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169 stories by "Lynne Weiss"

Highly Recommended Opera: AIDA and THE OPERA GALA (Boston Lyric Opera at Emerson Colonial Theater) by Lynne Weiss

On Sunday, November 10, 2024, Boston Lyric Opera's one-performance-only of Giuseppe Verdi's triumphal masterpiece Aida precedes the return of its annual fundraiser that supports access throu…

SOURCE: Stage and Cinema at 2:59am on November 6, 2024

Theater Review: PRU PAYNE (SpeakEasy Stage Company at Calderwood Pavilion in Boston) by Lynne Weiss

MEMORY AS AN ACT OF LOVE The East Coast premiere of playwright Steven Drukman's snappy and cleverly written Pru Payne is movingly brought to the stage under SpeakEasy Stage founder Paul Daig…

SOURCE: Stage and Cinema at 4:37pm on October 26, 2024

Theater Review: NASSIM (The Huntington Calderwood in Boston) by Lynne Weiss

A PLAY THAT'S OUT OF THE BOX Like an acrobat without a net who thrills us with her daring, Iranian-German playwright Nassim Soleimanpour offers a play with virtually no set, no costumes, and…

SOURCE: Stage and Cinema at 8:16pm on October 11, 2024

Theater Review: LAUGHS IN SPANISH (SpeakEasy Stage Company at Calderwood Pavilion in Boston) by Lynne Weiss

THE LAUGHS ARE IN SPANISH AND ENGLISH, TOO Playwright Alexis Scheer draws on her Colombian-Jewish upbringing in Miami to create this comic celebration of the city's Wynwood arts scene and th…

SOURCE: Stage and Cinema at 2:59am on October 2, 2024

Theater Review: URINETOWN (Lyric Stage Boston) by Lynne Weiss

MIND YOUR PEES AND QUEUES Courtney O'Connor's masterful direction of the unpleasantly titled Urinetown: The Musical brings together numerous wonderful performances along with great music (Da…

SOURCE: Stage and Cinema at 2:55am on September 24, 2024

Theater Review: FIGHT NIGHT (Ontroerend Goed Theatre Performance Company / North American Tour) by Lynne Weiss

A LIVELY AND TIMELY EXAMINATION OF VOTING BEHAVIOR Fight Night, brought to seven American states by the Belgian performance group Ontroerend Goed (a punning name, roughly translated as "Feel…

SOURCE: Stage and Cinema at 2:51am on September 24, 2024

Theater Review: LEOPOLDSTADT (Huntington Theatre, Boston) by Lynne Weiss

A TRIUMPHANT SAGA OF A VIENNESE FAMILY The Huntington and director Carey Perloff bring Tom Stoppard's beautifully written Leopoldstadt to Boston with engaging performances that make the comp…

SOURCE: Stage and Cinema at 2:40am on September 20, 2024

Theater Review: ROMEO AND JULIET (American Repertory Theater at Harvard University in Cambridge) by Lynne Weiss

ATMOSPHERIC, MOODY, DARK AND MODERN, ROMEO AND JULIET AT A.R.T. BELONGS TO THE AGES As summer turns to autumn, American Repertory Theater brings a dark and moody interpretation of Romeo and …

SOURCE: Stage and Cinema at 7:25pm on September 6, 2024

Theater Review: THE SUPPLIANT WOMEN (Apollinaire Theatre Company at PORT Park in Chelsea, MA) by Lynne Weiss

SUPPLIANT AND DEMAND Looking for a thoroughly pleasant evening on the banks of the Mystic River? Head for Chelsea's PORT Park and a transfixing performance of The Suppliant Women, by the Gre…

SOURCE: Stage and Cinema at 5:41pm on August 4, 2024

Pre-Broadway Review: THE QUEEN OF VERSAILLES (World Premiere at Emerson Colonial Theatre, Boston) by Lynne Weiss

ALL HAIL THE QUEEN OF VERSAILLES! The pre-Broadway production of The Queen of Versailles, studded with Broadway royalty, understandably had Boston abuzz at the opening last night. Despite th…

SOURCE: Stage and Cinema at 4:13pm on August 2, 2024

Theater Review: 46 PLAYS FOR AMERICA'S FIRST LADIES (Hub Theatre Company at Club Café in Boston) by Lynne Weiss

AS USUAL, THE WOMEN DEAL WITH THE MESS Hub Theatre Company's pay-what-you-will production of 46 Plays for America's First Ladies offers a series of playlets as varied as the women portrayed.…

SOURCE: Stage and Cinema at 3:10am on July 21, 2024

Theater Review: SOUTH PACIFIC (Reagle Music Theatre of Greater Boston in Waltham, MA) by Lynne Weiss

IT REALLY IS AN ENCHATED EVENING I had never seen South Pacific, Richard Rodgers and Oscar Hammerstein's famed and highly successful musical (winner 1950 Pulitzer and numerous Tony awards in…

SOURCE: Stage and Cinema at 3:33am on June 15, 2024

Theater Review: GATSBY (World Premiere Musical at American Repertory Theater, Cambridge, MA) by Lynne Weiss

GREAT F. SCOTT! F. Scott Fitzgerald's The Great Gatsby recently entered the public domain, and as we approach the centenary of this American classic published in 1925, there is a plethora of…

SOURCE: Stage and Cinema at 9:28pm on June 13, 2024

Theater Review: THE DYBBUK: BETWEEN TWO WORLDS (Arlekin Players Theatre in Boston) by Lynne Weiss

YOU'LL LEAVE THIS ASTONISHING PRODUCTION POSSESSED It's not often I would feel compelled to begin a review with mention of the creative team, but director Igor Golyak  " co-adapting with …

SOURCE: Stage and Cinema at 2:45am on June 10, 2024

Theater Review: YELLOW FACE (Lyric Stage in Boston) by Lynne Weiss

MAKING FACES You've heard of a play-within-a-play? Award-winning playwright David Henry Hwang offers us a play-within-a-play-within-a-play in the semi-autobiographical Yellow Face. Lyric Sta…

SOURCE: Stage and Cinema at 9:27pm on June 6, 2024

Theatre Review: ENGLISH (European Premiere at The Other Place, Royal Shakespeare Company Stratford-upon-Avon and Kiln Theatre, London) by Lynne Weiss

PLAIN ENGLISH The New York production of English, written by Iranian-American Sanaz Toossi, won a Pulitzer Prize for Drama in 2023. Directed by Diyan Zara, English is making its European pre…

SOURCE: Stage and Cinema at 12:04am on May 21, 2024

Theatre Review: THE BUDDHA OF SUBURBIA (RSC & Wise Children at Swan Theater, Stratford-upon-Avon) by Lynne Weiss

The Buddha of Suburbia, a lively and joyous coming-of-age story set in late 1970s suburban London is a delightful exploration of love in numerous forms, some painful, most unconventional, bu…

SOURCE: Stage and Cinema at 3:01am on May 18, 2024

Theater Review: A STRANGE LOOP (SpeakEasy Stage Company and Front Porch Arts Collective) by Lynne Weiss

A THEATRICAL LOOP-DE-LOOP Playwright Michael R. Jackson's acclaimed A Strange Loop (winner 2020 Pulitzer Prize for Drama, 2022 Tony Award for Best Musical) is a shocking work of genius, beau…

SOURCE: Stage and Cinema at 2:55am on April 30, 2024

Theater Review: MERMAID HOUR (Moonbox in Cambridge, MA) by Lynne Weiss

THE HOUR HAS COME Playwright David Valdes offers a touching insight into the complexities of family life for a transitioning teen in Mermaid Hour. The New England premiere of this 2016 Final…

SOURCE: Stage and Cinema at 4:29pm on April 27, 2024

Theater Review: TOUCHING THE VOID (Apollinaire Theatre Company in Chelsea, MA) by Lynne Weiss

THE MOUNT EVEREST OF PLAYS It's hard to say what is the most breathtaking aspect of the Apollinaire Theatre Company's masterful production of Touching the Void: Is it David Greig's deeply sa…

SOURCE: Stage and Cinema at 12:00am on April 22, 2024

Theater Review: SOLO: A SHOW ABOUT FRIENDSHIP (Gabe Mollica at Calderwood Pavilion in Boston and on Tour) by Lynne Weiss

THAT'S WHAT FRIENDS ARE FOR Up-and-coming storyteller Gabe Mollica has brought his "sweet not sappy" 90-minute Solo: A Show About Friendship to Boston after 80 Off-Broadway performances and …

SOURCE: Stage and Cinema at 11:20am on April 17, 2024

Theater Review: THE DROWSY CHAPERONE (Lyric Stage) by Lynne Weiss

FOUR WEDDINGS AND A MUSICAL Adore Broadway musicals? Hate Broadway musicals? Either way, you will love Lyric Stage's flip and frothy production of The Drowsy Chaperone. Director and choreogr…

SOURCE: Stage and Cinema at 1:36pm on April 8, 2024

Concert Review: PATTI LUPONE: A LIFE IN NOTES (Tour) by Lynne Weiss

A NIGHT OF HIGH NOTES The beloved and versatile award-winning musical theater star Patti LuPone delighted those who packed Boston's Symphony Hall last evening with a series of high notes, lo…

SOURCE: Stage and Cinema at 1:13am on April 4, 2024

Cabaret Review: ALAN CUMMING IS NOT ACTING HIS AGE (Tour; Cumming to Broadway on March 25) by Lynne Weiss

CUMMING OR GOING, YOU'LL WANT TO SEE THIS ONE Man of many parts, Alan Cumming discusses life's big issues: death, love, and, yes, the size of his scrotum in Alan Cumming Is Not Acting His Ag…

SOURCE: Stage and Cinema at 10:00pm on March 16, 2024

Theater Review: COST OF LIVING (SpeakEasy Stage Company at Calderwood Pavilion in Boston) by Lynne Weiss

FINDING NEW ABILITIES Cost of Living is full of surprises, and I don't mean inflation or unexpected banking fees. Speakeasy Stage Company brings the Pulitzer-winning play from playwright Mar…

SOURCE: Stage and Cinema at 9:11pm on March 15, 2024
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