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880 stories by "Marianka Swain"

Our Ladies of Perpetual Succour review - 'West End transfer hits all the right notes' by Marianka Swain

Lee Hall's sublimely foul-mouthed choristers storm the Duke of York's TheatreSacred and profane, trivial and profound blissfully combine in this irresistible, Olivier Award-winning…

SOURCE: The Arts Desk at 8:33pm on May 15, 2017

BWW Interview: Matthew Croke On Becoming The New West End Aladdin by Marianka Swain

Following UK tours of West Side Story and Singin' in the Rain, plus several ensemble and understudying roles in shows like Wicked and Grease, Matthew Croke takes on his first West End lead w…

SOURCE: BroadwayWorld at 8:48am on May 12, 2017

BWW Review: SALOME, National Theatre by Marianka Swain

Salome, that dancing seductress who demanded the head of John the Baptist, has been reclaimed by Yael Farber in this new feminist interpretation the RSC stages Oscar Wilde's more familiar ta…

SOURCE: BroadwayWorld at 8:05am on May 10, 2017

CD Review: DREAMGIRLS, Original London Cast Recording by Marianka Swain

The hit West End revival of Dreamgirls is rumoured to be heading over to Broadway next year. In the meantime, fans on both sides of the pond can be content with this excellent double-CD cast…

SOURCE: BroadwayWorld at 11:02am on May 9, 2017

BWW Interview: Edward Fox Talks Betjeman Play SAND IN THE SANDWICHES by Marianka Swain

Edward Fox's stellar stage and screen career ranges from HamletandThe Go-Betweento The Day of the Jackal. He's currently performing one-man John Betjeman play Sand in the Sandwiches, which c…

SOURCE: BroadwayWorld at 11:31am on May 8, 2017

BWW Review: ANGELS IN AMERICA, National Theatre by Marianka Swain

Tony Kushner's landmark two-part play begins at a funeral, with a rabbi solemnly naming a woman's surviving relatives partway through the interminable list of grandchildren, he stops and sig…

SOURCE: BroadwayWorld at 7:31am on May 5, 2017

The Resistible Rise of Arturo Ui review - 'Lenny Henry covers Trump's greatest hits' by Marianka Swain

The Donmar Warehouse targets a modern monster via Brecht's Hitler satire It's a bigly Trump-fest over at the Donmar, with adaptor Bruce Norris determined to make Brecht great again " or…

SOURCE: The Arts Desk at 9:24pm on May 2, 2017

WOYZECK Leads May's Top 10 New London Shows by Marianka Swain

London is never short of theatre temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From new takes on Brecht and Buchner to Jez Butterworth's latest and a cla…

SOURCE: BroadwayWorld at 11:54am on May 2, 2017

BWW Review: THE TREATMENT, Almeida Theatre by Marianka Swain

Martin Crimp's 1993 play feels sharply contemporary in this slick revival from Lyndsey Turner, with its layered deconstruction of the way that we treat both art and life as commodities - and…

SOURCE: BroadwayWorld at 10:36am on April 30, 2017

BWW Interview: Actress Dawn Sievewright Talks OUR LADIES OF PERPETUAL SUCCOUR by Marianka Swain

Lee Hall's Olivier Award-winning stage adaptation of Alan Warner's novelThe Sopranos, about a raucous group of teenage girls in Edinburgh for a choir competition, arrives in the West Endfoll…

SOURCE: BroadwayWorld at 7:18am on April 30, 2017

BWW Review: OBSESSION, Barbican by Marianka Swain

'Everybody wants passion,' says Ivo van Hove in the programme interview for his latest show, but in both tone and aesthetic, his take on this doomed romance is less red-hot fire of ardour, m…

SOURCE: BroadwayWorld at 6:46am on April 26, 2017

BWW Interview: Carrie Hope Fletcher Talks THE ADDAMS FAMILY by Marianka Swain

Carrie Hope Fletcher has starred in numerous musicals, including Les Miserables, Mary Poppins and Chitty Chitty Bang Bang, and has also published two books. She's currently playing Wednesday…

SOURCE: BroadwayWorld at 3:54am on April 25, 2017

BWW Review: THE PHILANTHROPIST, Trafalgar Studios by Marianka Swain

Christopher Hampton's 1969 take on Moliere's The Misanthrope is often played with actors older than their characters, but director Simon Callow has recruited some of TV's bright young things…

SOURCE: BroadwayWorld at 8:25am on April 21, 2017

BWW Interview: Kirsty Bushell On Playing Juliet at Shakespeare's Globe by Marianka Swain

Unusually, actress Kirsty Bushell comes to Juliet later in a stellar career her work includes everything from the title role inSalisbury Playhouse's Hedda GablertoDisgraced at Bush Theatre a…

SOURCE: BroadwayWorld at 10:06am on April 19, 2017

Ticket Sale: 24% Off Tickets For THE MISER by Marianka Swain

Sean FoleydirectsGriff Rhys JonesandLee Mackin an adaptation of Moliere's classic comedyThe Miserat London's Garrick Theatre. Adapted by Foley andPhil Porter,The Miseris the rip-roaring come…

SOURCE: BroadwayWorld at 3:36am on April 14, 2017

BWW Review: AUDRA MCDONALD, Leicester Square Theatre by Marianka Swain

Six-time Tony winner and reigning Queen of Broadway - plus 'Olivier Awardpresenter', jokes partner-in-crime Seth Rudetsky in his introduction though surely that's just a matter of time, with…

SOURCE: BroadwayWorld at 8:06am on April 13, 2017

BWW Review: THE GOAT, OR WHO IS SYLVIA?, Theatre Royal Haymarket by Marianka Swain

The late, great Edward Albee is certainly having a West End 'moment', but it rather places this particular revival at a disadvantage, comparing unfavourably as it does with the shattering, u…

SOURCE: BroadwayWorld at 7:54am on April 6, 2017

Review: Timely revival of "42ND STREET" back at London's Drury Lane Theatre - 33 years later! by Marianka Swain

It's a joy to have the show back after 33 years in the Drury Lane its original London home. The script is secondary to RANDY SKINNER's whopping numbers!

SOURCE: BroadwayWorld at 1:37pm on April 5, 2017

BWW Review: CONSENT, National Theatre by Marianka Swain

Amidst the middle-class small talk between two couples, one reeling from the arrival of a new baby, comes a shocking confession 'I've been raping pensioners.' What kind of monsters are we de…

SOURCE: BroadwayWorld at 7:42am on April 5, 2017

BWW Review: 42ND STREET, Theatre Royal Drury Lane by Marianka Swain

The curtain rises just high enough to reveal a long line of tapping feet a thoroughly appropriate intro, as those feet are the real stars of the show. The plot might centre around a leading …

SOURCE: BroadwayWorld at 6:42pm on April 4, 2017

BWW Review: POSH, Pleasance Theatre by Marianka Swain

When Laura Wade's Posh premiered at the Royal Court in 2010, its dark promise that these destructive student toffs - members of the Riot Club, a loosely fictional version of Oxford's Bulling…

SOURCE: BroadwayWorld at 10:55am on April 4, 2017

ANGELS IN AMERICA Leads April's Top 10 New London Shows by Marianka Swain

London is never short of theatre temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a mammoth Tony Kushner revival to an unusual Romeo and Juliet and tap…

SOURCE: BroadwayWorld at 8:42am on April 4, 2017

BWW Interview: Simon Russell Beale Talks Classical Music and THE SOLDIER'S TALE by Marianka Swain

Alongside a lauded acting career - he will reprise his Prospero when the RSC's The Tempest comes to the Barbican this summer - Simon Russell Beale has retained his passion for classical musi…

SOURCE: BroadwayWorld at 4:06am on April 3, 2017

BWW Review: DON JUAN IN SOHO, Wyndham's Theatre by Marianka Swain

The bad boy is back. Marber's Moliere update, which first appeared at the Donmar Warehouse in 2006, has been revived by the playwright for a West End run - David Tennant succeeding Rhys Ifan…

SOURCE: BroadwayWorld at 10:36am on March 30, 2017

BWW Interview: Playwright Rajiv Joseph On GUARDS AT THE TAJ by Marianka Swain

Rajiv Joseph's plays include Gruesome Playground Injuries, All This Intimacy and the Pulitzer Prize-nominated Bengal Tiger at the Baghdad Zoo. On screen, he's written for TV series Nurse Jac…

SOURCE: BroadwayWorld at 9:31am on March 30, 2017
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