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2,878 stories by "Lyn Gardner"

The Tempest " review by Lyn Gardner

Theatre Royal, BathThe sublime and the ridiculous sit side by side in Adrian Noble's revival, a production modelled on one he staged at the Old Globe in San Diego in 2011. It's a mostly hand…

SOURCE: The Guardian at 7:05am on August 30, 2012

Paralympics opening ceremony promises a new dawn for disability arts by Lyn Gardner

For years, a tick-box culture has paid lip service to diversity, but events at the Olympic Stadium could alter perceptions in a more meaningful and permanent wayTonight, something remarkable…

SOURCE: The Guardian at 12:11pm on August 29, 2012

Jumpy " review by Lyn Gardner

Duke of York's, LondonThe male mid-life crisis is a stage staple, yet the word menopause is barely whispered in the theatre " making April de Angelis's smart comedy a rare exception. At the …

SOURCE: The Guardian at 7:29am on August 29, 2012

Without You " Edinburgh festival review by Lyn Gardner

UnderbellyFans of the groundbreaking 1994 hit musical Rent, a show that reflected on the devastating effect of Aids in the New York artistic community, speaking directly to a generation…

SOURCE: The Guardian at 5:18am on August 29, 2012

The List " Edinburgh festival review by Lyn Gardner

SummerhallWhich of us can put hand on heart and say: "I have never neglected a friend?" Who hasn't had reason to regret a failure to visit or a phone call that has gone unmade? The unna…

SOURCE: The Guardian at 5:13am on August 29, 2012

The Static " Edinburgh festival review by Lyn Gardner

UnderbellyFifteen-year-old Sparky (Brian Vernal) is the despair of his teachers. He won't sit still and listen. They tell him he won't get any qualifications. "Do you think it's going to mak…

SOURCE: The Guardian at 1:00pm on August 27, 2012

I Heart Peterborough " Edinburgh festival review by Lyn Gardner

PleasanceJoel Horwood's latest play is a little heartbreaker, a two-hander about place, identity, betrayal and unreciprocated love. Produced by Eastern Angles, the touring company that has d…

SOURCE: The Guardian at 1:00pm on August 27, 2012

Bigmouth " Edinburgh festival review by Lyn Gardner

SummerhallSometimes it's not what you say but how you say it that matters. In politics, as in theatre, delivery can be all. Not for nothing did Margaret Thatcher have training to lower her v…

SOURCE: The Guardian at 11:30am on August 24, 2012

Edinburgh festival: my final day on the fringe by Lyn Gardner

As the fringe heads into its final weekend, how many of this year's shows will become lodged in the memory? Plus, this week's hot tips for what to see across the UKThanks for the memoriesIt'…

SOURCE: The Guardian at 10:05am on August 24, 2012

Edinburgh fringe: day 17 on the fringe by Lyn Gardner

It's time to take a stand against standing ovations, and Amnesty announces the winners of its freedom of expression fringe awardAn Amnesty on the fringeThere are plenty who dismiss the fring…

SOURCE: The Guardian at 12:05pm on August 23, 2012

The Rape of Lucrece " Edinburgh festival review by Lyn Gardner

Royal LyceumThe stage is bare but for a piano and piles of dusty manuscripts. The manuscripts seem to be there to remind us that what we are watching is a narrative poem " published by Shake…

SOURCE: The Guardian at 10:25am on August 23, 2012

And the Girls in Their Sunday Dresses " Edinburgh festival review by Lyn Gardner

Assembly George SquareThere's more than a touch of Waiting for Godot about Zakes Mda's South African-set comedy about two black women " one a prostitute fallen on hard times, the other a dom…

SOURCE: The Guardian at 1:30pm on August 22, 2012

Edinburgh festival: day 16 on the fringe by Lyn Gardner

Edinburgh seems to be overtaken by solitary confinement, and why the festival can be like childbirthTalking to yourselfWhat is "new writing? It's a question being debated by literary associa…

SOURCE: The Guardian at 12:26pm on August 22, 2012

Maurice's Jubilee " Edinburgh festival review by Lyn Gardner

Pleasance CourtyardThere's been much talk that this is a festival dominated by the concerns of the young, but this year's fringe has also shone a spotlight on people nearing their final days…

SOURCE: The Guardian at 10:48am on August 22, 2012

Beulah " Edinburgh festival review by Lyn Gardner

C NovaWhere have all the angry young men and women gone? You'd be hard-pressed to find them in Edinburgh, where people seem to be either busy writing rom-coms or retreating into Edwardian fa…

SOURCE: The Guardian at 1:30pm on August 21, 2012

Edinburgh festival: day 15 on the fringe by Lyn Gardner

Nudity that isn't a gimmick; ageing audiences; plus, stocking up on all the goodies the fringe has to offerNaked truths on the fringeOver the years in Edinburgh I've been to shows at which I…

SOURCE: The Guardian at 11:35am on August 21, 2012

Villa + Discurso " Edinburgh festival review by Lyn Gardner

The HubThere is a moment towards the end of this double-bill of plays by the Chilean playwright and director Guillermo Calderón when a table begins to shake. A scale model of the notoriou…

SOURCE: The Guardian at 11:22am on August 21, 2012

Edinburgh festival: day 14 on the fringe by Lyn Gardner

Music is making a comeback in stage productions " but the one-person literary show usually fails to exciteMusic to my earsAnyone who has seen the verbatim-interview-based London Road at the …

SOURCE: The Guardian at 12:11pm on August 20, 2012

Beats " Edinburgh festival review by Lyn Gardner

Traverse"It's all been done before, but not by me," said one of the girls at the end of Once and for All … , Ontroerend Goed's arresting show about teenage life, which made a splash on the…

SOURCE: The Guardian at 9:30am on August 20, 2012

Gulliver's Travels " Edinburgh festival review by Lyn Gardner

King'sWomen dressed as horses stamp the ground; a chef selects a baby from a pile of infants, pulls out its innards and tosses them on the barbecue; a painted prostitute staggers tipsily hom…

SOURCE: The Guardian at 11:58am on August 19, 2012

The Economist " Edinburgh festival review by Lyn Gardner

C NovaThis week a Norwegian government commission into the killings of 77 people by Anders Breivik on the island of Utøya concluded that, with better communication and organisation, they …

SOURCE: The Guardian at 10:08am on August 17, 2012

Edinburgh festival: day 12 on the fringe by Lyn Gardner

What to see in Edinburgh and beyond, using Twitter properly " and can you believe anything you're told in the theatre?Of tickets and tweetsTwitter has been a game-changer in Edinburgh " not …

SOURCE: The Guardian at 7:57am on August 17, 2012

Edinburgh festival: day 11 on the fringe by Lyn Gardner

Mike Daisey's controversial monologue about Apple turning a blind eye to the exploitation of Chinese workers, and late-night theatreTelling the truthMost plays are fictions, acts of the imag…

SOURCE: The Guardian at 10:16am on August 16, 2012

Meine Faire Dame " ein Sprachlabor " Edinburgh festival review | Lyn Gardner by Lyn Gardner

Lowland Hall, EdinburghIn Caryl Churchill's 1999 double bill, Blue Heart, language is disrupted and destroyed so that meaning becomes tangled and communication impossible. Every word is trea…

SOURCE: The Guardian at 7:59pm on August 15, 2012

The Letter of Last Resort/Good With People " Edinburgh festival review by Lyn Gardner

TraverseSome plays go together like fish and chips; other pairings are less obvious, but the effect is explosive. Neither is quite the case with this intelligent, finely written and acted bu…

SOURCE: The Guardian at 11:12am on August 15, 2012
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