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2,436 stories by "Michael Billington"

Henry V review " astonishing gender-switched reinvigoration by Michael Billington

Open Air theatre, Regent's Park, LondonMichelle Terry is riveting as Shakespeare's wartime king in a production that emphasises how roleplaying is integral to monarchyAside from Hamlet, I ca…

SOURCE: The Guardian at 8:14am on June 23, 2016

Wild review " Bartlett's whistleblower thriller turns world upside down by Michael Billington

Hampstead theatre, LondonEdward Snowden-a-like Andrew is visited by two shadowy WikiLeaks employees in Mike Bartlett's intelligent new play, exploring the 2013 revelationsMike Bartlett's pla…

SOURCE: The Guardian at 7:57am on June 22, 2016

Birdland review " Ceaselessly inventive critique of rock stardom by Michael Billington

Royal Court, LondonMega-fame and limitless cash can turn a man into a monster, and Simon Stephens's new play excellently evokes its hero's spiritually shrunken worldNo one will be surprised …

SOURCE: The Guardian at 4:34am on June 22, 2016

Our Town review " an unforgettable evocation of Everytown by Michael Billington

Almeida, LondonDavid Cromer's cooly observant narrator leads a radically reworked version of Thornton Wilder's classic that taps into collective folk memoryWe are used to seeing old plays gi…

SOURCE: The Guardian at 10:25pm on June 21, 2016

A Midsummer Night's Dream review " Trevor Nunn's foxtrot through colonial India by Michael Billington

New Wolsey, IpswichThe verse is handled with microscopic precision as Nunn relocates Shakespeare's comedy to a world of diplomats and cocktails where Theseus becomes a white-suited Mountbatt…

SOURCE: The Guardian at 6:14pm on June 21, 2016

It Is Easy to Be Dead five-star review " requiem for a forgotten war poet by Michael Billington

Finborough, LondonNeil McPherson pays tribute to Charles Hamilton Sorley in a beautifully orchestrated production with songs by Schubert and George ButterworthRobert Graves considered Charle…

SOURCE: The Guardian at 2:46am on June 21, 2016

Vassa Zheleznova review " Liverpool dock strike is no match for the Russian revolution by Michael Billington

Southwark Playhouse, LondonAn updating of Gorky's play loses the moral ambiguity surrounding its female protagonist and makes little sense uprooted from its historial contextMaxim Gorky's pl…

SOURCE: The Guardian at 6:36am on June 19, 2016

Jonathan Cecil obituary by Michael Billington

Versatile actor and writer often called upon to play toffs and bumbling clericsThe actor Jonathan Cecil, who has died of pneumonia aged 72 after suffering from emphysema, spent much of his …

SOURCE: The Guardian at 4:56pm on June 18, 2016

Richard III review " Ralph Fiennes gets to grips with Shakespeare's ruthless ruler by Michael Billington

Almeida, LondonIn Rupert Goold's production, Fiennes sacrifices some of the character's irony while Vanessa Redgrave softens the often scolding Queen MargaretRupert Goold's production begins…

SOURCE: The Guardian at 6:43pm on June 16, 2016

Aladdin review " Disney musical is a magic carpet ride to panto land by Michael Billington

Prince Edward theatre, London Impressive stage magic, a gold-dripping design and a party-loving genie make this energetic adaptation of the animated movie a wicked treatImagine a Christmas p…

SOURCE: The Guardian at 5:31pm on June 15, 2016

One Man, Two Guvnors " review by Michael Billington

Adelphi, LondonTransfers can be tricky. But Richard Bean's updated version of Goldoni's comic classic seems, if anything, even funnier than it did at the National. The text has been shortene…

SOURCE: The Guardian at 1:36pm on June 15, 2016

Corin Redgrave obituary by Michael Billington

A political radical, as an actor he excelled at playing tortured establishment figuresCorin Redgrave, who has died aged 70, was both a formidable actor and a strenuous political activis…

SOURCE: The Guardian at 9:59am on June 13, 2016

Phaedra(s) review " Isabelle Huppert stars in bizarre theatrical collage by Michael Billington

Barbican, LondonHuppert is a treat but even she struggles to make sense of a production that is at times close to insufferable Continue reading...

SOURCE: The Guardian at 7:10am on June 12, 2016

Ross review " Joseph Fiennes captures TE Lawrence's troubled spirit by Michael Billington

Chichester Festival theatreFiennes gives an accomplished performance in an elegantly mounted production of Terence Rattigan's uneven playWe associate Terence Rattigan with domestic drama. He…

SOURCE: The Guardian at 8:10am on June 10, 2016

The Audience " review by Michael Billington

Gielgud, LondonPeter Morgan struck box-office gold with his movie The Queen. He's likely to do so again with this play based on the private weekly audience given by the monarch to the prime …

SOURCE: The Guardian at 8:21pm on June 9, 2016

The Deep Blue Sea review " Helen McCrory blazes in passionate revival by Michael Billington

Lyttelton, LondonTerence Rattigan's powerful portrait of emotional turmoil in postwar Britain is beautifully played " if only the sound effects weren't so disruptiveTerence Rattigan's best p…

SOURCE: The Guardian at 7:32am on June 9, 2016

Why Chicago is my kind of theatre town by Michael Billington

Productions of new plays by Tracy Letts and Rebecca Gilman confirm the Windy City is a hotbed of exciting new dramaNew York gets all the attention but in my experience Chicago is just as vib…

SOURCE: The Guardian at 6:25am on June 9, 2016

Hamlet review " Benedict Cumberbatch imprisoned in a dismal production by Michael Billington

Barbican, LondonCumberbatch has a gift for suggesting Hamlet's essential decency, but visual conceits take the place of textual investigation in this frustrating stagingAfter all the hype an…

SOURCE: The Guardian at 9:34am on June 8, 2016

Harry Potter and the cursed previews: the opening of plays has become absurd by Michael Billington

The West End's preview practice dates back nearly 50 years. As it stands, the outdated system works against the public interestWhen does Harry Potter and the Cursed Child actually open? The …

SOURCE: The Guardian at 9:34am on June 8, 2016

Titanic review " the best piece of musical staging in London by Michael Billington

Charing Cross theatre, LondonThom Southerland opens his Charing Cross tenure with his brilliantly staged revival set aboard the doomed linerThe disaster-musical seems an unlikely genre, but …

SOURCE: The Guardian at 7:26am on June 8, 2016

The Go-Between review " Michael Crawford time-travels through song by Michael Billington

Apollo, LondonThis evocative chamber piece, based on LP Hartley's 1953 coming-of-age novel, is done with taste and style but never quite soars Is LP Hartley's 1953 novel a good subject for a…

SOURCE: The Guardian at 6:21am on June 8, 2016

Bard on the wire: how Chicago scored a hit with Shakespeare and Leonard Cohen by Michael Billington

Tug of War, a gripping take on the history plays with protest songs from Leonard Cohen and Nina Simone, is rocking Chicago. The woman behind it says torture and invasion never felt more rele…

SOURCE: The Guardian at 11:09am on June 7, 2016

Amadeus review " Rupert Everett's Salieri darkly rages at God by Michael Billington

Chichester Festival TheatrePeter Shaffer's spectacle of Mozart's mediocre rival distorts historical reality but remains compelling and stylishly presentedFew living dramatists write big star…

SOURCE: The Guardian at 9:12pm on June 6, 2016

Cat on a Hot Tin Roof: Tennessee Williams's southern discomfort by Michael Billington

The American playwright's masterpiece, an explosive story of sexual repression, has suffered at the hands of directors and censorsGiven that it is Tennessee Williams's best play, it is surpr…

SOURCE: The Guardian at 4:55pm on June 6, 2016

Miss Julie/Black Comedy review " sprightly Strindberg, sublime Shaffer by Michael Billington

Minerva theatre, Chichester Strindberg's Miss Julie is well directed, but it's Shaffer's dark comedy that illuminates in this contrasting double billAugust Strindberg's tragedy Miss Julie an…

SOURCE: The Guardian at 1:32pm on June 6, 2016
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