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772 stories by "Lyndsey Winship"

Scottish Ballet: Coppélia review " hi-tech makeover for dusty ballet by Lyndsey Winship

Festival theatre, EdinburghThe twee 19th-century tale is dazzlingly transposed to a Silicon Valley landscape, where Dr Coppélius is building an AI creation in corporeal form Narrative balle…

SOURCE: The Guardian at 10:12am on August 15, 2022

Aakash Odedra: 'The world outside didn't match my world within " dance was a saviour' by Lyndsey Winship

The co-creator of Samsara recalls leaving Birmingham for India aged 15 in pursuit of his dreams " and how he met fellow dancer Hu Shenyuan, on a similar quest from China When Aakash Odedra w…

SOURCE: The Guardian at 7:37am on August 11, 2022

Alan Cumming: 'You'd be shocked by the messages Miriam Margolyes and I leave each other!' by Lyndsey Winship

As he brings his one-man show about 'rockstar' poet Robert Burns to the Edinburgh festival, the star talks about desire, debauchery and dancing in his 50s There can't be many people having m…

SOURCE: The Guardian at 5:54am on August 3, 2022

L-E-V: Dark in the House review " an intoxicating dance dystopia by Lyndsey Winship

Bold Tendencies, LondonA new programme designed for this brute concrete space brings Sharon Eyal's unsettling vision into full focus The first time I saw the work of L-E-V, I was floored. Th…

SOURCE: The Guardian at 11:07am on July 29, 2022

'I put my trauma on display' " Keala Settle on hating her signature song This Is Me by Lyndsey Winship

Her rendition of the bearded lady's number from The Greatest Showman caused a sensation. But, as the Hawaiian-born star joins Sister Act, she reveals how the reaction may have contributed to…

SOURCE: The Guardian at 11:48am on July 19, 2022

Youth movement: a new generation of dance talent comes of age by Lyndsey Winship

Recent performances by the National Youth Dance Company and the Royal Ballet School showcased dancers whose technique, physical commitment and emotional maturity belie their age The National…

SOURCE: The Guardian at 9:03am on July 17, 2022

Boogie wonderland: dance is at the heart of Everything I Know About Love by Lyndsey Winship

The TV adaptation of Dolly Alderton's memoir depicts the triumph of female friendship in its characters' dazzling and defiant urge to make the world their dancefloor The TV adaptation of Eve…

SOURCE: The Guardian at 5:54am on July 8, 2022

Compañia María Pagés: An Ode to Time review " flamenco's grande dame flies by Lyndsey Winship

Sadler's Wells, LondonPagés breathes new life into flamenco's roots as she performs with the full spectrum of emotion in a thoughtful, history-spanning work Dancers have an interesting rela…

SOURCE: The Guardian at 9:48am on July 3, 2022

A mighty groove: Sadler's Wells sets up new dance home in east London by Lyndsey Winship

Due to open in Stratford next year, the sibling to the Islington institution will have a special emphasis on local talent, hip-hop and artists of colour The sun is beaming across London's Qu…

SOURCE: The Guardian at 2:48pm on June 26, 2022

Miin: Body to Body review " Korean feminism 101 by Lyndsey Winship

The Place, LondonChoreographer Cha Jinyeob's intimate and at times opaque exploration of womanhood Seoul-based choreographer Cha Jinyeob has been a judge on Korea's version of Strictly Come …

SOURCE: The Guardian at 12:36pm on June 26, 2022

Birmingham Royal Ballet: On Your Marks! review " Carlos Acosta sketches a bright future by Lyndsey Winship

Birmingham HippodromeThe director manages to stretch ballet's mould while retaining mass-market appeal with an exhilarating summer triple bill As Birmingham Royal Ballet director Carlos Acos…

SOURCE: The Guardian at 8:54am on June 24, 2022

Compañia Manuel Liñán: ¡Viva! review " unbridled all-male flamenco by Lyndsey Winship

Sadler's Wells, LondonThis company of six men show playfulness and humour, but also serious and passionate self-expression As a boy, Manuel Liñán used to love to try on dresses and dan…

SOURCE: The Guardian at 5:37pm on June 22, 2022

Like Water for Chocolate review " Christopher Wheeldon's delectable take on a magic-realist love story by Lyndsey Winship

Royal Opera House, LondonWheeldon choreographs Mexican novelist Laura Esquivel's 1989 tale of food and forbidden passions into a fulfilling ballet full of buoyant movement and visually arre…

SOURCE: The Guardian at 7:06am on June 3, 2022

AIM by Kyle Abraham review " a genre-defying picture of life and hope by Lyndsey Winship

Sadler's Wells, LondonThe rightly revered US choreographer returns with an enigmatic piece that blends Mozart with Afrofuturism and feels experimental but authentic Very few choreographers …

SOURCE: The Guardian at 11:07am on June 1, 2022

Carmen review " Osipova's temptress stretches stage fiction and reality by Lyndsey Winship

Queen Elizabeth Hall, LondonStar dancer Natalia Osipova oozes drama in contemporary version of Bizet exploring backstage jealousy and on-stage attraction Natalia Osipova has danced many pass…

SOURCE: The Guardian at 9:54am on May 29, 2022

Christopher Wheeldon: 'Most boys at ballet school were closeted, terrified our parents would disown us' by Lyndsey Winship

As his version of Like Water for Chocolate opens at the Royal Opera House, the choreographer talks about how the ballet world is changing " and why he took on the Michael Jackson musical One…

SOURCE: The Guardian at 9:24am on May 26, 2022

Written in the Body review " subtle meditation on the sense of touch by Lyndsey Winship

Attenborough Centre for the Creative Arts, BrightonChoreographer Charlotte Spencer probes our experience of the world via our bodies, skin and hands It was a post-lockdown cliche to say we w…

SOURCE: The Guardian at 9:18am on May 25, 2022

Circa: Sacre review " an original and awesome Stravinsky reboot by Lyndsey Winship

Theatre Royal, BrightonAustralian circus group Circa debuts a beautifully detailed interpretation of The Rite of Spring Since Nijinsky's riot-inducing premiere of Le Sacre du Printemps (The …

SOURCE: The Guardian at 8:06am on May 24, 2022

High hoops: how two brothers became Africa's biggest circus duo by Lyndsey Winship

Bibi and Bichu Tesfamariam went from juggling at school in Ethiopia to dazzling audiences with their circus skills around the world. So what's next? It all started with three oranges. One sc…

SOURCE: The Guardian at 11:12am on May 19, 2022

Rambert review " whirlwinds of wow by Lyndsey Winship

Sadler's Wells, LondonThe company's touring triple bill is a showcase of individual brilliance that testifies to the sure creative hand of artistic director Benoit Swan Pouffer When artistic…

SOURCE: The Guardian at 6:37am on May 19, 2022

Grease review " room-filling energy, nostalgia and first-rate tunes by Lyndsey Winship

Dominion theatre, LondonThe unreconstructed sexism remains but so too do the big song and dance numbers in a production featuring Peter Andre If you don't like the idea of joining an entire …

SOURCE: The Guardian at 8:03am on May 18, 2022

Dance legend Alonzo King: 'People think of love as a sentiment but it's a force' by Lyndsey Winship

The revered American choreographer looks back at his political family life and the inspiration of his mother's movement ahead of a rare UK production with Rambert During the endless screen t…

SOURCE: The Guardian at 3:24pm on May 16, 2022

Ballet Black review " powerful pairing from the trailblazing troupe by Lyndsey Winship

Theatre Royal Stratford East, LondonThe rich abilities of the dancers are beautifully showcased in the double bill of Say It Loud and Black Sun Over the past 21 years, Ballet Black have blaz…

SOURCE: The Guardian at 10:33am on May 12, 2022

Matsena Productions / House of Absolute review " intense, raw dance by Lyndsey Winship

Sadler's Wells, London This double bill brings a dramatic response to racial harassment and an affirmation of female power. Together, they showcase the vibrant talent in these two British co…

SOURCE: The Guardian at 9:18am on May 8, 2022

Ballet Hispánico review " Latinx bite, humour and vogueing in heels by Lyndsey Winship

Curve, LeicesterThe New York company makes a long-awaited English debut with a colourful and lively triple bill that interrogates Latinx stereotypes while celebrating self-actualisation It's…

SOURCE: The Guardian at 7:12am on May 8, 2022
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