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772 stories by "Lyndsey Winship"

Mamela Nyamza: Hatched Ensemble review " The Dying Swan in fine feather by Lyndsey Winship

Barbican, LondonOpening this year's Dance Umbrella festival, the South African company deliver a distinctive show by the non-conformist choreographer At times, Mamela Nyamza's Hatched Ensemb…

SOURCE: The Guardian at 4:42pm on October 10, 2024

National Dance Company Wales: Frontiers review " a pair of puzzlers by Lyndsey Winship

The Place, LondonMoody masses of bodies, a gang of club kids like shamans at a stick-up … this company is always trying something new Matthew William Robinson, artistic director of Nationa…

SOURCE: The Guardian at 12:24pm on October 9, 2024

Hofesh Shechter: 'The biggest insult I've received is that I'm the rockstar of contemporary dance!' by Lyndsey Winship

As Theatre of Dreams arrives in London, the celebrated choreographer and composer explains how having his laptop stolen was a blessing in disguise for his new show Hofesh Shechter walks out …

SOURCE: The Guardian at 7:12am on October 7, 2024

Birmingham Royal Ballet: Luna review " kaleidoscopic quintet shoots for the moon by Lyndsey Winship

Birmingham HippodromeEmploying five female choreographers in one production is a bold move but this sweeping celebration of strong women does not cohere There's no doubting the good intentio…

SOURCE: The Guardian at 8:36am on October 4, 2024

National Ballet of Canada: Frontiers review " heavenly revelations and indie spaghetti by Lyndsey Winship

Sadler's Wells, LondonA triple bill of modern pieces highlight the challenges of modern ballet, but only in Crystal Pite's work does it all comes together, especially in the dancing of Siphe…

SOURCE: The Guardian at 11:02am on October 3, 2024

Alice's Adventures in Wonderland review " all stops are pulled out for Wheeldon ballet by Lyndsey Winship

Royal Opera House, LondonVivid designs, frog and fish footmen and a comedy dame bring good energy to the Royal Ballet's Alice, with beautiful dancing from the leads This ballet is at its bes…

SOURCE: The Guardian at 5:12am on September 30, 2024

'It's an intensely beautiful moment " then it goes away': Emma Portner on dance's raw power by Lyndsey Winship

The choreographer talks about overnight fame, 'extreme ambition' and her goofy/serious duet, staged by the National Ballet of Canada Emma Portner wishes I didn't need to ask her about being …

SOURCE: The Guardian at 5:12pm on September 29, 2024

When the Bleeding Stops / Because I Can review " unexpectedly joyful reflection on menopause by Lyndsey Winship

The Place, London Lovísa Ósk Gunnarsdóttir warmly narrates her own story of renewal after feeling her personal and professional life was over Contemporary dance about the menopause…

SOURCE: The Guardian at 12:06pm on September 25, 2024

Ballet star Joseph Sissens: 'I'd be in this world of gross privilege, and then I'd go visit my brother in prison' by Lyndsey Winship

As the Royal Ballet's newly minted principal, the dancer is on a mission to challenge the industry's underlying racism from the inside. He discusses his first steps " and the role of his dre…

SOURCE: The Guardian at 7:32am on September 24, 2024

Jazz Conversations review " breezy tribute to Miles Davis by Lyndsey Winship

The Place, LondonThe Body of People Jazz Theatre Company presents a rich programme, including a celebration of the great trumpeter It's rare to see pure jazz dance on stage in the UK, even i…

SOURCE: The Guardian at 6:42am on September 23, 2024

London City Ballet review " rebirth after almost three-decade absence by Lyndsey Winship

Sadler's Wells, LondonRecent graduates, former Ballet Black star Cira Robinson and guest Alina Cojocaru perform lost works and new commissions Revived from the ashes after a 28-year absence,…

SOURCE: The Guardian at 9:48am on September 13, 2024

'How far do you go in the depiction of gay lovemaking?': Christopher Wheeldon on his new Oscar Wilde ballet by Lyndsey Winship

There has never been a gay-themed work in the classical dance repertoire " until now. The esteemed choreographer hopes to change that for good, even if he's sometimes the one blushing When D…

SOURCE: The Guardian at 12:24pm on September 11, 2024

Michael Turinsky: Precarious Moves review " unpredictable, uncategorisable and unexpected by Lyndsey Winship

Queen Elizabeth Hall, LondonThe Austrian artist-philosopher muses on disability and choreography, mobility and mobilisation in this quietly thought-provoking show Michael Turinsky comes out …

SOURCE: The Guardian at 12:06pm on September 8, 2024

Ballet Nights review " smorgasbord of styles and stars in one thrilling sitting by Lyndsey Winship

Cadogan Hall, LondonImpresario Jamiel Devernay-Laurence brings dance of all flavours to a new audience with this lively serving of latin, hip-hop, ballet and a chef's kiss tap solo from Stev…

SOURCE: The Guardian at 7:32am on September 5, 2024

Choreographer Qudus Onikeku: 'I want to mirror the real world " vibrant, chaotic, problematic' by Lyndsey Winship

As a child in Lagos, he felt like Billy Elliot, following a passion for dance despite his family's disapproval. Now, having found success in France, he's returned to his native Nigeria to ma…

SOURCE: The Guardian at 5:32pm on August 30, 2024

State Ballet of Georgia: Swan Lake review " flashes of terror amid endless stops for applause by Lyndsey Winship

London ColiseumWhile the dancing is sound and the swans are strong, the performance suffers from a staid Russian feel, lacking fire and vitality Nina Ananiashvili was one of her generation's…

SOURCE: The Guardian at 8:42am on August 29, 2024

Waves of grief: this dance show about loss needed to be staged in the sea by Lyndsey Winship

Company of Others is performing rituals at King Edward's Bay, Tynemouth. Director Nadia Iftkhar hopes to help audiences " and passersby " open up about bereavement The North Sea shifts from …

SOURCE: The Guardian at 8:24am on August 20, 2024

'Ballet is so punk rock': Neve Campbell and Karen Kain on pressure, pain " and partnering Nureyev by Lyndsey Winship

The documentary Swan Song shows ballerinas pushing themselves to extremes in pursuit of perfection. Kain and Campbell, its star and producer, talk about the agony and ecstasy of elite perfor…

SOURCE: The Guardian at 12:00pm on August 13, 2024

'I can move my body how I want': standup Stephanie Laing on conquering her fear of public dancing by Lyndsey Winship

She used to love cutting a rug " until she gave up drinking. Now, the comic has used dance to heal her wounded self-esteem " and explore the funny side of contemporary choreography Stephanie…

SOURCE: The Guardian at 11:00am on August 13, 2024

Dance and circus at Edinburgh fringe: high concepts and sky-scraping feats by Lyndsey Winship

This year's offerings veer from visually stunning to ponderous as performers grapple with big ideas as well as each other's bodies A festival as overstuffed with acts as Edinburgh brings on …

SOURCE: The Guardian at 7:47am on August 13, 2024

Songs of the Bulbul review " sumptuously scored solo dance is full to bursting with feeling by Lyndsey Winship

The Lyceum, EdinburghAakash Odedra circles and swoops to Rushil Ranjan's powerful music in this buoyant and joyful show If you see much contemporary dance, you'll be familiar with the often …

SOURCE: The Guardian at 12:00pm on August 10, 2024

Lewis Major: Triptych review " intense movers trip the light fantastic by Lyndsey Winship

Assembly @ Dance Base, Edinburgh The Australian choreographer revels in bodies sculpted by light but the impressive staging creates a chilly distance from these strong performers The light s…

SOURCE: The Guardian at 5:47am on August 8, 2024

What Songs May Do... review " Nina Simone puts a spell on dance duet by Lyndsey Winship

Assembly @ Dance Base, EdinburghSimone's songs are repurposed in all their glory, essaying a relationship both combative and conciliatory in this show by Rendez-Vous Dance Is it cheating to …

SOURCE: The Guardian at 3:00pm on August 7, 2024

Grupo Corpo review " the Brazil of Gilberto Gil and Umbanda in music, mood and motion by Lyndsey Winship

Edinburgh PlayhouseThis double bill has sun and shade, and if at times the momentum gets stuck there's still a mighty spring in its step There are slimmer pickings than usual for dance in th…

SOURCE: The Guardian at 7:31am on August 6, 2024

Let's get physical: the science of dance at the Venice Biennale by Lyndsey Winship

The dance festival's opening weekend, under the theme We Humans, focused as much on gravity and technology as emotional connection Venice, a city of already preposterous beauty, comes furthe…

SOURCE: The Guardian at 8:24pm on July 22, 2024
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