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772 stories by "Lyndsey Winship"

Donuts review " in sync with the delicate dynamics of friendship by Lyndsey Winship

The Place, LondonFusing funk styles with contemporary dance, Jamaal Burkmar's original voice and feelgood choreography is warm, fun and very watchable The programme notes for Jamaal Burkmar'…

SOURCE: The Guardian at 10:06am on February 16, 2022

Snow Maiden review " The Russian State Ballet of Siberia's stilted fairytale by Lyndsey Winship

New Theatre, OxfordThere's a general sense of wasted potential in a show that has flashes of brilliance, yet feels light on vitality with an underwhelming score The Russian State Ballet of S…

SOURCE: The Guardian at 9:03pm on February 11, 2022

Acosta Danza: 100% Cuban review " Carlos's mesmerising movers by Lyndsey Winship

Sadler's Wells, LondonThe company mix worldwide influences into Cuban dance and though not all these cocktails hit the mark, they make for an intoxicating evening Carlos Acosta doesn't curre…

SOURCE: The Guardian at 7:54am on February 10, 2022

Tanztheater Wuppertal Pina Bausch: Kontakthof review " the miseries of mating by Lyndsey Winship

Sadler's Wells, LondonTender, brutal and humorous, the choreographer's 1978 piece about gender wars and sexual mores still feels acutely contemporary It was 40 years ago that choreographer P…

SOURCE: The Guardian at 7:06am on February 4, 2022

Compagnie 111: aSH review " godlike serenity and transcendent movement by Lyndsey Winship

Barbican, LondonKuchipudi dancer Shantala Shivalingappa is hypnotically precise in a piece about renewal and transformation inspired by the Hindu god Shiva The Hindu god Shiva is an inspirat…

SOURCE: The Guardian at 6:54am on January 28, 2022

'Bam! Incredible energy' " how a group of performers with learning disabilities are changing dance by Lyndsey Winship

For 30 years, pioneering company Corali has subverted audience expectations. Now it's helping queer-dance duo Thick & Tight with a work about poet Edith Sitwell We've all got our teas?" …

SOURCE: The Guardian at 12:12pm on January 13, 2022

Gandini Juggling: Life review " Merce Cunningham tribute is a little gem by Lyndsey Winship

Sadler's Wells, LondonCombining juggling and contemporary dance, this is a complex and accomplished homage to the late choreographer There have been many tributes to the great choreographer …

SOURCE: The Guardian at 6:36am on January 13, 2022

A 10-year triumph: how Tamara Rojo transformed English National Ballet by Lyndsey Winship

The dancer, choreographer and artistic director has shown great ambition and had an astonishing impact at the company Right now, Tamara Rojo is putting the finishing touches to the first bal…

SOURCE: The Guardian at 9:54am on January 12, 2022

Raymonda reborn: Tamara Rojo on ditching the sexism, Arab stereotypes, and 32 one-legged jumps by Lyndsey Winship

The ENB director has pulled the story forward to the Crimean war, based the female lead on Florence Nightingale " and adapted the choreography for today's more slender dancers When people ta…

SOURCE: The Guardian at 5:03pm on January 4, 2022

Matthew Bourne's Nutcracker! review " a pink, chewy fizz of a show by Lyndsey Winship

Sadler's Wells, LondonBourne's reworked version has a darker edge but it's still full of wit, energy and colour, with a sensuous thrill It's nearly a decade since Matthew Bourne's Nutcracker…

SOURCE: The Guardian at 10:33am on December 16, 2021

Romeo & Juliet review " Sergei Polunin in swashbuckling form by Lyndsey Winship

Royal Albert Hall, LondonChoreographed by Johan Kobborg, this is an often overblown show but has a divine turn from Alina Cojocaru This vehicle for Ukrainian ballet star Sergei Polunin, crea…

SOURCE: The Guardian at 7:42am on December 2, 2021

'I tell myself: You're a penis': Sergei Polunin on drugs, bad tweets " and his Putin chest tattoo by Lyndsey Winship

He walked out of the Royal Ballet and went off the rails. But the bad boy of ballet is now a father with a responsible a new attitude " and he's even dancing Romeo and Juliet Dancers sweep a…

SOURCE: The Guardian at 10:48am on November 30, 2021

Outwitting the Devil review " Akram Khan's dancers defy all limits by Lyndsey Winship

Sadler's Wells, LondonThe shows's Gilgamesh-inspired plot may be near-impossible to follow " but its dazzling performers are hard to resist Purely in terms of the dancing, the physical maste…

SOURCE: The Guardian at 10:18am on November 25, 2021

Fishnets, French kisses and fireworks: inside Moulin Rouge! The Musical by Lyndsey Winship

After winning 10 Tony awards on Broadway, an adaptation of Baz Luhrmann's high-kicking, pop song-mashing film hits both the West End and Melbourne. Its creators draw back the red velvet curt…

SOURCE: The Guardian at 1:18am on November 24, 2021

La Clique review " intimate alt cabaret full of giddy thrills by Lyndsey Winship

Leicester Square Spiegeltent, LondonFrom a sword-swallowing fire-breather to high-risk rollerskaters and the Incredible Hula Boy, this is sexy, edgy, head-exploding stuff Taking the Edinburg…

SOURCE: The Guardian at 11:03am on November 19, 2021

Gardenia 10 Years Later review " a drag cabaret's frail, moving swansong by Lyndsey Winship

Sadler's Wells, LondonThe performers of the Belgian company Les Ballets C de la B revive a decade-old stage show with added poignancy Vanessa Van Durme walks falteringly to the mic, shoulder…

SOURCE: The Guardian at 7:48am on November 17, 2021

We Are Not Finished review " youth manifesto has anger but no activism by Lyndsey Winship

The Place, LondonDevised piece presenting the hopes and fears of its young, untrained cast contemplates a burning world severed by divisions There's no way this many teenagers have this litt…

SOURCE: The Guardian at 6:18am on November 12, 2021

Samskara review " Lanre Malaolu's gem weaves Shakespeare with Sisqó by Lyndsey Winship

The Yard, LondonThis ingenious dance-play hybrid makes use of a richly talented cast to interrogate black masculinity and dismantle stereotypes Who in tonight's audience, I wonder, thought t…

SOURCE: The Guardian at 11:42am on November 11, 2021

Shake your frozen pizza! The scrappy have-a-go exuberance of dance on TikTok by Lyndsey Winship

From tap stars duetting with Gene Kelly to Gordon Ramsay twisting with his daughter, TikTok is where performers " large, small, amateur, pro " drop the facade and dance till their toes are r…

SOURCE: The Guardian at 9:33am on November 9, 2021

Royal Ballet: Giselle review " a supernatural tour de force from Natalia Osipova by Lyndsey Winship

Royal Opera House, LondonSupported by a talented cast in Peter Wright's acclaimed production, the principal makes an astounding return to the role she has made her own Natalia Osipova is an …

SOURCE: The Guardian at 9:18am on November 5, 2021

Indecent Proposal review " middling musical remake of 90s hit thriller by Lyndsey Winship

Southwark Playhouse, LondonJazzy vocals come to the rescue of the latest throwback blockbuster to land on the London stage It seems an unlikely proposal, if not an indecent one, to turn the…

SOURCE: The Guardian at 10:42am on November 3, 2021

'The bikini line is still a no-no': why does dance have a problem with body hair? by Lyndsey Winship

Chests must be de-fuzzed, armpits shaved, legs waxed. But as dance becomes more diverse, should it stop policing what grows naturally? Top performers speak out about their body hair The idea…

SOURCE: The Guardian at 6:18am on November 3, 2021

'Getting into your emotions is difficult for men': dance artist Botis Seva on getting to the heart of hip-hop by Lyndsey Winship

The choreographer found himself in a dark place after his son's birth. He talks about drawing on his fears of being a father to create the Olivier award-winning BLKDOG When Botis Seva was a …

SOURCE: The Guardian at 7:42pm on October 28, 2021

Transverse Orientation review " beauty and disgust from Dimitris Papaioannou by Lyndsey Winship

Sadler's Wells, LondonFake babies waving to the audience, an imposing puppet bull and an optical illusion of entwined limbs combine in a cocktail of contradictions Is there anywhere else you…

SOURCE: The Guardian at 7:54am on October 22, 2021

The Body Remembers review " powerful exploration of trauma by Lyndsey Winship

Battersea Arts Centre, LondonHeather Agyepong uses improvised movement, set to a soundtrack of real women's testimonies, to search for equilibrium amid pain Heather Agyepong cares if you're …

SOURCE: The Guardian at 4:36pm on October 21, 2021
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