Evan O'Television in Double Negatives
Every cliché of a Fringe Festival offering is on full display in this unfunny, boring one-person show.
Every cliché of a Fringe Festival offering is on full display in this unfunny, boring one-person show.
Never mind the title; David Foley's intriguing new drama is all about the lingering mystery of Lizzie Borden.
There is an embarrassment of riches to be found at Ars Nova with the premiere of playwright Carly Mensch's gorgeous one-act "Now Circa Then."
Two battling sisters anxiously await the return of their prodigal brother, with whom they share a fraught relationship. No, it's not a revival of Lillian Hellman's "Toys in the Attic."
Every nails-on-a-chalkboard cliché inherent in adult actors playing children is in evidence in "Tiny Geniuses," a new comedy about first grade.
Walk like an Egyptian straight past this comically bad revival of Clarinda Karpov's 1989 play.
Elisabeth Gray and a talking oven bring the poet back to lifeTruman Capote once described a sheet of paper he spied in a young woman's typewriter. It read, “Sylvia Plath, I hate you/ A…
Playwrights Horizons reminds us that theater can still make us think
Neil LaBute’s new play has a man finding God (and fame) during an office massacre
Loneliness is my sweet spot; I can’t get enough of things that limn the depths of desperate solitude. The list of really great treatments of lonely people is a surprisingly long one (I…
Chiara Montalto reminds us that theater doesn’t need flash to succeed
The inmates run their own asylum in the dreary ‘Elling’
Have we forgotten what the "Fringe" in Fringe Festival means? Apparently playwright-director Timothy Scott Harris has, because there's nothing fresh, original, or offbeat in his sagging new …
A Fringe Fest transfer sheds its charm in its move uptown
Alaina Kunin and Bradford Proctor have written a funny, hip musical about hormone-addled counselors at Camp Timberlake that has attracted an abnormally talented cast, here displayed to perfe…
This new one-man holiday show has its moments but fails to ignite good cheer in the audience's' heart.
Jonathan A. Goldberg's comedic murder mystery is a refreshingly successful off-the-wall comedy that never overwhelms its flimsy premise.
Writer-director Tim Aumiller's bare-bones staging of his new play is only partly successful.
MilkMilkLemonade gets an Off-Off Broadway remount
Time Stands Still might be getting all the attention for returning to Broadway just months after it premiered last season, but Donald Margulies' play isn't the o...
Pragmatism is no match for vanity in ScreenPlay, a very funny new play about what, exactly, success means.
Surprisingly, for someone who has apparently never written before, Blood From a Stone is an engaging, occasionally amusing and frequently wrenching new drama.
Lincoln Center is currently holding some of Broadway’s brightest talent in a musical prison
How two Jewish New Yorkers went to the Middle East and came back with two musicalsFor most people, e-mails from foreign countries written in broken English are an instant signal to hit delet…
How Rockettes train (and unwind) during the Radio City Christmas Spectacular — The Rockettes may be synonymous with the holiday season, but the high-kicking dancers stay busy throughou…
Forget bowling pins—the members of Cirque Alfonse prefer to juggle heavy-duty cutting tools — “Some things that we were trying to use, like big bear traps or stuff like tha…