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772 stories by "Lyndsey Winship"

Shechter II: Contemporary Dance 2.0 review " young steppers pulse to a clubby score by Lyndsey Winship

Watford Palace theatreHofesh Shechter's hardworking junior company move through Latin, locking, electronic beats and Bach Hofesh Shechter's dance always gives way to darkness at some point. …

SOURCE: The Guardian at 7:36am on April 28, 2022

Royal Ballet triple bill review " daredevil effervescence and virtuosity by Lyndsey Winship

Royal Opera House, LondonSteven McRae returns from injury to the role he'd made his own in Frederick Ashton's Rhapsody, while two other Ashton works make up an evening of playful combination…

SOURCE: The Guardian at 9:54am on April 24, 2022

National Dance Company Wales review " comedy and menace with rumbling tums and giant steps by Lyndsey Winship

The Place, LondonA triple bill from this bright young company features entertainingly noisy body parts, a hint of disaster and some absurdist chaos NDC Wales are a very likable bunch of danc…

SOURCE: The Guardian at 6:24am on April 21, 2022

Ultimate sleazeball or tortured romantic? The truth about serial seducer Casanova by Lyndsey Winship

He's been portrayed as a lascivious lothario, a likable scamp and even a female librarian. But who was the real Casanova? As the world's most infamous lover returns to the stage, our writer …

SOURCE: The Guardian at 3:12am on April 20, 2022

'I would say that we trailblaze': dance dynamo Pawlet Brookes by Lyndsey Winship

For more than a decade, Let's Dance International Frontiers has brought fantastic talent to the stage in Leicester. Its founder looks back " and ahead 'You see people diversifying the curric…

SOURCE: The Guardian at 5:12pm on April 18, 2022

Mystery Sonatas/for Rosa review " prayers, patterns and a sudden loss of trousers by Lyndsey Winship

Sadler's Wells, LondonAnne Teresa de Keersmaeker's piece, dedicated to women of resistance, trades on lightness and simplicity but is overlong This show is dedicated to women of resistance, …

SOURCE: The Guardian at 9:18am on April 13, 2022

Akram Khan's Jungle Book Reimagined review " a bleak post-apocalyptic vision by Lyndsey Winship

Curve theatre, LeicesterA grim, sporadically great show sees Mowgli saved by animals who have taken over idle land in the wake of climate disaster News bulletins announce forest fires in nor…

SOURCE: The Guardian at 12:03pm on April 8, 2022

'I couldn't keep it inside': ballet star Olga Smirnova on quitting the Bolshoi and fleeing Russia by Lyndsey Winship

After Putin invaded Ukraine, the Russian dancer denounced the war, left the Kremlin-allied company " and flew out of Moscow that night. As she prepares for her debut at the Dutch National Ba…

SOURCE: The Guardian at 1:07pm on April 5, 2022

Johannes Radebe: Freedom review " Strictly star leaves it all on the floor by Lyndsey Winship

Peacock theatre, LondonThe dancer takes us on his personal journey from South African township to 2020s London with speed, sass and sequins If you're a fan of Strictly Come Dancing's Johanne…

SOURCE: The Guardian at 6:24am on April 4, 2022

'Two years ago it was impossible': how tech turns dance into a multisensory fantasy by Lyndsey Winship

From the Barbican in London to shopping centres around the country, audiences can become part of sophisticated new XR dance spectaculars " diving into Lewis Carroll's imagination or an extra…

SOURCE: The Guardian at 10:42am on April 1, 2022

English National Ballet: The Forsythe Evening review " feel the funk by Lyndsey Winship

Sadler's Wells, LondonThe energy is infectious as William Forsythe blends classical ballet with soul, house and R&B, from James Blake to Barry White Choreographer William Forsythe has no…

SOURCE: The Guardian at 8:33am on April 1, 2022

Phoenix Dance Theatre review " tender and tense performances mark 40 years by Lyndsey Winship

Peacock theatre, LondonThe Leeds-based company come out fighting with family stories, purposeful dancing and a boxing-themed finale In 1981, Phoenix Dance Company was a group of three men in…

SOURCE: The Guardian at 3:54pm on March 30, 2022

Fishnets out, waacking in! Julia Cheng on how she has transformed Cabaret by Lyndsey Winship

How did this one-woman whirlwind go from dance school reject to Olivier-nominated choreographer of Cabaret? Via Bruce Lee, hip-hop and a kick up the butt It all started in a Luton youth club…

SOURCE: The Guardian at 3:54am on March 28, 2022

Royal Ballet review " Kyle Abraham's fresh style connects to the real world by Lyndsey Winship

Royal Opera House, LondonThe versatility of the modern ballet dancer is showcased in a triple bill featuring works by Crystal Pite and Christopher Wheeldon Without seeming as if he's trying …

SOURCE: The Guardian at 8:24am on March 25, 2022

Boris Charmatz / Serafine1369 review " resistance, endurance and an invisible violin by Lyndsey Winship

Sadler's Wells, LondonAt the Dance Reflections festival, both choreographers bewilder with experimental works that explore time and personal space A double-bill in the Dance Reflections fest…

SOURCE: The Guardian at 5:48pm on March 23, 2022

Lucinda Childs and Ruth Childs review " still challenging after 50 years by Lyndsey Winship

Royal Opera House, London Seminal works from the 1970s are revived by choreographer's niece and focus on the simple beauty of minimalist movements In the 1970s, Lucinda Childs was part of Ne…

SOURCE: The Guardian at 8:33am on March 20, 2022

He's Dead review " was Tupac Shakur depressed? by Lyndsey Winship

Battersea Arts Centre, LondonInspired by the pain that is audible behind the machismo of the rapper's music, Malik Nashad Sharpe has created an intriguing show Was Tupac Shakur depressed? Th…

SOURCE: The Guardian at 7:12am on March 18, 2022

Dancers and dissidents: how ballet became a political football between east and west by Lyndsey Winship

As the conflict in Ukraine intensifies, Russia's dance corps are under scrutiny. But ballet has long been the "secret weapon" in Russia's diplomatic arsenal When the independent Russian TV s…

SOURCE: The Guardian at 12:42pm on March 17, 2022

Swan Lake review" ambitious production provides more hits than misses by Lyndsey Winship

Royal Opera House, LondonFrancesca Hayward brings intelligence and sensuality to her debut in the dual role of an uneven but stylish production As highly anticipated debuts go, this one had …

SOURCE: The Guardian at 9:33am on March 17, 2022

'It's like Heathrow control room': creating Wondrous Stories, Birmingham 2022's opening ceremony by Lyndsey Winship

Motionhouse artistic director Kevin Finnan reveals the challenges in preparing a spectacular start to a festival '"In the 60s, choreographer Yvonne Rainer came out with this whole manifesto:…

SOURCE: The Guardian at 9:48am on March 14, 2022

'It's offensive in the best possible way': Eric Underwood on his leap into acting with Clybourne Park by Lyndsey Winship

The former Royal Ballet dancer and model is set to make his theatrical debut in Bruce Norris's knotty, Pulitzer prize-winning play. He explains how he found his voice on and off stage Twenty…

SOURCE: The Guardian at 6:42am on March 1, 2022

Well, slap my shoe! A lederhosen classic and a polka only five men can do by Lyndsey Winship

What do you get if you cross a 1,000-year-old Bavarian shoe-slapping dance with an all-male Italian folk routine that was on the brink of extinction? A sweaty, joyous double-bill! When Aless…

SOURCE: The Guardian at 3:12am on February 28, 2022

Mark Bruce: Phantoms review " a broodingly cinematic dance triple bill by Lyndsey Winship

Wilton's Music Hall, LondonThe choreographer draws on Tarantino, the White Stripes and grizzly folklore in an evocative and brilliantly scuzzy show Mark Bruce has always been driven by music…

SOURCE: The Guardian at 10:03am on February 25, 2022

Lost Dog: A Tale of Two Cities review " the best of times by Lyndsey Winship

The Place, LondonBen Duke directs a triumphant theatre-dance interpretation of the Dickens classic that offsets complexity with out-loud laughs Choreographer Ben Duke and his company Lost Do…

SOURCE: The Guardian at 7:37am on February 24, 2022

NDT2 review " dancing clean enough to eat your dinner off by Lyndsey Winship

Sadler's Wells, LondonThe incredible young dancers of NDT's satellite company easily navigate a triple bill of Hans van Manen, Marco Goecke and Johan Inger, fleet and varied NDT2 is a compan…

SOURCE: The Guardian at 9:03am on February 17, 2022
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