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473 stories by "Mark Lawson"

The Michael McIntyre Chat Show: where did it go wrong? by Mark Lawson

The producers of the comedian's ailing show are clearly trying to revamp it to play to the comedian's strengths. What do Graham Norton and Jonathan Ross have that he doesn't?Last night's thi…

SOURCE: The Guardian at 10:57am on March 25, 2014

Word play: do theatre titles matter? by Mark Lawson

From Urinetown to Cat on a Hot Tin Roof via Other Desert Cities and Betty Blue Eyes " does a title become famous because of a play or a play become famous because (or despite) of its title?O…

SOURCE: The Guardian at 3:30am on March 19, 2014

Is there something rotten in taking Hamlet to North Korea? by Mark Lawson

The Globe's Hamlet tour has been criticised by Amnesty for stopping off at North Korea. But theatre does not always legitimise its hosts " it can be a weapon against oppressionDoubts about t…

SOURCE: The Guardian at 1:38pm on March 11, 2014

The revival of the mid-show walkout by Mark Lawson

Theatregoers are being brought to their feet " but not in a good way " in numbers not seen since the 1950s. But what is provoking today's outraged early exits?Theatrical sound effects have b…

SOURCE: The Guardian at 7:43am on March 5, 2014

Peter Gill: 'Nothing happens unless the middle classes do it' by Mark Lawson

The theatre director and playwright talks to Mark Lawson about his new play, Versailles, which explores the impact of the first world war on one familyTwo of the landmarks in the career of P…

SOURCE: The Guardian at 12:07pm on February 26, 2014

Peter Gill: 'Nothing happens unless the middle classes do it' by Mark Lawson

The theatre director and playwright talks to Mark Lawson about his new play, Versailles, which explores the impact of the first world war on one familyTwo of the landmarks in the career of P…

SOURCE: The Guardian at 12:07pm on February 26, 2014

Musicals we love: London Road by Mark Lawson

In the latest in our series on writers' favourite shows, Mark Lawson explains his potentially controversial choice of this verbatim musical about the Ipswich serial murdersFavourite musicals…

SOURCE: The Guardian at 3:00am on February 10, 2014

Students can read Mogadishu without copying its storyline by Mark Lawson

Parents criticising the use of Vivienne Franzmann's play as a set text forget one thing: Waiting for Godot never caused us to take to the road as trampsThe latest of the periodic spats over …

SOURCE: The Guardian at 8:10am on February 3, 2014

King Lear at the National Theatre: the understudy arises by Mark Lawson

When Paapa Essiedu stepped up at the National Theatre, it was like seeing a football team go on to win after having a star player sent offOne of the pleasures and perils of live theatre is i…

SOURCE: The Guardian at 10:28am on January 27, 2014

Globe's Sam Wanamaker Playhouse casts new light on Jacobean staging by Mark Lawson

As well as creating pools of sweat and candlewax, the 'authentic' theatre shows us how daylight, or lack of it, influenced the writingSome of the best classical music of recent decades has c…

SOURCE: The Guardian at 11:18am on January 20, 2014

From page to stage: the rise of the 'acted book' by Mark Lawson

Adaptations of Hilary Mantel's Wolf Hall and Bring Up the Bodies are running to sell-out audiences at the RSC. Do they disprove the rule that theatre and literature make fractious companions…

SOURCE: The Guardian at 9:00am on January 16, 2014

When Keeley met Sheila … why clashes between stars are a fact of theatre life by Mark Lawson

Keeley Hawes has left the play Barking in Essex early after reported rows with co-star Sheila Hancock. Such creative tensions have always lurked in the wingsAlthough heavily sandbagged with …

SOURCE: The Guardian at 8:08am on January 3, 2014

What we liked in 2013: musical by Mark Lawson

'The Book Of Mormon proved too much for frontline British critics, but a younger audience has made it a huge hit'The Book Of Mormon, a musical that lampoons a faith founded in 19th-century S…

SOURCE: The Guardian at 4:00am on December 28, 2013

Best theatre of 2013, No 7: Ghosts by Mark Lawson

Richard Eyre's production modernised the pacing of Ibsen and in the process made it yet more pertinent to our times' Read Michael Billington's review of Ghosts' Read more from the Best theat…

SOURCE: The Guardian at 6:54am on December 23, 2013

Why this is the West End's Year of the Three Hitlers by Mark Lawson

The appearance of Hitler in Andrew Lloyd Webber's musical Stephen Ward marks the Führer's third on the London stage this year " but his presence is as shocking as everWhen the Vatican suffe…

SOURCE: The Guardian at 1:07pm on December 20, 2013

What's the secret to running a successful regional theatre? by Mark Lawson

The first-season choices of James Dacre, artistic director of Northampton's Royal & Derngate theatres, embody the possibilities and challenges of drawing local theatregoersRunning one of Bri…

SOURCE: The Guardian at 9:06am on December 9, 2013

What's the secret to Morecambe & Wise's staying power? by Mark Lawson

With a new tribute on the West End and a BBC1 documentary, Eric and Ernie rival comedy duos Laurel and Hardy or the Marx Brothers for their afterlife. Why do they continue to inspire?Morecam…

SOURCE: The Guardian at 11:35am on November 26, 2013

Birgitte Sørenson: power player by Mark Lawson

Best known for her role in Danish drama Borgen, Birgitte Sørenson is about to take to the British stage in Coriolanus. She tells Mark Lawson about doing Shakespeare by Skype and bowing ou…

SOURCE: The Guardian at 2:00am on November 26, 2013

How Jewish artists built Broadway by Mark Lawson

A US documentary asserts that the Broadway musical is almost an exclusively Jewish creation. But is it useful to look at art in this way?A US documentary shown in Britain last week advanced …

SOURCE: The Guardian at 10:13am on November 20, 2013

How Jewish artists built Broadway by Mark Lawson

A US documentary asserts that the Broadway musical is almost an exclusively Jewish creation. But is it useful to look at art in this way?A US documentary shown in Britain last week advanced …

SOURCE: The Guardian at 10:13am on November 20, 2013

Why musicals are hard work by Mark Lawson

It might be the artifice, or it might be the egos. But everyone from Bernstein to Simon Gray agrees: musical theatre is a nightmare to produceAlthough Fred Ebb " who wrote the lyrics to John…

SOURCE: The Guardian at 10:30am on November 4, 2013

Regime change at the National Theatre: what next? by Mark Lawson

It was a peaceful transition, but new artistic director Rufus Norris will be bound to impose his preferences on the institutionThe most dramatic event in British theatre last week took place…

SOURCE: The Guardian at 5:50am on October 22, 2013

Doubling the fun? When actors do two for the price of one by Mark Lawson

Actors playing multiple parts is not only an economic necessity " it's huge fun for the audienceAlthough the main business of Handbagged, Moira Buffini's rightly acclaimed new play, is the m…

SOURCE: The Guardian at 11:04am on October 4, 2013

Secrets of the over-70s acting brigade by Mark Lawson

Medical tests, memory loss, exhaustion . . . acting in your 70s (and 80s) is no picnic. But that's not stopping Vanessa Redgrave, James Earl Jones, Sheila Hancock and Derek Jacobi. Mark Laws…

SOURCE: The Guardian at 3:00am on September 18, 2013

Which plays best represent the countries they hail from? by Mark Lawson

Whether it's an Irish Chekhov or an American classic, Mark Lawson finds that boiling down a nation's theatrical tradition to a single work is a difficult businessOne of the panels on the Gre…

SOURCE: The Guardian at 11:33am on September 13, 2013
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