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2,436 stories by "Michael Billington"

Best Shakespeare productions: what's your favourite Henry VIII? by Michael Billington

The play that burned down the Globe theatre in 1613, after a stage cannon ignited the thatch, is a potent farewell to this seriesIt seems strange to end this series of favourite Shakespeare …

SOURCE: The Guardian at 12:28pm on September 29, 2016

Floyd Collins review " subterranean homesick bluegrass in sentimental satire by Michael Billington

Wilton's Music Hall, LondonThere are some striking performances in this musical about an explorer stuck underground, but too many of the lyrics are incomprehensibleA musical about a hero tra…

SOURCE: The Guardian at 8:06am on September 29, 2016

Battlefield review " Peter Brook's return to the Mahabharata is breathtaking by Michael Billington

Young Vic, LondonThe director's new work based on the ancient text is one of aesthetic beauty and great skill, if less convincing as a parable of our times Three decades ago, Peter Brook's p…

SOURCE: The Guardian at 11:26pm on September 28, 2016

The Libertine review " Dominic Cooper is riveting as rakish hero by Michael Billington

Theatre Royal Haymarket, LondonCooper commands the stage as the Restoration rebel John Rochester in Stephen Jeffreys' portrait of debauchery and self-destructionDominic Cooper follows in the…

SOURCE: The Guardian at 6:55pm on September 27, 2016

Imogen review " Globe unleashes sex, drugs and gang warfare on Cymbeline by Michael Billington

Shakespeare's Globe, London EastEnders actor Maddy Hill brings gutsy toughness as the heroine of this refocused Shakespeare adaptation, but Matthew Dunster's violent setting seems at odds wi…

SOURCE: The Guardian at 8:50am on September 25, 2016

Twelve Angry Men " review by Michael Billington

Garrick, London This 1950s courtroom drama is an efficient piece of entertainment but is beginning to show its ageReginald Rose's script has had an incredibly long life. It first surfaced on…

SOURCE: The Guardian at 3:28am on September 25, 2016

Father Comes Home from the Wars review " gripping African-American epic by Michael Billington

Royal Court, LondonPerformed by an excellent cast, Suzan Lori-Parks's trilogy about the US civil war is riddled with Homeric allusions and seamlessly incorporates songs into the action Relat…

SOURCE: The Guardian at 8:14am on September 23, 2016

Miss Saigon review - an old tale put across with exemplary vigour by Michael Billington

Prince Edward theatre, LondonThe opposing forces of communism and capitalism carry strange visual echoes in this production by Laurence ConnorSo how does Boublil and Schönberg's musical sta…

SOURCE: The Guardian at 12:33am on September 23, 2016

Good Canary review " Malkovich makes addiction drama dazzle by Michael Billington

Rose, KingstonJohn Malkovich's immaculately staged version of Zach Helm's clever play about drug dependency and genius doesn't quite escape its sentimental conclusion John Malkovich is renow…

SOURCE: The Guardian at 7:19am on September 22, 2016

Theatre review: Waiting for Godot / Theatre Royal, Haymarket by Michael Billington

Theatre Royal HaymarketIt's a sign of how much our theatre has changed that Beckett's masterpiece, once seen as a subversion of West End theatre, now occupies one of its iconic temples. But …

SOURCE: The Guardian at 8:56pm on September 20, 2016

No Man's Land review " McKellen and Stewart capture the contrasts of Pinter's masterwork by Michael Billington

Wyndham's theatre, LondonSean Mathias's production shows the comedy and bleakness in the story of a pub potman invited to a writer's luxurious homeWhen Ian McKellen and Patrick Stewart joine…

SOURCE: The Guardian at 6:44pm on September 20, 2016

Paradise of the Assassins review " ancient fable questions modern faith and politics by Michael Billington

Tara theatre, LondonTara's new theatre is an enticing venue for this adaptation of a medieval tale, with topical lessons, about lovers manipulated by religious ideology This vital multicultu…

SOURCE: The Guardian at 11:40am on September 20, 2016

Who's Afraid of Virginia Woolf? review " marital battle is a metaphor for America by Michael Billington

Theatre Royal, BathClare Higgins and Tim Pigott-Smith trade blows with relish, but Adrian Noble's revival brings little fresh insight to Albee's classicWhen Peter Hall ran the Bath summer se…

SOURCE: The Guardian at 12:13am on September 19, 2016

Things I Know to Be True review " a blinkered view of family affairs by Michael Billington

Lyric HammersmithThis strongly cast British/Australian collaboration is a pleasure to watch but glibly assumes the strains of domestic life are the same the world overThe fraught family has …

SOURCE: The Guardian at 11:23am on September 18, 2016

Who's Afraid of Virginia Woolf? is a misunderstood masterpiece by Michael Billington

The film, starring Elizabeth Taylor and Richard Burton, led Edward Albee's play to be remembered as a boozy marital slugfest. But it is as much about America itselfEdward Albee occasionally …

SOURCE: The Guardian at 7:57am on September 18, 2016

Harold Pinter and the Hackney gang by Michael Billington

A new tranche of Harold Pinter's letters, written to lifelong friends, has been made public. We take a first glimpseHarold Pinter was a born letter writer. In later years his commu…

SOURCE: The Guardian at 9:00am on September 17, 2016

Who's Afraid of Virginia Woolf?, Apollo, London by Michael Billington

Apollo, LondonTruth versus illusion is the great theme of American drama: think of O'Neill, Miller and Williams. And, since it lies at the core of Edward Albee's ritualistic 1962 drama, it i…

SOURCE: The Guardian at 9:00am on September 17, 2016

The Goat or Who Is Sylvia?, Almeida, London by Michael Billington

Almeida, LondonTragedy, we are often told, is dead: an impossibility in an age that believes all problems are socially remediable. But Edward Albee has boldly defied convention by writing an…

SOURCE: The Guardian at 11:20pm on September 16, 2016

The Rover review " the RSC's randy fiesta is laced with innuendo by Michael Billington

The Swan, Stratford-upon-AvonA cavalier meets his match among strong women in Loveday Ingram's carnivalesque production of Aphra Behn's 17th-century comedyAphra Behn is acclaimed as the firs…

SOURCE: The Guardian at 8:09am on September 16, 2016

Theatre review: A Streetcar Named Desire | Donmar, London by Michael Billington

Donmar, LondonTennessee Williams's play is so inexhaustible that it is always worth seeing. With Rachel Weisz playing Blanche DuBois there is also no doubt this production will be a popular …

SOURCE: The Guardian at 6:58am on September 14, 2016

A Streetcar Named Desire review " Gillian Anderson gives stellar performance by Michael Billington

Young Vic, LondonAlthough this modern update of Tennessee Williams's play isn't always plausible, this is a powerful production'Anderson is utterly compelling' " Susannah Clapp's reviewAmeri…

SOURCE: The Guardian at 11:27pm on September 13, 2016

A Streetcar Named Desire review " a superb and tragic spectacle | Michael Billington by Michael Billington

Royal Exchange, ManchesterMaxine Peake excels as Blanche Dubois in a nightmarish production of the Tennessee Williams classicMaxine Peake is not automatic casting for the role of Blanche Dub…

SOURCE: The Guardian at 8:08pm on September 13, 2016

Jess and Joe Forever review " shades of Salinger in tale of adolescent uncertainty by Michael Billington

Orange Tree, RichmondZoe Cooper's skilful and touching account of an unlikely teenage friendship brings to mind The Catcher in the Rye Zoe Cooper's play, co-produced with Farnham Maltings an…

SOURCE: The Guardian at 11:40am on September 13, 2016

A Streetcar Named Desire, National Theatre, London by Michael Billington

National Theatre, LondonYou can see Tennessee Williams's Blanche DuBois in one of two ways: as an embodiment of the poetic spirit destroyed by crude reality or as a southern snob tragically …

SOURCE: The Guardian at 9:22am on September 13, 2016

The Dover Road review " AA Milne comedy pooh-poohs romantic love by Michael Billington

Jermyn Street theatre, London Before writing children's classics, Milne was a popular dramatist. His 1922 comedy about eloping lovers gets an excellent revival by Nichola McAuliffeLondon's s…

SOURCE: The Guardian at 3:13am on September 13, 2016
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