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2,878 stories by "Lyn Gardner"

Lyn Gardner: Artistic talent can't excuse abuse by Lyn Gardner

Last week, The Stage published an interview with UK Theatre president Fiona Allan to mark the organisation's publication of 10 principles designed

SOURCE: The Stage Registration at 2:00am on April 9, 2018

UK Theatre's Fiona Allan: 'We've avoided the abuse problem for too long' by Lyn Gardner

UK Theatre's president tells Lyn Gardner how personal experience has informed her approach to harassment allegations and why theatre must no longer

SOURCE: The Stage Registration at 7:01pm on April 4, 2018

Spring Awakening review " feverish teens blast out furious anthems by Lyn Gardner

Hope Mill, ManchesterThis rock-musical version of Frank Wedekind's 1891 play about sex, abortion, abuse and depression has some great tunes but never quite fliesHope Mill has staged one moul…

SOURCE: The Guardian at 7:44am on April 4, 2018

Othello as an out lesbian: why Golda Rosheuvel's time is now by Lyn Gardner

The actor is set to play Shakespeare's army commander as a gay woman in Gemma Bodinetz's new production at Liverpool's EverymanWhen Golda Rosheuvel stars as Othello at the Liverpool Everyman…

SOURCE: The Guardian at 2:00am on April 3, 2018

Lyn Gardner: All audiences matter " despite age by Lyn Gardner

Even at my advanced age I quite frequently look around a theatre audience and feel relatively young and spritely. Of course, there

SOURCE: The Stage Registration at 2:00am on April 2, 2018

Beginners review " the rainy holiday that changed the world by Lyn Gardner

Unicorn, LondonThe enterprising children in Tim Crouch's moving comedy learn that growing up is hard to doIf you've ever looked in the mirror and seen a glimpse of your 10-year-old self, or …

SOURCE: The Guardian at 7:37am on March 30, 2018

A Streetcar Named Desire review " slow-burning update strips back the classic by Lyn Gardner

NST City, SouthamptonChelsea Walker's intriguing take on Tennessee Williams's play conjures illusions before cruelly dismantling themI don't want realism. I want magic!" cries Blanche Dubois…

SOURCE: The Guardian at 7:50am on March 29, 2018

Mountains: The Dreams of Lily Kwok review " a feast of family secrets by Lyn Gardner

Royal Exchange, ManchesterA lawyer adrift in Hong Kong summons the spirit of her Chinese grandmother to explore their shared history " and a passion for foodHelen is a Cambridge-educated law…

SOURCE: The Guardian at 8:00am on March 27, 2018

Lyn Gardner: Slung Low shows how we must embrace the shock of the new by Lyn Gardner

Like many people, I find change hard. But I know that whenever change has been forced on me, it has turned out

SOURCE: The Stage Registration at 2:00am on March 26, 2018

Agnes Colander review " flawed portrait of a woman confronting her desires by Lyn Gardner

Ustinov, BathIn Trevor Nunn's handsome but stilted production, an Edwardian painter is caught between her art and the affections of three men'Only little bits of me are developed, and those …

SOURCE: The Guardian at 6:53am on March 25, 2018

Kiss of the Spider Woman review " oh, what a tangled web by Lyn Gardner

Menier Chocolate Factory, LondonJosé Rivera's adaptation of Manuel Puig's prison-set romance is well-acted but needs more of an erotic and political chargeManuel Puig's odd-couple love stor…

SOURCE: The Guardian at 7:41am on March 22, 2018

Great Apes review " Will Self's Swiftian satire puts chimps in charge by Lyn Gardner

Arcola, London This inventive adaptation of the novel set in an ape-dominated world pokes fun at human assumptions of evolution Will Self believes the novel is doomed. But the Arcola theatre…

SOURCE: The Guardian at 10:49am on March 20, 2018

Lyn Gardner: Are solo plays staging a comeback? by Lyn Gardner

Audible has recently announced the first wave of writers to receive commissions for new one and two-person plays for its platform. The

SOURCE: The Stage Registration at 3:00am on March 19, 2018

Our Country's Good review " new voice for the silenced in Wertenbaker's penal colony drama by Lyn Gardner

Nottingham PlayhouseRamps on the Moon uses sign language and captioning brilliantly in a striking update of Timberlake Wertenbaker's historical humanist play'People who have no imagination s…

SOURCE: The Guardian at 7:27am on March 18, 2018

Lyn Gardner: Is British theatre guilty of failing the working-class? by Lyn Gardner

Critics accuse the sector of becoming increasingly dominated by middle-class sensibilities, neglecting the tastes of many in favour of 'high art'. Working-class

SOURCE: The Stage Registration at 1:00pm on March 14, 2018

Buggy Baby review " beware the bazooka-toting bunnies by Lyn Gardner

The Yard, LondonJosh Azouz's horror-tinged play, with an eight-month-old baby played by an adult, comes over like surrealistic Harold PinterNur (Hoda Bentaher) and Jaden (Noof McEwan) have t…

SOURCE: The Guardian at 4:00am on March 14, 2018

Brief Encounter review " Emma Rice's bittersweet romance is a great night out by Lyn Gardner

Empire Cinema, LondonBack in the West End after 10 years, Rice's heart-stopping adaptation cuts seamlessly from theatre to cinema It's billed as Noël Coward's Brief Encounter, but this la…

SOURCE: The Guardian at 11:20am on March 12, 2018

Lyn Gardner: Theatres won't grow new audiences if they stick young people in the cheap seats by Lyn Gardner

I loved Nicholas Hytner's Julius Caesar at London's Bridge Theatre, and one of the reasons I enjoyed it so much was because

SOURCE: The Stage Registration at 3:00am on March 12, 2018

Lyn Gardner: It's time to discuss protecting performers in immersive shows by Lyn Gardner

Alexander Wright is about to open a new version of his successful immersive production of The Great Gatsby in a disused pub

SOURCE: The Stage Registration at 2:00am on March 5, 2018

Frost/Nixon review " Peter Morgan's showdown fits the fake news era by Lyn Gardner

Sheffield CrucibleMorgan's play on the clash between the chatshow host and the US president gets a timely, entertaining revival​This 12-year-old play by The Crown writer Peter Morgan …

SOURCE: The Guardian at 4:00am on March 2, 2018

Love from a Stranger review " Agatha Christie chiller is glorious tosh by Lyn Gardner

Royal & Derngate, NorthamptonAudience expectations are gleefully derailed as Lucy Bailey directs this creepy tale of love and liesSneered at for so long as a dramatist, Agatha Christie i…

SOURCE: The Guardian at 11:46am on February 28, 2018

Harold and Maude review " a honking seal can't save this clunky adaptation by Lyn Gardner

Charing Cross theatre, LondonThere's witty live music and convincing performances by Sheila Hancock and Bill Milner but this staging of the cult movie feels coy and dated'I can never underst…

SOURCE: The Guardian at 7:30am on February 27, 2018

Lyn Gardner: Spoiler alert " sometimes theatre reviews need to give the game away by Lyn Gardner

Attending the first preview of Dennis Kelly's gut-wrenching Girls and Boys at London's Royal Court Theatre was hugely enjoyable, especially as I

SOURCE: The Stage Registration at 2:00am on February 26, 2018

Hard Times review " Northern Broadsides make Dickens a laugh factory by Lyn Gardner

Viaduct, HalifaxDeborah McAndrew adapts the classic novel about facts and feelings but comedy drowns out subtlety"Is it possible that, despite all precautions, a storybook could have got int…

SOURCE: The Guardian at 3:00pm on February 22, 2018

Dennis Kelly on Girls and Boys: 'I was shocked Carey Mulligan did it' by Lyn Gardner

The Matilda playwright has written a shattering solo drama that he didn't think his star would read. He talks about fear, masculinity and burying secrets"It's a really, really tough play for…

SOURCE: The Guardian at 9:37am on February 22, 2018
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