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2,436 stories by "Michael Billington"

Love's Labour's Lost / Much Ado About Nothing review " oh, what a lovely war by Michael Billington

Theatre Royal Haymarket, London Christopher Luscombe's double dose of comedies begins elegantly, but when Lisa Dillon and Edward Bennett let fly in Much Ado, it becomes a festive romp3/5 an…

SOURCE: The Guardian at 1:18pm on December 18, 2016

Mary Stuart review " Juliet Stevenson and Lia Williams are mirror-image monarchs by Michael Billington

Almeida, LondonSharing the roles of Elizabeth and her Scottish cousin, Stevenson and Williams are a pleasure to watch but Robert Icke's production lacks subtlety elsewhereJuliet Stevenson an…

SOURCE: The Guardian at 8:36am on December 16, 2016

Cinderella review " Julian Clary unleashes a tsunami of smut by Michael Billington

London PalladiumPaul O'Grady, Nigel Havers and Amanda Holden are among the stars in an outrageous and deeply knowing pantomimeWith Paul O'Grady and Julian Clary in the leads, pantomime pitch…

SOURCE: The Guardian at 9:54am on December 15, 2016

Love review " engrossing homelessness drama leaves us enraged by Michael Billington

Dorfman theatre, LondonAlexander Zeldin's devised piece depicts the endurance and needless suffering of two families living in temporary accommodationIn Beyond Caring, Alexander Zeldin creat…

SOURCE: The Guardian at 7:42am on December 14, 2016

Hedda Gabler review " Ruth Wilson lets loose Ibsen's demons by Michael Billington

Lyttelton, London Ruth Wilson superbly conveys the desolation of Ibsen's ahead-of-her-time aesthete in Ivo van Hove's invigorating modern-dress versionThe extraordinary Ruth Wilson stars in …

SOURCE: The Guardian at 7:36am on December 13, 2016

Mother Goose review " there is nothing like a dame played by Roy Hudd by Michael Billington

Wilton's Music Hall, LondonThe veteran comic is the chief delight of a warm-hearted production mixing morality, melodrama and magicIt's been a vintage year for 80-year-olds in the British th…

SOURCE: The Guardian at 7:42am on December 12, 2016

The Screwtape Letters review " a hell of a disappointment by Michael Billington

Park theatre, LondonThis adaptation of CS Lewis's collection of sardonic letters from a senior to a junior devil is excessively and noisily theatricalThe big question is whether CS Lewis's 1…

SOURCE: The Guardian at 10:48am on December 11, 2016

Mary Stuart " review by Michael Billington

New Diorama, London"Our aim," says Mark Leipacher, director of the young Faction company, "is to create big, bold, bombastic theatre with limited resources." I'm not sure about bombastic; on…

SOURCE: The Guardian at 5:24am on December 11, 2016

Wild Honey review " Frayn finds the farce in Chekhov's comic despair by Michael Billington

Hampstead theatre, LondonMichael Frayn excavates Chekhov's six-hour drama, written when he was 20, for this bittersweet comedy about a schoolteacher torn between romantic rivalsIt is strange…

SOURCE: The Guardian at 8:04am on December 9, 2016

​She Loves Me review " witty and seductive musical is an old-world delight by Michael Billington

Menier Chocolate Factory, London The cult 1960s show lives up to its Broadway pedigree and the performances are perfectly pitched in this skilful, intimate staging "This may be the best prod…

SOURCE: The Guardian at 8:02am on December 8, 2016

Once in a Lifetime review " Harry Enfield is a legit hit in Hollywood satire by Michael Billington

Young Vic, LondonPlaying a studio mogul at the dawn of the talkies, Enfield makes an assured theatre debut but this production puts visual bravura before verbal precisionHarry Enfield, as we…

SOURCE: The Guardian at 9:02am on December 7, 2016

Michael Billington's top 10 theatre of 2016 by Michael Billington

Glenda Jackson ruled as Lear and Harry Potter left the West End spellbound but a three-hour drama in an empty cinema tops our critic's pick of the year's theatreMore on the best culture of 2…

SOURCE: The Guardian at 2:31am on December 6, 2016

Peter Pan review " spirited exuberance with a touch of sadness by Michael Billington

Olivier, London Sally Cookson's inventive playfulness reinforces the hero's devotion to fun and games but remains true to the melancholy spirit of JM Barrie's playJM Barrie's play is an obli…

SOURCE: The Guardian at 7:42am on December 4, 2016

The Seven Acts of Mercy review "  Caravaggio has a brush with Bootle by Michael Billington

Swan theatre, Stratford-upon-AvonAnders Lustgarten's play pits the biblical morality of an Italian masterpiece against the cruelty of current housing policies with ingenuity and humourAnders…

SOURCE: The Guardian at 7:24am on December 2, 2016

Buried Child review " Ed Harris is brutally compelling in Sam Shepard's dark drama by Michael Billington

Trafalgar Studios, LondonHarris impresses as a whiskey-soaked old wreck in Shepard's gothic story of loveless inertia and poisonous guilt in a dysfunctional familyIt is good to see Hollywood…

SOURCE: The Guardian at 6:24pm on December 1, 2016

This House five-star review " James Graham's thrilling political play returns by Michael Billington

Garrick, LondonGraham captures the daily machinations of politics, and raises questions about our current parliamentary system, in this account of Labour's 1970s strugglesIt has taken four y…

SOURCE: The Guardian at 6:48pm on November 30, 2016

Sheppey review " Somerset Maugham's benign barber still cuts a radical figure by Michael Billington

Orange Tree, Richmond Maugham's 1933 play " about a man whose charitable giving horrifies his family " beautifully skewers the self-interestedness of society then and nowSomerset Maugham is …

SOURCE: The Guardian at 8:42am on November 29, 2016

After October review " all the pathos of Rodney Ackland's struggling playwright by Michael Billington

Finborough, London Oscar Toeman directs Rodney Ackland's most autobiographical work, which painfully records the reckless optimism that accompanies any theatrical ventureTime has lent a pati…

SOURCE: The Guardian at 8:24am on November 28, 2016

Nice Fish review " Mark Rylance reels them in with kooky comedy by Michael Billington

Harold Pinter theatre, LondonRylance plays a goofball novice on an ice-fishing trip in a play that feels derivative and slides into absurdismMark Rylance and Louis Jenkins have fashioned a p…

SOURCE: The Guardian at 6:42pm on November 25, 2016

The Children review " Kirkwood's slow-burning drama asks profound questions by Michael Billington

Royal Court, LondonFrancesca Annis, Ron Cook and Deborah Findlay give fine performances in a post-apocalyptic play that is genuinely disturbingLucy Kirkwood astonished us in 2013 with the ep…

SOURCE: The Guardian at 7:12am on November 25, 2016

In an era of global musicals, Half a Sixpence is distinctly British by Michael Billington

A refurbished version of the 1963 Tommy Steele vehicle has opened in the West End and joins a string of stellar homegrown hitsIt is an odd, but intriguing, fact that Oh! What a Lovely War an…

SOURCE: The Guardian at 5:12am on November 23, 2016

Beyond Hamilton: five shows Pence and Trump should see together by Michael Billington

Following the hip-hop musical's special message to the US vice-president elect, here's a selection of great American shows that could enlighten him and his bossEveryone knows what happened w…

SOURCE: The Guardian at 7:06am on November 21, 2016

The Tempest review " Beale's superb Prospero haunts hi-tech spectacle by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonFears that digital technology would upstage the actors are scotched in this RSC production starring Simon Russell BealeSimon Russell Beale's ret…

SOURCE: The Guardian at 11:06am on November 18, 2016

The Sewing Group review " power struggles of the quilt makers by Michael Billington

Royal Court, LondonIn EV Crowe's teasing tale, the suspicion and rebellion among rural women in 1700s England lead to troubling questions about the modern worldEV Crowe tends to write about …

SOURCE: The Guardian at 10:12am on November 17, 2016

Rumpy Pumpy! review " WI's brave sex crusaders trivialised by lewd jokes and crass songs by Michael Billington

Union theatre, LondonThe story of Women's Institute members fighting to decriminalise sex work did not deserve the Carry On treatmentThere is a good show to be written about the 10-year camp…

SOURCE: The Guardian at 10:18am on November 16, 2016
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