telephone-directory test? by Lyn Gardner

The old adage says that some actors are so mesmerising that people would flock to watch them even if they were reading the telephone directory. Tell us who you would pay to see in any showIn…

SOURCE: The Guardian at 1:50pm on September 12, 2013

Afraid of the Dark " review by Lyn Gardner

Charing Cross, LondonThis supposed fright-fest is incoherent, poorly written and as scary as a wet sock"Not suitable for children under 12, those of a nervous disposition or for those suffer…

SOURCE: The Guardian at 7:46am on September 12, 2013

Not-so-Secret Theatre by Lyn Gardner

A critic who tweeted the title of the Lyric's new season sparked outrage " and possibly drove audiences to the theatreI love going to the theatre when I don't know very much about a show, wh…

SOURCE: The Guardian at 11:40am on September 10, 2013

The Secret Agent " review by Lyn Gardner

Young Vic, LondonWith flashes of fitful brilliance, Theatre O's political thriller has come a long way since its Edinburgh fringe debutThere is a remarkable moment in Theatre O's latest " a …

SOURCE: The Guardian at 9:56am on September 10, 2013

Fishskin Trousers " review by Lyn Gardner

Finborough theatre, LondonA set of intertwined fishy tales spanning the centuries on a Suffolk shingle spit makes for entrancing viewingIn the early 1970s during the cold war, Orford Ness, a…

SOURCE: The Guardian at 12:19pm on September 9, 2013

What makes a good audience? by Lyn Gardner

The comic timing and dynamic of spectators are just as important as the performances on stage.We've all experienced audiences behaving badly, whether it's talking on their mobile phones, cou…

SOURCE: The Guardian at 8:15am on September 9, 2013

The Duchess of Malfi " review by Lyn Gardner

Southwark Playhouse, LondonThe macabre literary bent of the Jacobean playwright John Webster is celebrated in Shakespeare in Love, which briefly depicts the young Webster torturing mice. TS …

SOURCE: The Guardian at 11:38am on September 8, 2013

Doonreagan " review by Lyn Gardner

Jermyn Street, LondonA clunky snippet of a play ponders Ted Hughes's relationship with Assia Wevill with uninspiring resultsIn 1966, the poet Ted Hughes and his lover, Assia Wevill, escaped …

SOURCE: The Guardian at 9:50am on September 6, 2013

Are stage adaptations always inferior? by Lyn Gardner

Sean Foley, who is directing a musical based on The X Factor, believes we're too snobby about adaptations. But theatre is getting smarter at page-to-stage translationsIf William Shakespeare …

SOURCE: The Guardian at 5:23am on September 6, 2013

The Prodigals " review by Lyn Gardner

Belgrade theatre, CoventryA story of war, pop and prison shared between father and two sons is a great idea for a musical but lacks power on stageThe Gibsons are an old army family. Colonel …

SOURCE: The Guardian at 11:08am on September 5, 2013

Pope Joan " review by Lyn Gardner

St James, Piccadilly The struggles of a cross-dressing female pope with morning sickness make for a rollicking medieval soap operaThe 21st-century Church of England still ties itself up in k…

SOURCE: The Guardian at 11:35am on September 4, 2013

With rape centre-stage, theatregoers can no longer turn a blind eye by Lyn Gardner

One commentator has suggested that productions such as Nirbhaya present rape as entertainment. But violence in theatre makes us contemplate something we may prefer to ignore"You can pay to s…

SOURCE: The Guardian at 5:37am on September 4, 2013

The Butterfly Lion " review by Lyn Gardner

Mercury, ColchesterAnimals, the first world war, unashamed sentimentality " this is familiar Michael Morpurgo territory, but that's no complaintCross The Lion King with War Horse and you get…

SOURCE: The Guardian at 12:49pm on September 2, 2013

Should theatre critics talk to each other? by Lyn Gardner

There's an unspoken assumption that critics should never discuss the show they're reviewing. Isn't it all a bit ... outdated?Some years ago I took my dad with me to the theatre. There were i…

SOURCE: The Guardian at 6:38am on September 2, 2013

Squally Showers " review by Lyn Gardner

Zoo Southside, EdinburghIt's not entirely clear what Little Bulb's exuberant show about a 1980s TV production company is really trying to say, but there's no denying its energyHeading into t…

SOURCE: The Guardian at 12:45pm on September 1, 2013

Ours Was the Fen Country " review by Lyn Gardner

Dance Base, EdinburghThis new verbatim dance-theatre piece looks at a disappearing way of life in the Fens with beautifully stark resultsThe title hints of something lost, but choreographer …

SOURCE: The Guardian at 1:04pm on August 29, 2013

Going solo: is theatre best enjoyed alone? by Lyn Gardner

Heading to the theatre on your own is no longer unusual " and seeing a show alone can be more fun than going with companyTheatre is often perceived a sociable activity, best done in pairs or…

SOURCE: The Guardian at 10:29am on August 29, 2013

We Will Be Free " review by Lyn Gardner

This account of the Tolpuddle martyrs' struggle for higher wages and justice is heartfelt, but should trust its audience rather moreThe Tolpuddle martyrs were a group of 19th-century Dorset …

SOURCE: The Guardian at 1:49pm on August 28, 2013

The Bunker Trilogy: Morgana, Agamemnon " review by Lyn Gardner

C nova, EdinburghA pairing of wartime plays show off the work of this young company to fine effectThere was no Belt Up at Edinburgh this year, but this double bill of plays from the Bunker T…

SOURCE: The Guardian at 10:36am on August 28, 2013

I'll Go On " Edinburgh festival 2013 review by Lyn Gardner

Royal Lyceum, EdinburghBarry McGovern illuminates Beckett's dark vision in a one-man show that still feels fresh after 30 years"You can't leave. You're afraid to leave. It may be worse elsew…

SOURCE: The Guardian at 11:21am on August 27, 2013

Sam Rose in the Shadows " Edinburgh festival 2013 review by Lyn Gardner

Bedlam, EdinburghTucked In's inventive father-and-son adventure lets the audience take as much or as little as they want from itGiven its willingness to tackle difficult subjects, it's good …

SOURCE: The Guardian at 11:09am on August 27, 2013

Eh Joe " Edinburgh festival 2013 review by Lyn Gardner

Royal LyceumAfter the triumph of Krapp's Last Tape, Michael Gambon is back in a crueller Beckett piece about an elderly man being tormented for his sinsWritten for TV in 1965, Samuel Beckett…

SOURCE: The Guardian at 7:16am on August 26, 2013
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