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2,878 stories by "Lyn Gardner"

Blue Sky " review by Lyn Gardner

Hampstead, LondonWhen Jane was young and desperate to escape her alcoholic mother, she would take refuge with her friend Ray. Ray's family would feed her but always send her back. Now as the…

SOURCE: The Guardian at 2:07pm on November 2, 2012

Final bow for theatre press nights? by Lyn Gardner

With theatre critics swamped by new shows, make-or-break performances are fast becoming obsolete. Does it matter?Is the traditional press night an endangered species? It feels as if that mig…

SOURCE: The Guardian at 11:41am on November 1, 2012

Bunnies " review by Lyn Gardner

New Diorama, LondonKieran Lynn recently had a success at the Finborough with An Incident at the Border, and here's one he made earlier, produced by Exeter's thriving Bike Shed theatre. You c…

SOURCE: The Guardian at 2:21pm on October 31, 2012

What's the best way to get tickets to sellout theatre shows? by Lyn Gardner

The Royal Court is attempting to solve its ticket problems for Jez Butterworth's The River by making some only available on the day. Is it a solution?You've heard the buzz, you've read the g…

SOURCE: The Guardian at 11:09am on October 31, 2012

The Kingdom " review by Lyn Gardner

Soho, LondonHeard the one about three Irish labourers digging a road? Colin Teevan's latest play is no joke, however, mixing stories of Irish exile with Greek myth. The three men " young, mi…

SOURCE: The Guardian at 7:36am on October 31, 2012

Orpheus Descending " review by Lyn Gardner

Royal Exchange, ManchesterHell is relocated to a Mississippi general store in Tennessee Williams' 1957 drama, a play livid with symbolism and awash with poetry. There is something wild and d…

SOURCE: The Guardian at 12:01pm on October 30, 2012

Death of a Salesman v the death of directing by Lyn Gardner

As the recent ruckus over Arthur Miller's Salesman demonstrates, literary estates tend to be hugely protective of late authors' texts. But shouldn't a good play be open to fresh interpretati…

SOURCE: The Guardian at 1:43pm on October 29, 2012

The Good Neighbour " review by Lyn Gardner

Theatre should always be an adventure " and it is in BAC's latest show, which takes children and adults on separate but linked escapades. The adult version (13+) leads audiences …

SOURCE: The Guardian at 2:00pm on October 28, 2012

War Horse proves on its fifth birthday that the play's the thing by Lyn Gardner

As Michael Morpurgo's War Horse gallops on to stages from Berlin to Melbourne, we are reminded of the great value of time, experimentation and supportive fundingWar Horse celebrates its fift…

SOURCE: The Guardian at 10:52am on October 26, 2012

How do you decide what to see at the theatre? Word of mouth v reviews by Lyn Gardner

A day spent at West Yorkshire Playhouse suggests the traditional review is not dead yet, but that word of mouth is crucial tooHow do people decide what they are going to see at the theatre? …

SOURCE: The Guardian at 7:42am on October 26, 2012

Shelagh Delaney: a video tribute by Lyn Gardner

The Sheffield revival of A Taste of Honey should help us better remember an unfairly neglected playwright " but here's plenty of footage to be going on withAs a major of revival of Shelagh D…

SOURCE: The Guardian at 9:58am on October 24, 2012

What cabaret can teach traditional theatre by Lyn Gardner

It may have become a term of abuse on The X Factor, but as cabaret goes from strength to strength it's attracting some of our brightest talentLed by Frisky and Mannish and a glorious array o…

SOURCE: The Guardian at 8:33am on October 22, 2012

What to see: Lyn Gardner's theatre tips by Lyn Gardner

Reading plays host to a medley of theatre as the Sitelines festival gets under way, while in Liverpool the Everyword festival showcases a week of new storiesSouthLet's begin in Reading, wher…

SOURCE: The Guardian at 11:51am on October 19, 2012

The Tear Thief " review by Lyn Gardner

Little Angel, LondonWhy does the moon shine so brightly at night? Carol Ann Duffy uses poetic licence to explain all. Invisible unless her reflection is glimpsed in a puddle, the Tear Thief …

SOURCE: The Guardian at 11:44am on October 19, 2012

London " review by Lyn Gardner

Salberg Studio, SalisburyHeathrow Airport and its urban sprawl have a fascination for playwright Simon Stephens. The airport loomed over his works Wastwater and Harper Regan; and it plays a …

SOURCE: The Guardian at 12:49pm on October 18, 2012

What should you wear at the theatre? by Lyn Gardner

As the ENO launches its 'undress' campaign encouraging audiences to dress down for the opera, does it really matter what we wear to the theatre?A guide for theatregoers published in the 1950…

SOURCE: The Guardian at 10:09am on October 18, 2012

The Revenger's Tragedy " review by Lyn Gardner

Hoxton Hall, LondonHealth-and-safety issues scuppered the planned promenade element of this two-hour version of the Jacobean thriller of disputed authorship. But it would take more than movi…

SOURCE: The Guardian at 1:25pm on October 17, 2012

Who is your favourite character in theatre? by Lyn Gardner

Legend has it that Elizabeth I so loved the character of Falstaff in Henry IV that she demanded Shakespeare write another play about him. Which characters from plays do you love?A few weeks …

SOURCE: The Guardian at 6:57am on October 17, 2012

Coughing audiences at the theatre: get it off your chest? by Lyn Gardner

Noisy coughing and spluttering seems to be more prevalent in the theatre than at the cinema " but why?Coughing at the theatre is a year-round British sport. As the theatre critic James Agate…

SOURCE: The Guardian at 9:39am on October 15, 2012

The Last Summer " review by Lyn Gardner

Gate, Dublin"Is it really that interesting, the past?" demands a teenager in Declan Hughes' time-slip play, which is set over two summers in Dalkey, not far from Dublin. Sadly, the answer is…

SOURCE: The Guardian at 1:00pm on October 12, 2012

What to see: Lyn Gardner's theatre tips by Lyn Gardner

Dermot Bolger stages Ulysses in Glasgow, Hugh Hughes returns to his roots with Stories from an Invisible Town, and there's European theatre galore in the Best of BE festival in LondonSouthTr…

SOURCE: The Guardian at 7:07am on October 12, 2012

Stage fright: which plays have left you reeling in horror? by Lyn Gardner

Violence at the theatre is often at its most unbearable when left to the imagination. Which shows have made you want to avert your eyes and scream 'stop!'?The terror season is upon us in Bri…

SOURCE: The Guardian at 9:37am on October 11, 2012

Cabaret " review by Lyn Gardner

Savoy, LondonThe final 20 minutes of Rufus Norris's revamped revival of Cabaret are shockingly good. The campy glamour of Berlin's pre-war Kit-Kat Club is gradually stripped away, just as t…

SOURCE: The Guardian at 1:27pm on October 10, 2012

What's the point of theatre programmes? by Lyn Gardner

Most souvenir programmes for shows are over-priced, ill-designed and uninformative vehicles for the selling of advertising space. What do you want from yours?What do you really want from a t…

SOURCE: The Guardian at 12:07pm on October 10, 2012

Fireface " review by Lyn Gardner

Young Vic, LondonHow do you like your blackbirds? Flambéed? Kurt does. This is a boy who has clearly never heard what happened to Hilaire Belloc's Matilda when she played with matches. Kurt…

SOURCE: The Guardian at 12:49pm on October 9, 2012
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