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5,590 stories by "Mark Shenton"

One Love: The Bob Marley Musical review at Birmingham Repertory Theatre " 'boldly told' by Mark Shenton

“Let’s get together and feel all right,” is the prominent refrain of Bob Marley’s hit song One Love. It’s also the take-home

SOURCE: The Stage Registration at 4:11am on March 27, 2017

Mark Shenton's week: Time, in a theatre, is an elastic concept by Mark Shenton

Theatre can make you forget time " or be acutely aware of its passing. This was brought into sharp relief for me

SOURCE: The Stage Registration at 2:00am on March 27, 2017

What's Hot in London: March 25"31 by Mark Shenton

What do critics think of An American in Paris on the West End, and will Simon McBurney return to Broadway?

SOURCE: Playbill at 12:00am on March 25, 2017

Sheena Easton: 'I'd sing with snot coming out of my nose and tears in my eyes' by Mark Shenton

Sheena Easton has had quite some professional life, spanning a recording career, live concert artist, TV actor and the Broadway stage. But

SOURCE: The Stage Registration at 10:00am on March 24, 2017

Antony and Cleopatra review at Royal Shakespeare Theatre " 'lumbering and old-fashioned' by Mark Shenton

Antony and Cleopatra, Shakespeare's epic drama of the passionate and violent co-dependent relationship between the Egyptian Queen Cleopatra and Roman power broker

SOURCE: The Stage Registration at 3:57am on March 24, 2017

Mark Shenton's top 10 musical theatre directors by Mark Shenton

Last week I listed my favourite directors of the classics, and today it’s the turn of directors whose work in musicals I

SOURCE: The Stage Registration at 3:00am on March 24, 2017

The Kid Stays in the Picture review at Royal Court, London " 'weary and well-worn' by Mark Shenton

Simon McBurney, whose last solo show for Complicite was the astonishing sensory experience of The Encounter, which cocooned each theatregoer in a

SOURCE: The Stage Registration at 7:59pm on March 23, 2017

Julius Caesar review at Royal Shakespeare Theatre, Stratford-upon-Avon " 'a throwback' by Mark Shenton

The Royal Shakespeare Company launches its Rome season with Julius Caesar, a play I’ve seen twice recently " in Phyllida Lloyd’s remarkable

SOURCE: The Stage Registration at 2:02pm on March 23, 2017

Full Cast Announced for Musical Version of Wind in the Willows by Mark Shenton

Denise Welch, Gary Wilmot, Craig Mather, and Simon Lipkin join the cast of the new musical.

SOURCE: Playbill at 1:42pm on March 23, 2017

Christopher Wheeldon: 'I'd never directed, so An American in Paris was a leap of faith' by Mark Shenton

Christopher Wheeldon trained as a child at the Royal Ballet School and then graduated to join the Royal Ballet at 18, before

SOURCE: The Stage Registration at 6:00am on March 23, 2017

Mark Shenton: When does a commercial partnership tip into selling out for a subsidised theatre? by Mark Shenton

I know times are tough, and with standstill public subsidies theatres need to be creative when it comes to doing the work

SOURCE: The Stage Registration at 3:00am on March 23, 2017

Stage Version of The Kite Runner to Return to West End by Mark Shenton

The hit stage version of the best-selling novel will have a second London run at the Playhouse Theatre.

SOURCE: Playbill at 9:40am on March 22, 2017

Ian McKellen Solo Show, Shakespeare, Tolkien, Others & You, Will Play London's Park Theatre by Mark Shenton

The production will raise money for the theatre.

SOURCE: Playbill at 9:32am on March 22, 2017

Mark Shenton: If subsidised theatre isn't diverse, then who is it for? by Mark Shenton

Theatre, like society itself, is in a constant state of flux, and it goes without saying that we are living in changing

SOURCE: The Stage Registration at 3:00am on March 22, 2017

An American in Paris review at Dominion Theatre, London " 'an instant classic' by Mark Shenton

Hot on the heels of Matthew Bourne’s adaptation of the 1948 dance film The Red Shoes as a new narrative ballet comes

SOURCE: The Stage Registration at 7:00pm on March 21, 2017

An American in Paris Opens in London by Mark Shenton

The award-winning production makes its official West End bow March 21.

SOURCE: Playbill at 12:00am on March 21, 2017

Love in Idleness review at the Menier Chocolate Factory, London " 'pitch-perfect' by Mark Shenton

Last year the National revived Rattigan’s bleakly stunning masterpiece The Deep Blue Sea, in which the reservoirs of pain caused by unrequited

SOURCE: The Stage Registration at 7:30pm on March 20, 2017

Mark Shenton's week: Theatrical synchronicity is all around us by Mark Shenton

This time last week I was remarking on the coincidence of seeing the Almeida Theatre’s new Hamlet and Tom Stoppard’s Rosencrantz and

SOURCE: The Stage Registration at 3:00am on March 20, 2017

Ivo van Hove's Roman Tragedies review at the Barbican Theatre, London " 'relentless' by Mark Shenton

Seven years after it was first seen at the Barbican, Ivo van Hove’s astonishing distillation of three of Shakespeare’s Roman plays into

SOURCE: The Stage Registration at 7:11am on March 18, 2017

What's Hot in London: March 18"24 by Mark Shenton

The Edinburgh festival announces its international program, and over 40 theatres band together to defend a critic.

SOURCE: Playbill at 12:00am on March 18, 2017

Mark Shenton's top 10 classical directors by Mark Shenton

David Hare recently railed against European directors who “distort” classic plays in a way that is beginning, he said, to infect British

SOURCE: The Stage Registration at 3:00am on March 17, 2017

The Frogs review at Jermyn Street Theatre, London " 'considerable gusto and charm' by Mark Shenton

Here’s a real musical rarity. Sondheim and Burt Shevelove had a big 1960s Broadway and West End hit with A Funny Thing

SOURCE: The Stage Registration at 6:00pm on March 16, 2017

Casting Announced for London Summer Revival of On the Town by Mark Shenton

Danny Mac, Fred Haig, and Jeremy Taylor will star as, respectively, Gabey, Chip, and Ozzie.

SOURCE: Playbill at 9:59am on March 16, 2017

Pete Townshend Writes New Songs for U.K. Touring Production of The Who's Tommy by Mark Shenton

The new production stars original cast member Peter Straker as the Acid Queen.

SOURCE: Playbill at 9:37am on March 16, 2017

La Cage Aux Folles review, New Wimbledon Theatre, London " 'blissful, razor-sharp choreography' by Mark Shenton

This Broadway musical, based on a French stage farce, caused a revolution when it first premiered in 1983. A family entertainment that

SOURCE: The Stage Registration at 6:35am on March 16, 2017
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