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772 stories by "Lyndsey Winship"

Mata Hari review " seductive study of an irresistible woman by Lyndsey Winship

Available onlineAnna Tsygankova is utterly graceful as the exotic dancer in Ted Brandsen's fine ballet for Dutch National Ballet Hottest front-room seats: the best theatre and dance to watc…

SOURCE: The Guardian at 9:18am on May 31, 2020

One giant leap: meet the new generation of male ballet stars by Lyndsey Winship

Beauty, strength and bags of energy: BBC Four's Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise 'It's a golden era of male ballet dancers." …

SOURCE: The Guardian at 8:54am on May 26, 2020

Wilkie Branson: TOM review " a sublime, slow-burn study of isolation by Lyndsey Winship

Sadler's Wells Digital StagePart dance performance, part film, this solo show is a note-perfect portrayal of the all-consuming nature of loneliness Hottest front-room seats: best theatre and…

SOURCE: The Guardian at 7:03am on May 24, 2020

James Cousins review " power and creative vision in three short films by Lyndsey Winship

The award-winning Within Her Eyes and two more experimental dance works reveal the storytelling strengths of this talented choreographer Her feet never touch the ground. That's the premise o…

SOURCE: The Guardian at 9:18am on May 20, 2020

Flatpack screendance festival review " dance that leaps through the screen by Lyndsey Winship

Available onlineThese short works, which include performances by a dream lineup of choreographers, are an array of innovation Screendance " that is, dance created specifically for camera, no…

SOURCE: The Guardian at 10:12am on May 12, 2020

'Visual poetry': taking physical languages beyond the Deaf community by Lyndsey Winship

Here/Not Here, a new film by Bim Ajadi, is aiming to bring the visual vernacular art form in to the mainstream Hottest front-room seats: best theatre and dance online Addressing the camera, …

SOURCE: The Guardian at 9:42am on May 10, 2020

Alonzo King Lines Ballet review " hot and cool moves from a master by Lyndsey Winship

Available onlineDust and Light, Triangle of the Squinches and Scheherazade showcase the elegant nature of King's work, which pushes beyond classical ballet Hottest front-room seats: best the…

SOURCE: The Guardian at 8:18am on May 6, 2020

Alexander Ekman: Eskapist; Midsummer Night's Dream review - audacious and unpredictable by Lyndsey Winship

Available onlineTwo dance works by the Swedish choreographer are visually stunning, meshing movement, theatre, design and music Hottest front-room seats: the best theatre and dance to watch …

SOURCE: The Guardian at 8:54am on April 27, 2020

Shut up and dance! Five of the best routines made during lockdown by Lyndsey Winship

From Robbie Fairchild's electric escape to Francesca Hayward's head-spinning pirouettes, here are five joyful homemade clips Hottest front-room seats: the best theatre and dance to watch on…

SOURCE: The Guardian at 3:32am on April 21, 2020

Winged Bull in the Elephant Case review " dancers take over the National Gallery by Lyndsey Winship

Available onlinePaintings are given elastic life in this energetic showcase, which reimagines the collection's extraordinary wartime evacuation to a Welsh slate mine Hottest front-room seats…

SOURCE: The Guardian at 9:03am on April 16, 2020

Clowns review " a blast of bloodlust from the brilliant Hofesh Shechter by Lyndsey Winship

Available onlineShechter's work begins in Regency-esque civility and ends in an orgy of highly choreographed violence The best arts and entertainment during self-isolation Hottest front-roo…

SOURCE: The Guardian at 8:03am on April 15, 2020

New Movement Collective review " eerie journeys into Auster and Homer by Lyndsey Winship

Available onlineThere are striking moments in the films of this dance group's performances, inspired by New York Trilogy and The Odyssey ' Hottest front-room seats: the best theatre and dan…

SOURCE: The Guardian at 2:12pm on April 13, 2020

The Swan: three minutes of dance to soothe the soul in lockdown by Lyndsey Winship

Watch a short solo from Birmingham Royal Ballet performed by a dancer and two musicians in their own homes ' Hottest front-room seats: the best theatre and dance to watch online The dancing…

SOURCE: The Guardian at 7:12am on April 9, 2020

BalletBoyz: Deluxe review " striking dances packed with talent by Lyndsey Winship

Michael Nunn and William Trevitt are characteristically unpredictable as they launch the Facebook Premieres series from Sadler's Wells With their 20th anniversary tour now on hold, BalletBoy…

SOURCE: The Guardian at 11:36pm on March 26, 2020

Plié, jeté … mind the fridge! My kitchen ballet class with Tamara Rojo by Lyndsey Winship

Dancers are sharing their skills online as venues are shut due to the coronavirus. Our critic stepped up to test one out The core of a ballet dancer's life is daily class. Whether it's a chi…

SOURCE: The Guardian at 4:48am on March 24, 2020

Step in time: how to save the legacy of dance from being lost in history by Lyndsey Winship

While Richard Alston's company hang up their dance shoes, archivists and choreographers are grasping at ways to immortalise an inherently slippery art form Earlier this month, Richard Alston…

SOURCE: The Guardian at 6:54am on March 12, 2020

Now in 3D! Merce Cunningham's mind-blowing dance by Lyndsey Winship

A superb documentary immerses you in the choreographer's creations and shows off his own wild and weightless performances Given the gift of time travel, you'd have to drop in on the early co…

SOURCE: The Guardian at 9:18am on March 9, 2020

Richard Alston Dance Company review " a thrilling farewell by Lyndsey Winship

Sadler's Wells, LondonThe company's final outing after 25 years ran through some of Alston's most dynamic newer works, with performances ranging from the spellbinding to the effortless To wa…

SOURCE: The Guardian at 9:32am on March 8, 2020

Cloud Gate Dance Theatre review " swirling tales from Taiwan by Lyndsey Winship

Sadler's Wells, London Cheng Tsung-lung's 13 Tongues circles and flows, while Lin Hwai-min's Dust is a slow slide into the dark Forty-seven years ago, a man who knew next to nothing about ch…

SOURCE: The Guardian at 9:24am on February 27, 2020

'She taught me to love my skin': Viviana Durante unveils gift to Isadora Duncan by Lyndsey Winship

Until her death in a freak accident, the 'radical and shocking' Isadora Duncan transformed dance. Now her feminist free spirit struts the stage again 'You'll have to excuse me, I'm just tryi…

SOURCE: The Guardian at 11:48am on February 23, 2020

Alina Cojocaru review " goosebumpy delight and gems amid disjointed evening by Lyndsey Winship

Sadler's Wells, LondonThe English National Ballet's luminous lead principal here creates her own show, ranging from Frederick Ashton to Arvo Pärt and two superb short films It's impossible …

SOURCE: The Guardian at 7:36am on February 21, 2020

Message in a Bottle review " Sting soundtracks a blistering hip-hop tale of refugees by Lyndsey Winship

Peacock theatre, London A compelling cast pour their hearts into Kate Prince's jukebox tale of civil war, trafficking and three siblings separated as refugees A hip-hop dance show set to the…

SOURCE: The Guardian at 11:24am on February 20, 2020

The Cellist review " a joyfully giddy tribute to Jacqueline du Pré by Lyndsey Winship

Royal Opera House, LondonCathy Marston's first main stage commission for the Royal Ballet translates Du Pré's lyrical presence on the podium into dance, capturing her deep love affair with …

SOURCE: The Guardian at 8:12am on February 18, 2020

Acosta Danza: Up Close review " Carlos and co get intimate by Lyndsey Winship

Linbury theatre, Royal Opera House, London The proximity to the action in this show highlights the finesse and strength of the Havana troupe Only a few months since Acosta Danza were last in…

SOURCE: The Guardian at 1:03pm on February 14, 2020

Bluebeard review " Pina Bausch's punishing portrait of marital misery by Lyndsey Winship

Sadler's Wells, LondonSet to Bartók's opera, the bloody myth becomes a bleak battle of the sexes where we can never quite tell right from wrong Pina Bausch was of the "hell is other peopl…

SOURCE: The Guardian at 3:03pm on February 13, 2020
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