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2,436 stories by "Michael Billington"

Yerma review " Billie Piper gives a breathtakingly uninhibited performance by Michael Billington

Young Vic, LondonIn a bravura display, Piper lays bare the soul of a woman who is unable to have children " even if Simon Stone's update is less powerful than Lorca's original playThe Austra…

SOURCE: The Guardian at 7:16am on August 5, 2016

Young Chekhov is the greatest of theatrical marathons by Michael Billington

David Hare's versions of Platonov, Ivanov and The Seagull, now at the National Theatre in a superb production by Jonathan Kent, leave you exhilaratedI have spent many all-day sessions in the…

SOURCE: The Guardian at 10:49am on August 4, 2016

Exposure the Musical review " photography-themed Faustus loses focus by Michael Billington

St James theatre, LondonA snapper falls under the spell of a Mephistophelian PR man in Mike Dyer's energetic story, which takes a turn for the absurd despite some decent songsThe Faust legen…

SOURCE: The Guardian at 7:45am on July 29, 2016

Breakfast at Tiffany's review " Pixie Lott sparkles but Holly Golightly will not shine by Michael Billington

Theatre Royal Haymarket, London The pop singer brings verve and musicality to the glamorous enigma, with admirably conflicted support from Matt Barber " it's Truman Capote's story itself tha…

SOURCE: The Guardian at 7:27pm on July 28, 2016

The Plough and the Stars review " tenement tragedy affirms life in the midst of bloodshed by Michael Billington

Lyttelton, LondonThe women are exceptionally strong in this production of O'Casey's great Easter Rising drama, which draws out the complex humanity of its charactersI found it took time to g…

SOURCE: The Guardian at 8:16am on July 28, 2016

Harry Potter and the Cursed Child review " a dazzling duel of dark and light by Michael Billington

Palace theatre, LondonIt's convoluted, but the latest expansion of the Potter universe is thrillingly staged, with time travel and age-old quests given a dash of post-Freudian guilt"Keep the…

SOURCE: The Guardian at 8:04pm on July 25, 2016

Galway festival 2016: 'a powerhouse of ideas and innovation' by Michael Billington

Ireland's international festival has shown the merits of merging different art forms while reawakening enthusiasm for a much-reprised Beckett classicThey were dancing in the streets last wee…

SOURCE: The Guardian at 11:43am on July 20, 2016

Arlington review " dance, art and poetry explode in Enda Walsh's brave new world by Michael Billington

Leisureland, Salthill, GalwayThe playwright embraces a new form of category-defying theatre in a story of love and oppression that echoes Orwell's 1984No Galway international arts festival s…

SOURCE: The Guardian at 8:19am on July 19, 2016

Fracked! review " Alistair Beaton's environmental satire has rampant energy by Michael Billington

Minerva, ChichesterAnne Reid and James Bolam star in Beaton's dark comedy about fracking that becomes an outright plea for direct actionAlistair Beaton's forte is topical satire. His most re…

SOURCE: The Guardian at 8:31am on July 17, 2016

The Trial of Jane Fonda review " 'Hanoi Jane' saga is staged like a Hollywood film by Michael Billington

Park theatre, London Anne Archer plays the actor and activist in a drama that revisits the consequences of Fonda's visit to North Vietnam in 1972Terry Jastrow's play speculates on what happe…

SOURCE: The Guardian at 6:31am on July 15, 2016

Through the Mill review " Judy Garland bio reveals how a star is torn by Michael Billington

Southwark Playhouse, LondonRay Rackham's musical brings us three Garlands at different periods of her life and deals with the causes and the symptoms of the star's declineI once said that I'…

SOURCE: The Guardian at 8:00am on July 14, 2016

Cameron Mackintosh: 'I'm a billionaire, but I've never forgotten queueing for the cheap seats' by Michael Billington

Producer Cameron Mackintosh turned the West End musical into a global franchise. And he's not finished yet. New shows are opening round the world, new theatres are being purchased ... the em…

SOURCE: The Guardian at 4:55pm on July 13, 2016

Into the Woods review " Sondheim's barbed musical staged with brio by Michael Billington

Menier Chocolate Factory, LondonFiasco's inventive, vigorous version of Stephen Sondheim's modern fairytale doesn't entirely mask the problems of James Lapin's convoluted bookFiasco Theater'…

SOURCE: The Guardian at 7:25am on July 13, 2016

The Kreutzer Sonata review " Tolstoy's tale of murder is electrified by Greg Hicks by Michael Billington

Arcola, LondonHicks confirms his gift for exploring unbalanced minds in this riveting adaptation of the Russian author's novella, directed by John TerryWhen Nancy Harris's adaptation of Tols…

SOURCE: The Guardian at 8:44am on July 12, 2016

Unreachable review " a monster takes over the madhouse by Michael Billington

Royal Court, London Matt Smith gives a fine performance but this movie industry satire is unbalanced by one character's eruptionThere is a long history of theatrical satires on the movie bus…

SOURCE: The Guardian at 6:49am on July 10, 2016

Needles and Opium review " Miles Davis, Jean Cocteau and the love drug by Michael Billington

Barbican, LondonRobert Lepage's wry and haunting 1991 piece about various brands of addiction was inspired by two great artists, and it lives up to their brillianceRobert Lepage has revisite…

SOURCE: The Guardian at 8:23am on July 8, 2016

Queens of Syria review " refugees' fury echoes through Euripides by Michael Billington

Young Vic, LondonThe ordeal of 13 Syrian women is powerfully re-created through horrific personal testimony and heartbreaking nostalgiaIt seems faintly obscene to slap star ratings on a show…

SOURCE: The Guardian at 6:28pm on July 7, 2016

Cathy Come Home review " Loach's classic staged with passion and fury by Michael Billington

Barbican, LondonCardboard Citizens' remarkable version of the TV drama was followed by a fiery discussion in which Loach condemned the government's 'conscious cruelty'Can art change anything…

SOURCE: The Guardian at 6:49am on July 6, 2016

Rosaura review " feminists unlock the mystery of Calderón's classic by Michael Billington

Theatre Room, LondonThis two-woman update of Life Is a Dream is brilliantly performed and looks at the Spanish play from a fresh perspectiveThis two-woman version of Calderón's Spanish cl…

SOURCE: The Guardian at 8:12am on July 5, 2016

Let's not flatter politicians with grand Shakespearean comparisons by Michael Billington

In exposing our leaders' fallibility, it's natural to invoke Shakespeare but that crowns them with borrowed grandeur. A better reference point would be Dryden's brand of mock-heroic satireAt…

SOURCE: The Guardian at 6:06am on July 5, 2016

Boys Will Be Boys review " rude and raucous banking satire by Michael Billington

Bush Hall, London Melissa Bubnic's song-filled attack on the City of London is played with great brio by an all-female cast but stops short of landing a knockout blowMelissa Bubnic's play, j…

SOURCE: The Guardian at 8:21am on June 30, 2016

Faith Healer five-star review " Brian Friel's masterpiece of stage mystery by Michael Billington

Donmar, London A lost world of showbiz exiles is evoked through powerful monologues, hauntingly delivered by Stephen Dillane, Gina McKee and Ron Cook Brian Friel's magical play can be seen i…

SOURCE: The Guardian at 7:22am on June 29, 2016

1984 " review by Michael Billington

Almeida, LondonThe fierce intelligence of the Almeida, Headlong and Nottingham Playhouse's spin on George Orwell shines through - but the play contributes to a worrying theatrical trendIt is…

SOURCE: The Guardian at 6:32am on June 29, 2016

Lend us your ears: how actors have handled key Shakespearean speeches by Michael Billington

From Hamlet's 'To be or not to be' to Macbeth's 'Tomorrow and tomorrow and tomorrow', Shakespeare's lines present an infinity of choicesEarlier this month, I took part in a fascinating discu…

SOURCE: The Guardian at 7:39am on June 28, 2016

Macbeth review " it's not just the sisters who are weird in Iqbal Khan's bizarre take by Michael Billington

Shakespeare's Globe, LondonRay Fearon and Tara Fitzgerald give feverish performances but this production has an aura of perverse oddity " why do the Macbeths have a child?Iqbal Khan's produc…

SOURCE: The Guardian at 11:51am on June 24, 2016
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