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1,498 stories by "Matt Wolf"

Tom Conti on Getting a Rush From London's Twelve Angry Men & Losing Track of His Tony Award by Matt Wolf

It’s been 35 years since Tom Conti won a Tony Award for his career-defining performance in Whose Life Is It Anyway?, followed five years later by his Oscar-nominated star turn in Reube…

SOURCE: Broadway.com at 10:03am on May 15, 2014

West End Star Jon Jon Briones on His 25-Year Journey in Miss Saigon, From Ensemble Member to Engineer by Matt Wolf

It’s been a quarter of a century since Miss Saigon first opened on the West End, starring Lea Salonga, Jonathan Pryce and an unknown Filipino man named Jon Jon Briones in the ensemble.…

SOURCE: Broadway.com at 2:59pm on May 7, 2014

London Datebook: Miss Saigon Lands, Fiona Shaw Makes Waves & a West End Pajama Party by Matt Wolf

Two major musical revivals—a modern British classic and an enduring American one—would already mark out May as a big month for London theater. Add in star turns by two Tony-nomin…

SOURCE: Broadway.com at 6:26pm on May 5, 2014

Tony Awards nominations: Daniel Radcliffe misses out again by Matt Wolf

Comment: Brits are on the sidelines in the Tony Awards nominations, finds Matt Wolf

SOURCE: The Telegraph at 1:06pm on April 29, 2014

Theater Review: In the Eye of the Information Age by Matt Wolf

Personal and public lives are exposed in the London plays "Privacy" and "Handbagged."

SOURCE: The New York Times Subscription at 9:37am on April 29, 2014

The Silver Tassie, National Theatre by Matt Wolf

"I don't think it makes a good play, but it's a remarkable one," Sean O'Casey famously remarked of The Silver Tassie, his late-1920s drama about the depredations of war, and how simultaneous…

SOURCE: The Arts Desk at 5:15am on April 24, 2014

Leigh Zimmerman on a Fantasy Catfight, Getting Scolded by Madonna and Being More Than a Greedy Bitch in London's Relative Values by Matt Wolf

Leigh Zimmerman is known for her leggy allure on both sides of the Atlantic, having starred on either the West End or on Broadway (and sometimes both) in Chicago, The Producers and The Will …

SOURCE: Broadway.com at 1:58pm on April 23, 2014

Leigh Zimmerman on Getting Scolded by Madonna and Playing a Diva in London's Relative Values by Matt Wolf

Leigh Zimmerman is known for her leggy allure on both sides of the Atlantic, having starred in either the West End or on Broadway (and sometimes both) in Chicago, The Producers and The Will …

SOURCE: Broadway.com at 1:58pm on April 23, 2014

A View From the Bridge, Young Vic by Matt Wolf

What is it with the London theatre and this particular Arthur Miller play? In 1987, Michael Gambon reached a career-best peak playing the Italian-American longshoreman, Eddie Carbone, in a d…

SOURCE: The Arts Desk at 3:18am on April 18, 2014

Theater Review: Dysfunction Rules Royalty Onstage by Matt Wolf

From "King Charles III" to a Noel Coward revival, new productions in London dissect the vagaries of class.

SOURCE: The New York Times Subscription at 8:35am on April 17, 2014

Martin Quinn on Why the West End Vampire Thriller Let the Right One In Is Like a Backwards Peter Pan by Matt Wolf

Stage debuts don’t come much more striking than that of 19-year-old Scotsman Martin Quinn, who plays the put-upon Oskar in Let the Right One In. Helmed by Tony winner John Tiffany…

SOURCE: Broadway.com at 2:22pm on April 16, 2014

Olivier Awards 2014: Mormons, Ghosts, and Chimerica by Matt Wolf

Gavin Creel licked his trophy in delight, Zrinka CviteÅ¡ić spoke of making Croatian history, and Sharon D Clarke let out an exultant "wow" from the podium that was surely heard well be…

SOURCE: The Arts Desk at 4:14am on April 14, 2014

Bullets over Broadway review: shooting too many blanks by Matt Wolf

Broadway adaptation of Woody Allen film is hard-edged and charmless

SOURCE: The Telegraph at 11:00pm on April 10, 2014

Samantha Bond on Visiting Downton & Her Disastrous Audition for London's Dirty Rotten Scoundrels by Matt Wolf

Samantha Bond was a Tony nominee for Amy’s View, played Moneypenny in the Bond (no relation) films, and appeared in Downton Abbey as Lady Rosamund—but only now is the 52-year-old…

SOURCE: Broadway.com at 3:10pm on April 9, 2014

The Realistic Joneses, Lyceum Theatre, New York, review by Matt Wolf

TV stars shines in poignant new Broadway play    

SOURCE: The Telegraph at 2:00am on April 7, 2014

A Raisin in the Sun, review: 'stirring' by Matt Wolf

Denzil Washington shrugs off his 59 years to play a young chauffeur in the stirring A Raisin in the Sun, says Matt Wolf    

SOURCE: The Telegraph at 11:00pm on April 3, 2014

London Datebook: Noel Coward, The Kinks and John Lloyd Young Make Waves Across the Pond by Matt Wolf

London theater is busier than ever with a major reopening of a West End playhouse jostling for attention with eagerly awaited revivals (from the likes of Shakespeare, Sean O’Casey, and…

SOURCE: Broadway.com at 5:15pm on April 3, 2014

Theater Review: The Many Fortunes of Angela Lansbury by Matt Wolf

The actress brings a new vigor to Madame Arcati in "Blithe Spirit," while "Fatal Attraction" suffers from stilted language and holes in the plot.    

SOURCE: The New York Times Subscription at 9:23am on April 1, 2014

Olivier Winner Clare Higgins on Thinking Like an American in London's Other Desert Cities by Matt Wolf

Clare Higgins needs no introduction as one of Britain’s finest actresses, having won three Olivier Awards, as well as a 2003 Tony nod for her Broadway debut in Nicholas Wright's Vi…

SOURCE: Broadway.com at 11:35am on March 26, 2014

Broadway and West End Star John Lloyd Young Doesn't Want an Oscar for the Jersey Boys Movie by Matt Wolf

John Lloyd Young needs no introduction as the defining Frankie Valli in Jersey Boys, the international musical smash hit in which he has been starring off and on for almost nine years. He wo…

SOURCE: Broadway.com at 2:04pm on March 19, 2014

Theater Review: Off the West End, New Battles of the Sexes by Matt Wolf

Three plays explore the travails of a former, a current and a yet-to-be couple: "Good People," "The One" and "Variation on a Theme."    

SOURCE: The New York Times Subscription at 11:39am on March 19, 2014

Charles Edwards on Downton Abbey Buzz, His J-Law Moment & Learning From Angela Lansbury in London's Blithe Spirit by Matt Wolf

Charles Edwards has quietly but firmly asserted himself as one of the finest English actors of his generation, moving from London and Broadway runs in The 39 Steps, to National Theatre stint…

SOURCE: Broadway.com at 12:21pm on March 13, 2014

Urinetown, St James Theatre by Matt Wolf

It's tempting with this show less to write a review per se than to simply pile on the puns, but that would be to piss on - sorry, I meant do a disservice to - both the musical that is U…

SOURCE: The Arts Desk at 8:36pm on March 11, 2014

Richard Fleeshman on Dating Samantha Barks & Grossing Out Brits in Urinetown's London Premiere by Matt Wolf

While Richard Fleeshman still considers himself new to the musical theater scene, the 24-year-old actor is racking up quite a list of credits, including Legally Blonde in the West End, and t…

SOURCE: Broadway.com at 3:21pm on March 5, 2014

Theater Review: Heartaches on the Home Front by Matt Wolf

"Versailles" explores loss during World War I, while despair and frustration are the main themes in "A Taste of Honey" and "The Full Monty."    

SOURCE: The New York Times Subscription at 7:45am on March 4, 2014
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