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772 stories by "Lyndsey Winship"

Israel Galván: La Fiesta review " flamenco peacockery with a dash of RuPaul by Lyndsey Winship

Sadler's Wells, LondonThe tradition-trashing dancer serves up a brilliant, table-stomping blend of experiment, absurdity and subversion We arrive at Israel Galván's fiesta when it feels a…

SOURCE: The Guardian at 9:19am on April 28, 2019

Ain't Misbehavin' review " Oti Mabuse musical has sass, soul and swing by Lyndsey Winship

Southwark Playhouse, LondonA crack cast fire up this romp through Fats Waller's music, directed by Tyrone Huntley with moves by the Strictly dancer The black box of Southwark Playhouse is tr…

SOURCE: The Guardian at 9:19am on April 26, 2019

Rosas review " life is suite in mysterious Bach dances by Lyndsey Winship

Sadler's Wells, LondonAnne Teresa de Keersmaeker's choreography for the composer's music, played by cellist Jean-Guihen Queyras, is austere and enigmatic If you were going to choose a choreo…

SOURCE: The Guardian at 7:40am on April 25, 2019

'They wanted to see if I could take a punch without crying': female boxers' battle stories by Lyndsey Winship

The idea still makes people uneasy but two new plays " Fighter and The Sweet Science of Bruising " explore the courage, pain and history of women boxers 'I always try to say this without sou…

SOURCE: The Guardian at 2:00am on April 23, 2019

Night of 100 Solos review " a fresh and radical Merce Cunningham experience by Lyndsey Winship

Barbican, LondonSix decades of solos form an unsentimental and surprising celebration of the legendary choreographer's highly technical dance experiments On what would have been Merce Cunnin…

SOURCE: The Guardian at 7:29am on April 17, 2019

'It's massive, it's hard, I don't understand it!' TS Eliot dance show hits UK by Lyndsey Winship

As her acclaimed take on Four Quartets heads to London, choreographer Pam Tanowitz explains why she's still trying to crack the poem Her choreography has been hailed by the New York Times as…

SOURCE: The Guardian at 1:00am on April 11, 2019

No mean feat: how West Side Story's dance rumbles got reinvented by Lyndsey Winship

The Sharks-v-Jets classic is told with Jerome Robbins' 'perfect' moves, admits Aletta Collins. How did she create new ones? Aletta Collins is telling me about what arrived in the post when s…

SOURCE: The Guardian at 2:00am on April 10, 2019

English National Ballet: She Persisted review " odes to Frida, Pina and Nora by Lyndsey Winship

Sadler's Wells, LondonIbsen gets an urgent retelling, Kahlo dances with a monkey and Bausch's masterwork is back in Tamara Rojo's stellar triple bill In 2016, English National Ballet directo…

SOURCE: The Guardian at 7:23am on April 5, 2019

'That took long enough!' " black ballerinas finally get shoes to match their skin by Lyndsey Winship

Ballet shoes have always been a pale peachy pink because it was assumed dancers were, too. Now a British footwear company is striking a blow for ballerinas of colour everywhere When Ballet B…

SOURCE: The Guardian at 7:00am on April 1, 2019

Romeo and Juliet review " stunningly swoonsome study of wide-eyed love by Lyndsey Winship

Royal Opera House, LondonLauren Cuthbertson and Matthew Ball sumptuously express the recklessness of youth in Kenneth MacMillan's fine ballet We think of Romeo and Juliet as a story about lo…

SOURCE: The Guardian at 7:26am on March 27, 2019

The Idiot review " Dostoevsky's good prince makes a quivering retreat from love by Lyndsey Winship

Print Room at the Coronet, London Saburo Teshigawara's take on the Russian classic isolates its hero, creating striking scenes that leave you pining for a connection Japanese choreographer …

SOURCE: The Guardian at 9:00am on March 22, 2019

Yuli: this portrait of Carlos Acosta and Cuba is a dance film like no other by Lyndsey Winship

Ballet and film complement each other perfectly in a biopic of the superstar dancer that captures life under Castro's rule Dance on film can have many functions. It might act as a showstoppi…

SOURCE: The Guardian at 6:29am on March 18, 2019

Ballet Black review " welly-wearing dancers stage miners' strike by Lyndsey Winship

Barbican, LondonThe company's triple bill includes Ingoma, a powerful piece inspired by events that led to South Africa's anti-apartheid movement Ballet Black may be, by its nature, politica…

SOURCE: The Guardian at 2:00am on March 18, 2019

Strictly's Oti Mabuse: 'I still wear £5 leggings " I work for the BBC!' by Lyndsey Winship

She conquered Strictly while still living in a bedsit. Now the dancing multi-linguist and trained engineer is making the leap into musicals " where she's planning to 'go crazy' Glamour is of…

SOURCE: The Guardian at 2:00am on March 12, 2019

BalletBoyz: Them/Us review " dreamy double bill confounds cliche by Lyndsey Winship

Sadler's Wells, LondonWith one piece choreographed by the company and the other by Christopher Wheeldon, this is a fresh, thoughtful show Over the last 19 years, BalletBoyz has metamorphosed…

SOURCE: The Guardian at 6:58am on March 7, 2019

Queen Victoria " the ballet: 'You think you know her. It turned out I didn't' by Lyndsey Winship

After her celebrated Jane Eyre, Cathy Marston is staging a revelatory regal ballet. She talks about binge-watching ITV's Victoria and the politics of storytelling Queen Victoria is falling …

SOURCE: The Guardian at 8:29am on March 5, 2019

Quartermark review " a classy medley from Richard Alston by Lyndsey Winship

Sadler's Wells, LondonClassical virtuosity combines with contemporary sensibility in this selection of highlights from a 25-year repertoire 'How small a thought it takes to fill a whole life…

SOURCE: The Guardian at 10:41am on March 3, 2019

Tesseract review " strap in for the shapeshifting worlds of Charles Atlas by Lyndsey Winship

Barbican, LondonInspired by a sci-fi novella, the artist teams up with Rashaun Mitchell and Silas Riener for a bracing dance experiment A woman's face looms, very large and unnervingly close…

SOURCE: The Guardian at 7:43am on March 1, 2019

Richard Alston for hire: 'Who will let an elderly deaf man loose on their dancers?' by Lyndsey Winship

The newly knighted choreographer is shutting his company due to cuts and has snapped his achilles tendon. But he's full of optimism about the future I'm expecting Richard Alston to be angry,…

SOURCE: The Guardian at 3:00pm on February 27, 2019

Tanztheater Wuppertal: Bon Voyage, Bob … review " love, loss and Pina by Lyndsey Winship

Sadler's Wells, LondonThe loss of the company's founder Pina Bausch a decade ago is at the heart of this meticulous meditation on grief and death Bon Voyage, Bob … is only the second new f…

SOURCE: The Guardian at 7:32am on February 24, 2019

Go with the flow: the mesmerising moves of Russell Maliphant by Lyndsey Winship

With a dance version of Dickens's A Christmas Carol, a collaboration with Greek composer Vangelis and his touring show Silent Lines, the questing choreographer is busier than ever I'm lost o…

SOURCE: The Guardian at 4:42am on February 21, 2019

Tanztheater Wuppertal Pina Bausch: Since She review " dreamlike oddness by Lyndsey Winship

Sadler's Wells, LondonChoreographed by Dimitris Papaioannou, the company's first new work since its founder died in 2009 is uncanny in its blending of his and her imaginationsWhen Pina Bausc…

SOURCE: The Guardian at 8:24am on February 15, 2019

Haiti's explosive Rite of Spring: from pagan Russia to vodou ritual by Lyndsey Winship

When Jeanguy Saintus first saw Stravinsky's Rite, he was reminded of his religion's initiation ceremonies. Now, he has created his own spirited version of the balletSince its infamous premie…

SOURCE: The Guardian at 8:12am on February 14, 2019

Dancing in the street: could choreographers build better cities? by Lyndsey Winship

A new project is looking at how choreography can improve urban engineering, but there has long been a profound relationship between cities and danceIn the crowded conventillos (shared teneme…

SOURCE: The Guardian at 7:06am on February 11, 2019

New Work New Music review " Royal Ballet's short works are a step in the right direction by Lyndsey Winship

Royal Opera House, LondonFrom Aletta Collins' refreshing abstraction to Calvin Richardson's human piñatas, this is just what the Royal needsThe musicians of the London Sinfonietta are in …

SOURCE: The Guardian at 7:32am on February 7, 2019
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