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1,498 stories by "Matt Wolf"

Filumena, Almeida Theatre by Matt Wolf

If it's possible to take a loving and empathic approach to decidedly intractable material, the director Michael Attenborough achieves precisely that with Filumena, in which Samantha Spi…

SOURCE: The Arts Desk at 10:02pm on March 24, 2012☆⚑

RSC directorship goes to odds-on favourite by Matt Wolf

Gregory Doran was today named the incoming artistic director of the Royal Shakespeare Company, where he will succeed Michael Boyd in the post later this year. The announcement came as no sur…

SOURCE: The Arts Desk at 9:37am on March 22, 2012☆⚑

Broadway Vet Charles Edwards on Following Colin Firth in the West End Premiere of The King's Speech by Matt Wolf

It’s not easy following in the steps of an Oscar winner like Colin Firth, but the gifted Charles Edwards, who will take the stage beginning March 22 as stuttering monarch George VI in …

SOURCE: Broadway.com at 2:32pm on March 21, 2012☆⚑

Theater Review: The National Theatre's Global Flair by Matt Wolf

The theater offers up a revival from Trinidad and another visit from some contentious Australians.

SOURCE: The New York Times Subscription at 11:33am on March 20, 2012☆⚑

Stephen Sondheim's Company crosses the pond to a cinema near you by Matt Wolf

Phone rings, door chimes, in comes Company, this time sporting surround sound and high definition and at a cinema near you. Tonight marks a rare opportunity to see a New York gala - the sort…

SOURCE: The Arts Desk at 8:00pm on March 14, 2012☆⚑

One Man, Two Guvnors, Theatre Royal Haymarket by Matt Wolf

Was it the players, or the play, that has made a phenomenon out of One Man, Two Guvnors, the prize-winning comedy now on its third London theatre and preparing to hop the pond to Broadway ne…

SOURCE: The Arts Desk at 1:30am on March 14, 2012☆⚑

Theater: Two London Plays, One Beautiful and One Brazen, Explore Cruelty by Matt Wolf

Richard Nelson's "Farewell to the Theatre" and Mike Leigh's "Abigail's Party" are studies in cruelty, the first among a group of expatriates on a U.S. college campus and the second at a cock…

SOURCE: The New York Times Subscription at 11:55am on March 13, 2012☆⚑

Theater Review: Noël Coward, Gloriously Revived by Matt Wolf

The master's "Hay Fever" is a triumph, and, with a play called "Goodbye to All That," a new wise writer emerges.

SOURCE: The New York Times Subscription at 2:21pm on March 6, 2012☆⚑

In New York we're starved of plays, says Stephen Sondheim by Matt Wolf

The master of the modern musical adores London, a city he first visited in 1952, and it's safe to say that the capital more than repays Stephen Sondheim's affections. The veteran Broadway co…

SOURCE: This Is London at 4:25pm on February 29, 2012☆⚑

Dean Chisnall on Going Green as the New West End Star of Shrek the Musical by Matt Wolf

Dean Chisnall, 29, a regular West End presence in the six years since he left West London’s Arts Educational drama school, is now stepping into the title role in Shrek the Musical at t…

SOURCE: Broadway.com at 3:11pm on February 29, 2012☆⚑

Brava Maria! Tyne Daly on Savoring Her West End Stage Debut as Maria Callas in Master Class by Matt Wolf

Tyne Daly has won a Tony Award and multiple Emmys and interspersed her TV renown with stage work in the classics (The Seagull), musicals (Gypsy), and new plays (Rabbit Hole). Now she has add…

SOURCE: Broadway.com at 5:18pm on February 22, 2012☆⚑

Theater Review: In London, Unhappiness and Foul Weather Make for Great Theater by Matt Wolf

"Absent Friends'' mines its characters' woes for laughter and pathos, while another revival of "Singin' in the Rain'' leaves audiences damp, but delighted.

SOURCE: The New York Times Subscription at 12:05pm on February 21, 2012☆⚑

West End Wicked Vet Oliver Tompsett on Why Rock of Ages Is the Most Challenging Musical Ever by Matt Wolf

Oliver Tompsett made his West End debut in the Madness musical Our House before moving on to Mamma Mia! and a long run as Fiyero in Wicked. The engaging 30-year-old is now getting the vocal …

SOURCE: Broadway.com at 11:51am on February 15, 2012☆⚑

Wicked Vet Dianne Pilkington on Getting Diva Training from Tyne Daly in London's Master Class by Matt Wolf

Dianne Pilkington enjoyed a long and acclaimed West End run as Glinda in Wicked and starred as Amalia in last year’s Chichester Festival revival of She Loves Me, with a stint in The 39…

SOURCE: Broadway.com at 12:59pm on February 8, 2012☆⚑

Theater Review: Along the London Stage's Intimate Edges by Matt Wolf

In "Outward Bound" and "The House of Bernarda Alba," emotions play big at some smaller theaters.

SOURCE: The New York Times Subscription at 12:20pm on February 7, 2012☆⚑

Ramin Karimloo on Trading the Phantom's Mask to Play Jean Valjean in London's Les Miserables by Matt Wolf

Ramin Karimloo spent many years wearing the most famous of musical theater masks, first in The Phantom of the Opera and then its sequel, Love Never Dies, for which he received an Olivier Awa…

SOURCE: Broadway.com at 1:19pm on February 1, 2012☆⚑

The House of Bernarda Alba by Matt Wolf

No one can exactly accuse Federico Garcia Lorca's 1936 play of falling into neglect. From Howard Davies's National Theatre revival to this latest reclamation by the Almeida, The House of Ber…

SOURCE: The Arts Desk at 10:44am on January 27, 2012☆⚑

Siobhan Dillon on Winning Her Dream West End Role in the Haunting Hit Ghost by Matt Wolf

Siobhan Dillon has spent a busy few years on West End stages, first in Grease and then as Elle Woods’ rival Vivienne in Legally Blonde. Now she has signed on for a yearlong run as the …

SOURCE: Broadway.com at 2:47pm on January 25, 2012☆⚑

Siobhon Dillon on Winning Her Dream West End Role in the Haunting Hit Ghost by Matt Wolf

Siobhan Dillon has spent a busy few years on West End stages, first in Grease and then as Elle Woods’ rival Vivienne in Legally Blonde. Now she has signed on for a yearlong run as the …

SOURCE: Broadway.com at 2:47pm on January 25, 2012☆⚑

Theater Review: Long Day's Journey Into Crushing Irony by Matt Wolf

Reviews of the London plays "Constellations," "The Art of Concealment" and "Travelling Light.''

SOURCE: The New York Times Subscription at 12:29pm on January 24, 2012☆⚑

Tony Nominee Adam Cooper on His Leap from Ballet to Musicals in London's Singin' in the Rain by Matt Wolf

It’s been more than a dozen years since Adam Cooper stormed Broadway as the Swan in Matthew Bourne’s sexy, stylish, revisionist Swan Lake, earning a 1999 Tony nomination for Best…

SOURCE: Broadway.com at 1:19pm on January 18, 2012☆⚑

Oliver Chris on His Hilarious Star Turn (and Upcoming Broadway Debut) in the London Hit One Man, Two Guvnors by Matt Wolf

Not everyone gets to make a West End splash as a lovesick, poshly spoken, faintly dimwitted chap who also happens to be wildly hairy and vaguely masochistic. “I, too, enjoy pain,&rdquo…

SOURCE: Broadway.com at 3:23pm on January 11, 2012☆⚑

Theater Review: Finding Comedy Amid the Carnage by Matt Wolf

In several recent London productions, any jolliness on view moves very much toward murder or darkness " or everlasting hell.

SOURCE: The New York Times Subscription at 11:36am on January 10, 2012☆⚑

Eddie Redmayne on His London Stage Triumph in Richard II and Climbing the Barricades on Film in Les Miserables by Matt Wolf

Just over two years ago, Eddie Redmayne opened at London’s cozy Donmar Warehouse as the assistant to artist Mark Rothko (Alfred Molina) in John Logan’s Red, a performance that wo…

SOURCE: Broadway.com at 4:04pm on January 4, 2012☆⚑

London Stage Roundup: The Top Five Shows of 2011 by Matt Wolf

This was a year on the London stage in which Shakespeare often appeared twice over (with two productions each of Much Ado About Nothing, The Tempest, The Comedy of Errors and Richard III), a…

SOURCE: Broadway.com at 12:44pm on December 28, 2011☆⚑
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